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Matt Damon, Robin Williams, Ben Affleck, Minnie Driver, Stellan Skarsgård ... see more see more... , Casey Affleck , Cole Hauser , George Plimpton

Matt Damon and Ben Affleck co-scripted and star in this drama, set in Boston and Cambridge, about rebellious 20-year-old MIT janitor Will Hunting (Damon), gifted with a photographic memory, who hangs ... read more read more...out with his South Boston bar buddies, his best friend Chuckie (Affleck), and his affluent British girlfriend Skylar (Minnie Driver). After MIT professor Lambeau (Stellan Skarsgard) stumps students with a challenging math formula on a hallway blackboard, Will anonymously leaves the correct solution, prompting Lambeau to track the elusive young genius. As Will's problems with the police escalate, Lambeau offers an out, but with two conditions -- visits to a therapist and weekly math sessions. Will agrees to the latter but refuses to cooperate with a succession of therapists. Lambeau then contacts his former classmate, therapist Sean McGuire (Robin Williams), an instructor at Bunker Hill Community College. Both are equally stubborn, but Will is finally forced to deal with both his past and his future. ~ Bhob Stewart, Rovi

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R, 2 hr. 6 min.

Directed by: Gus Van Sant

Release Date: December 5, 1997

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DVD Release Date: December 8, 1998

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Flixster Reviews (18,815)

  • aquateen2
    February 6, 2012
    aquateen2
    The name of the film is as smart and powerful as the movie itself. Good Will Hunting is about a janitor (Damon) who doesn't use his outstanding intelligence the way he should, consequently he fails to live his life to his full potential. A therapist (Williams)is hired to boost hi... read mores confidence and open his eyes. And it's pretty predictable when it unfolds, but this movie is proof that emotional performances and heart can be just as entertaining as a film with a well constructed plot. Sommetimes it got scary and/or funny. It's a drama that deserves to remain a classic because it's a deeply inspiring movie and I loved watching it.
  • TomBowler
    November 3, 2011
    TomBowler
    Although now Matt Damon is a bona fide superstar with an action trilogy and a heist trilogy both securely under his belt, there was a time when he wasn't so well known as to have his own marionette in Team America. With a few bit parts and a couple of supporting roles behind him,... read more Damon had yet to make any sort of lasting mark on cinema. Ben Affleck, similarly, hadn't yet moved into the legitimate public eye, despite roles in Chasing Amy and Dazed and Confused. Then there was Good Will Hunting.

    The story follows a South Boston construction worker with an unusual gift for mathematics. After he's discovered by an MIT professor and put under his supervision as a result of an assault charge, he's suddenly faced with a lot of important decisions.

    Gus Van Sant's direction here is flawlessly old school. Long, lingering shots with minimalist camera work and just the right amount of emotion makes for some beautifully restrained work. Think David Fincher's work with the Social Network but with less cutting. The nature of the film demands a careful balance of humour and emotion and Van Sant never drops the ball. When it's supposed to be funny, you'll be laughing. When you're meant to be sad, there will be tears. Despite his often childlike apporach to the material, he is able to be unflinchingly mature in the moments that call for it. It's this versatility which is the mark of a great director that Van Sant displays so intuitively here.

    Good Will Hunting also features one of Danny Elfman's more diverse compositions, a bittersweet combination of keys and strings with a lilting pipe tune which stays with you for a while. It may verge on twee on the odd occassion but it's used with enough restraint that it doesn't become a crutch or substitute for real emotion. The real standout of the soundtrack is Elliott Smith's Oscar nominated song "Miss Misery." Hitting just the right note, his full stop at the end of the film is sweetly depressing as well as marking a new chapter for our main character.

