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Ingrid Bergman, Liv Ullmann, Lena Nyman, Halvar Björk, Georg Løkkeberg ... see more see more... , Erland Josephson , Gunnar Bjornstrand , Eva von Hanno , Linn Ullmann , Ame Bang-Hansen , Marianne Aminoff , Mimi Pollak , Knut Wigert , Sven Nykvist

Ingrid Bergman, the Swedish expatriate who became one of Hollywood's greatest stars, and Ingmar Bergman, one of the world's most acclaimed filmmakers and Sweden's most honored director, worked togethe... read more read more...r for the first and only time in this intensely personal drama about the troubled relationship between a mother and daughter. Charlotte (Ingrid Bergman) is an acclaimed concert pianist who is visiting her daughter Eva (Liv Ullmann), the wife of a parson in a rural community, for the first time in seven years. While Charlotte and Eva struggle to be civil, there is a deep emotional gulf between them. Eva resents her mother for not caring enough for her as a child, feeling that Charlotte was more interested in her career and her other daughter, Helena (Lena Nyman), who is severely handicapped and can only communicate through inarticulate noises. Charlotte, on the other hand, is uncomfortable with the fact that Helena now lives with Eva, and she is still coming to terms with the emotional devastation of her husband's recent death. Herbstsonate, released in America as Autumn Sonata, earned Ingrid Bergman some of the most enthusiastic acclaim of her career; she received an Oscar nomination for Best Actress, and she won the same honor from the National Board of Review and the New York Film Critics Circle. It was also her last theatrical release; she would appear in only one more project, a TV movie about the life of Golda Meir, before her death in 1982. ~ Mark Deming, Rovi

Flixster Users

89% liked it

6,614 ratings

Critics

95% liked it

19 critics

R, 1 hr. 37 min.

Directed by: Ingmar Bergman

Release Date: January 1, 1978

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DVD Release Date: January 11, 2000

Stats: 360 reviews

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Flixster Reviews (360)


  • December 18, 2009
    Ingrid is great as a totally self involved woman of great musical talent but no outward vision beyond how it serves her no matter how she tries. The rest of the film is dour and terribly depressing which of course is par for the course with Ingmar Bergman. We are suppose to empat... read morehize with Liv Ullman's character but she seems stunted by her bad childhood unable to realize that at some point you have to accept people as they are and get on with the business of living.
  • December 14, 2009
    This is one of the very best Ingmar Bergman films I have seen, and therefore one of the very best films.

    Ingrid Bergman and Liv Ullman are simply amazing together as a mother and daughter combination from hell. Ingrid Bergman is terrific, despite a deliberately naff hairdo which... read more makes her look like Queen Elizabeth II of the UK rather than the faded beauty she is. Liv Ullman also has visual nuances to enhance her character - the glasses, platted hair and jumpers enabling this beautiful woman to look frumpy.

    The acting is simply amazing, even through the subtitles you can tell. Fortunately Scandinavian vocal nuance is similar enough to English to enable us non-Swedish speakers to appreciate the acting.

    Of course, it has the Ingmar Bergman darkness to it. The sister with the horrible degenerative disease, the drowned toddler, the selfishness of the Ingrid Bergman character. If you get depressed along with the characters in films like this, you might be better off giving this one a miss.

