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Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf ... see more see more... , Neville Brody , Stefan Sagmeister , Michael Bierut , David Carson , Paula Scher , Jonathan Hoefler , Tobias Frere-Jones , Michael C. Place , Norm , Alfred Hoffmann , Mike Parker , Bruno Steinert , Otmar Hoefer , Leslie Savan , Rick Poynor , Lars Müller , Experimental Jetset

In 2005 a number of provocative, award-winning ads appeared that touted the Helvetica font; Gary Hustwit explores the subject protractedly with his feature-length essay film Helvetica. The documentary... read more read more..., produced in 2007 (and thus commemorating the typeface's 50th anniversary), uses the omnipresent font as a lens through which it examines contemporary visual culture and how typeface is used, aesthetically, spatially, and culturally, to impart shape and character to urban environments. Hustwit then segues into a discussion with a number of acclaimed designers about their work, their creative visions and processes, and the aesthetic reasoning behind various decisions regarding font. Hustwit interviews over 20 design experts in the film, including Michael C. Place, Paula Scher, Matthew Carter, and David Carson. ~ Nathan Southern, Rovi

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79% liked it

5,716 ratings

Critics

89% liked it

18 critics

Unrated, 1 hr. 20 min.

Directed by: Gary Hustwit

Release Date: May 8, 2007

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DVD Release Date: November 20, 2007

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Flixster Reviews (1,061)


  • January 19, 2011
    Typeface designer Jonathan Hoefler, one of the many interviewees for this film, compares Helvetica, the font, in the film's introduction to off-white paint. No one really notices or cares about it. In terms of describing the average person's attitude toward the font, he couldn't ... read morehave been more right.

    The film starts out well enough, explaining typography and its nuances. Typography is, indeed, a mildly interesting topic. But that's not what the film is about. The film was simply a random potpourri of interviews with graphic designers and typeface designers who had varying opinions and different cute little metaphors to describe Helvetica. Between these interviews were rather random shots of Helvetica in everyday life.

    That's fine and all, but listening to a typeface designer talk about his or her feelings toward Helvetica is like listening to a physics professor explain the aerodynamics of a football or listening to a linguist talk about the mouth's creation of various phonemes--it's really not interesting unless it's a subject you actually enjoy. And typeface design is a fairly dry subject.

    This film might have worked better as a short documentary. It's a very narrow subject around which to create 80 minutes of film, and that becomes clear about halfway through. If you're into typeface or graphic design, you may enjoy this film. But if you're an average individual with average interests and hobbies, this film will eventually lull you to sleep.
  • January 14, 2011
    My lukewarm reception of this documentary may be due to the fact that I abhor the eponymous font itself. I'm loath to use sans serifs anyway, but Helvetica really just makes me feel yuck.

    Perhaps I'm not in this movie's target audience. It seems interesting and well-research... read moreed enough for designers in the industry. I do wonder, though, what exactly counts as Helvetica? Any blocky sans serif? Several different examples in the movie look very different from each other.
  • December 18, 2010
    Interesting documentary, uninterestingly done.
  • February 20, 2012
    Some people really like fonts. I am not one who is interested in this much detail about typography. For a doc about graphic design and advertising, Art & Copy is slightly better. I thought this would at least be about fonts in general, but it really is almost exclusively about on... read moree font, Helvetica, the "Swiss" typeface. Here we are presented with three schools of thought about Helvetica. There are people who think Helvetica is the only appropriate, legible, modern font for all advertising. There are others who rebel against this notion and use fonts that are themselves graphical, funky and postmodern. Then there are also a few who try to use the standard shape of Helvetica letters in new, fractured, post-postmodern ways. Again it is a mixed bag with some of the interviewees being more entertaining than others.
  • June 3, 2008
    [font=Century Gothic]"Helvetica" is an illuminating documentary about how even the things we take for granted may have a more complex story than we originally imagined. Take the font Helvetica for instance. Did you know Helvetica is from the Latin word for Swiss and that it is ... read morethe default font for municipalities and businesses, chosen for its legibility?(This is especially important when used with something as potentially mind-blowing as the New York City subway map.) Where the documentary works best is as a video essay(like a documentary on Antonio Gaudi), but too much time is given over to a dry lecture on the history of modern graphic design. While Helvetica was once nearly universally accepted, later graphic designers got bored and started expermenting for the sake of it which got to the point where fonts were used which were impossible to decipher.(Maybe I would have liked to have read that Brian Ferry article...) Personally, I have always preferred the Century Gothic font, a little funky but still totally readable.[/font]
  • April 19, 2010
    Often interesting, sporadically fascinating documentary on the popular font. It's a little too exhaustive for such a niche subject, but it's handsomely filmed and edited and has a quite brilliant music score.

    Hey, it's a doc on a font; there's not much else I can write.

  • May 8, 2009
    One for the inner geek.
  • July 6, 2010
    Not super revelatory or intensely dramatic, but amazing in the way it exposes something ubiquitous that most people have never noticed before. This movie ensures we'll never think about typefaces the same way again. Makes one wonder what other details relegated to our subconsciou... read mores brim with connotation and subtext. A brisk and oddly fun watch for anyone with a passing design interest.
  • October 9, 2009
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  • February 4, 2009
    Surprisngly interesting doc about a font (of all things). I learned more than I ever thought I cared to know about typefaces. I'm sure I would have enjoyed the whole thing had it not started skipping towards the end (thanks Netflix!)

Critic Reviews


Lisa Schwarzbaum
September 19, 2007
Lisa Schwarzbaum, Entertainment Weekly

Even viewers who've never given a serif a second thought are in for an exclamation point of joy from such a well-designed doc. Full Review

Matt Zoller Seitz
September 12, 2007
Matt Zoller Seitz, New York Times

Overlong but fascinating, Gary Hustwit's documentary posits Helvetica, a sans-serif typeface developed in 1957.

Julia Wallace
September 11, 2007
Julia Wallace, Village Voice

Helvetica keenly distills the eternal aesthetic battle between the classical and the baroque and explores what happens when a revolution goes mainstream. Full Review

J. R. Jones
June 16, 2007
J. R. Jones, Chicago Reader

The computer revolution may have democratized graphic design, letting anyone decorate his own desktop or MySpace page, but a certain amount of conformity is necessary for society to function. Full Review

Bill Stamets
June 15, 2007
Bill Stamets, Chicago Sun-Times

A splendid documentary about one typeface, designed in 1957 in Switzerland. Full Review

Michael Phillips
June 14, 2007
Michael Phillips, Chicago Tribune

By rounding up a great group of eloquent obsessives eager to explain their feelings about a font, Hustwit has come up with 80 unexpectedly blissful minutes. Full Review

Jeff Shannon
March 7, 2008
Jeff Shannon, Seattle Times

Helvetica is one of those rare films in which the exploration of a specific topic leads to expanding horizons of perception. Full Review

Bill White
March 7, 2008
Bill White, Seattle Post-Intelligencer

Director Gary Hustwit opens our eyes to the visual culture of typography in much the same way as Andy Warhol once freed us from the tyranny of advertising, by inviting reflection upon that which is in... Full Review

Cath Clarke
October 13, 2007
Cath Clarke, Guardian [UK]

The tweaky world of typography is not perhaps as much at the heart of how we live as these designers would have us believe, but it's enjoyable to watch them rhapsodise sans serifs and spacing. Full Review

Michael W. Phillips, Jr.
September 25, 2007
Michael W. Phillips, Jr., Goatdog's Movies

A little like a study of the American Civil War that discusses the Confederacy without mentioning the Union. Full Review

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