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Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao, Shih Chung-tien ... see more see more... , Kuei-Mei Yang , Chen Chao-jung , Lee Yi-cheng , Chao-jung Chen , Shih Chun

In a cavernous movie palace, King Hu's classic 1968 film Dragon Inn plays for a sparse crowd. As the movie progresses, the ticket-taker makes dinner, cleans the bathroom, and checks in on the projecti... read more read more...onist. Audience members wander in and out, occasionally interacting in the restroom or the vast hallways that surround the theater proper. Minimally plotted, Tsai Ming-Liang's film is a poetic, dryly humorous portrait of a place and its denizens, and an homage to a director who influenced his career. ~ Tom Vick, Rovi

Flixster Users

71% liked it

2,277 ratings

Critics

82% liked it

33 critics

Unrated, 1 hr. 21 min.

Directed by: Ming-liang Tsai

Release Date: September 17, 2004

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DVD Release Date: February 15, 2005

Stats: 146 reviews

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Flixster Reviews (146)


  • November 8, 2007
    Literally plodding... but entrancing take on filmgoing as both communal act and private quest for validation. Movie theater as bathouse.

    Total art film - I see some lonely Antonioni in the architecture and some funny Tati in the setups and timing. Oh, and ghosts - lots of gh... read moreosts. My first taste of Tsai.
  • July 12, 2008
    This is a truly under-appreciated film. It's a beautiful story about letting go. It is basically a silent film, though -- the first line of dialogue doesn't appear until 40 minutes into the film, so its not for everyone. It's more art than just a casual bleh-popcorn-movie film.
  • August 21, 2007
    Tsai's ode to the death of the old movie theaters in our times of televisions, DVDs and huge multiplexes. The most minimalistic film I've seen. I counted only 10 short lines of dialogue in the entire film, with the first line 44 minutes into the film. Tsai uses extremely long... read more static takes to capture the main character in the film - a run down movie theater screening its final movie - the King Hu martial arts classic Dragon Inn. Among the people in the theater are a young gay Japanese man looking for intimacy or sex, a crippled woman who runs and cleans the decrepit theater, a young projectionist whom she pines for, and two "ghosts" that haunt the theater. The glacial pace of the film will no doubt alienate most viewers. For those who can stay awake during the film, Goodbye, Dragon Inn is a very rewarding experience. Think of it as a minimalist silent Cinema Paradiso.
  • February 10, 2007
    This was more interesting than Dragon Inn its predecessor, the scenes were well written and scripted. a must see for martial art lovers

Critic Reviews


Michael Wilmington
January 6, 2005
Michael Wilmington, Chicago Tribune

A weird, funny, melancholy tribute to movies and movie-going, an opus for film geeks that rang my personal bell. Full Review

G. Allen Johnson
December 17, 2004
G. Allen Johnson, San Francisco Chronicle

Idiosyncratic, oddball movie that is both funny and moody. Full Review

Wesley Morris
October 29, 2004
Wesley Morris, Boston Globe

This is one of the most gorgeous and maturely composed movies you'll see this year. Full Review

Andrew Sarris
October 1, 2004
Andrew Sarris, New York Observer

The real star of the movie is the doomed movie house itself, and the dominant subtext is the emotional transaction between the viewer and his (or her) more vividly vicarious adventures projected on-sc... Full Review

Stephanie Zacharek
September 18, 2004
Stephanie Zacharek, Salon.com

What really sticks with you is the picture's aura of twilight vibrancy, and the deep pleasure Tsai takes in savoring subtle emotions that other filmmakers might not even register. Full Review

Jami Bernard
September 17, 2004
Jami Bernard, New York Daily News

A droll gem that celebrates movie love with feeling and deadpan humor. Full Review

V.A. Musetto
September 17, 2004
V.A. Musetto, New York Post

A loving tribute to cinema by Tsai Ming-liang, one of Taiwan's most accomplished and popular directors.

J. Hoberman
September 14, 2004
J. Hoberman, Village Voice

A movie of elegant understatement and considerable formal intelligence. Full Review

David Rooney
September 10, 2004
David Rooney, Variety

This feels like short film material stretched exasperatingly thin but nonetheless casts a certain sad spell, graced by moments of droll observational humor. Full Review

Richard James Havis
November 13, 2003
Richard James Havis, Hollywood Reporter

It certainly stands as Tsai's most skillful work -- he manages to keep viewer attention for a full 81 minutes with a minimum of action and dialogue.

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