    But for those with a taste for this type of claustrophobic drama, this is one of the most powerful films you will ever see.
  • December 8, 2009
    I might be alone on this, but I prefer Autumn Sonata to Persona, Seventh Seal and maybe even Wild Strawberries. Wild Strawberries remains my favourite of Bergman's best but I believe Autumn Sonata is the better produced film, purely due to it's awesome script and the impeccable ... read moreperformances from Ullman and especially Bergman. Her performance, when put in perspective (she was dying of Cancer) is just amazing. I'm not ashamed to say that this film made me cry a little. Pure brilliance!
  • fb1142797643
    December 21, 2009
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    Affecting less due to the story, and more due to observing still-radiant Ingrid Bergman in the twilight of her life. Otherwise, there's not much happening in the filmmaking beyond "warm lighting," and the script seems like just a case of Ingmar struggling to find new ways to make... read more characters intensely miserable.
  • fb20312798
    May 8, 2011
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    Its a devastatingly sad film, and while I wouldn't count it among Ingmar Bergman's absolute best (mostly because the first half of the film dives into the conflict too quickly and easily) but once the mother/daughter confrontation occurs its pretty powerful. It demonstrates some ... read moreof the best writing Bergman has ever done.
  • April 3, 2008
    Ingrid outshines Ingmar in their only film together.
  • March 13, 2008
    Ingrid Bergman as directed by Ingmar Bergman. Did you think this was going suck?
  • September 28, 2010
    Sep 2010 - This is another of incredible human dramas in the later work of Bergman. This time everything is focused so the relationship between a mother and a daughter. The movie is so much in control and so realistic that despite the limitation of an ordinary life conflict, one ... read moreis faced with such a touching drama. It is also incredible to see Ingrid Bergman acting in the movie and how the two giants worked together.
  • December 17, 2008
    Ingmar Bergman's Autumn Sonata (Höstsonaten) tells the story of a mother (Ingrid Bergman) who comes to visit her daughter. The mother is a world-famous pianist and was never around for her daughter's life. The film takes place in one night and the two reminisce about life. The pl... read moreot is very, very simple. I don't really get what the point of this film was, so I didn't particularly care for the plot.

    The reason I watched this film is because it's directed by the greatest Swedish director of all-time (Ingmar Bergman) and stars the greatest Swedish actor of all time (Ingrid Bergman - no relation to the director). Bergman the actress is oftentimes brilliant in this film. She was nominated for an Academy Award for this film but did not win obviously as this film is entirely in Swedish and the Academy almost never gives Oscars to foreign films that compete with domestic films.

    Overall, I didn't see what the point of this was. The Seventh Seal (also directed by Bergman) was also strange, but in the end I saw a purpose to that film. This film, while well-acted, doesn't really do much. It seems like the audience gets a glimpse at an argument between two random people but that's about it. The critics like this so maybe I'm missing something. Then again, it's one of the later Ingmar Bergman films so perhaps the critics are praising it because the director had earned so many previous praises by the time this came out.

    60/100
    D-

    UP NEXT: To be determined.
  • April 21, 2008
    Pretty bad. Possibily good for ppl with mother daughter issues.. but the mother is a real selfish bitch.

Critic Reviews


Dave Kehr
August 1, 2007
Dave Kehr, Chicago Reader

The movie makes good chamber music: it's a crafted miniature with Bergman's usual bombast built, for once, into the plot requirements. Full Review

Ken Hanke
September 16, 2010
Ken Hanke, Mountain Xpress (Asheville, NC)

This is not a comfortable movie, but it isn't meant to be. It's a difficult work, but that very difficulty is what makes it rewarding. Full Review

Dan Callahan
November 25, 2008
Dan Callahan, Slant Magazine

Ingmar says, "No." Ingrid says, "Yes." They're both right and both wrong, but it is Ingrid, in her last feature film performance, whose "Yes" carries more conviction and authority. Full Review

Dennis Schwartz
September 20, 2007
Dennis Schwartz, Ozus' World Movie Reviews

This very good Ingrid and Ingmar Bergman film is very easy to love for its honesty and passion ... Full Review

August 29, 2006
TV Guide's Movie Guide

There is too much talk, talk, talk about feelings and not enough demonstration of them, but like cream, Ingrid keeps rising to the top of the chatter. Full Review

Geoff Andrew
February 9, 2006
Geoff Andrew, Time Out

Of course Bergman's actresses suffer superbly in microscopic close-up, but the nagging doubt persists as to whether this is incisive psychodrama or just those old nordic blues again. Full Review

Emanuel Levy
June 26, 2005
Emanuel Levy, EmanuelLevy.Com

Ingrid Bergman won her last Oscar nomination for her very last feature in this intense mother-daughter melodrama, directed by Ingmar Bergman. Full Review

Mark Athitakis
May 23, 2005
Mark Athitakis, Filmcritic.com

Though Ingrid and Ingmar Bergman aren't related, their pairing on a movie set was a long-anticipated event Full Review

Frederic and Mary Ann Brussat
July 20, 2003
Frederic and Mary Ann Brussat, Spirituality and Practice

Probes in an intelligent and affecting way the ambivalent feelings in mother-daughter relationships Full Review

Jon Fortgang
May 24, 2003
Jon Fortgang, Film4

With its raw performances and lyrical dialogue this is a sombre, resonant, lingering drama about family dysfunction and emotional frustration. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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