    Speaking of the Academy Awards, one of the biggest draws of the film is the Oscar winning script penned by Matt Damon and Ben Affleck. Thirteen years on and it's still as powerful as it ever was, managing to walk the line between stilted and realistic with an uncanny instinct for everyday conversations and natural dialogue. Even Will's super smart outbursts are grounded by the film's realistic feel. But the screenplay's greatest achievement is the raw emotion that it is capable of evoking. Scenes such as Skylah and Will's fight in the dorm room linger in the mind long after the final credits have rolled. In particular the dialogue between Will and Sean is incredibly powerful, their exchanges both layered and meaningful. Their relationship development is incredibly rewarding, moving from the sizing up of two boys from Southie to two friends with grace and realism. The elegance and simplicity of the plot is astoundingly straightforward with no sudden, attention seeking twists or unstable divergences, instead focussing on extracting every moment of nuance and emotion from various conversations between the characters. It's an incredible achievement, especially in light of the fact that it's the writing debut of Damon and Affleck.

    The two of them don't let down in the acting department either, with both of them turning in brilliant performances. Damon's character is the main character of the piece and as such his performance is more rewarding in depth and evolution but Affleck does well with the screentime allotted to him. He is funny and loudmouthed as well as playing the role of Will's best friend with uncharacteristic restraint. Damon's performance easily outshines him, however, moving from dangerously inflamed to easy-going with style. Jason Bourne may be his best known character but his performance here is so beautifully vulnerable and simply realistic that it's easily his best performance to date. His love interest in the film is a delightful Minnie Driver who is able to evoke a goofy sense of humour at times while being undeniably powerful in the more emotional scenes. But the star here is Robin Williams, the manic stand-up bringing forth an incredible performance filled with nuance and humour as well as depth and vulnerability. His delivery of some exquisitely crafted speeches make an incredible document almost obsolete with such astounding timing and realism that it's difficult to tell where the acting ends and Williams begins. He is quietly, understatedly brilliant in the midst of an incredible cast.

    With an eternally brilliant script, beautiful direction and amazing performances all round, Good Will Hunting is as close to perfect as movies get.

    Defining Scene:
    Tough one to pick but it has to be Sean and Will's second meeting. A rivetting piece of acting from Williams combined with one of the best monologues in the film.

    Quotes:
    Do you like apples?
    Yeah.
    Well, I got her number. How do you like them apples?

    I read your book last night.
    So you're the one.

    What if I said I wouldn't have sex with you again 'til I got to meet your friends; what would you say?
    I'd say it's 4:30 in the morning; they're probably up.

    Real loss is only possible when you love something more than you love yourself.

    You're legally allowed to drink now, so we figured the best thing for you was a car.

    Look - you're my best friend, so don't take this the wrong way. In twenty years, if you're still livin' here, comin' over to my house to watch the Patriots games, still workin' construction, I'll fuckin' kill you. That's not a threat; now, that's a fact. I'll fuckin' kill you.

    So this is a Harvard bar, huh? I thought there'd be equations and shit on the wall.

    See, the sad thing about a guy like you is in fifty years you're gonna start doin some thinkin on your own and you're gonna come up with the fact that there are two certainties in life. One, don't do that. And two, you dropped a hundred and fifty grand on a fuckin education you coulda got for a dollar fifty in law away charges at the public library.

    Why shouldn't I work for the N.S.A.? That's a tough one, but I'll take a shot. Say I'm working at N.S.A. Somebody puts a code on my desk, something nobody else can break. Maybe I take a shot at it and maybe I break it. And I'm real happy with myself, 'cause I did my job well. But maybe that code was the location of some rebel army in North Africa or the Middle East. Once they have that location, they bomb the village where the rebels were hiding and fifteen hundred people I never met, never had no problem with, get killed. Now the politicians are sayin', "Oh, send in the Marines to secure the area" 'cause they don't give a shit. It won't be their kid over there, gettin' shot. Just like it wasn't them when their number got called, 'cause they were pullin' a tour in the National Guard. It'll be some kid from Southie takin' shrapnel in the ass. And he comes back to find that the plant he used to work at got exported to the country he just got back from. And the guy who put the shrapnel in his ass got his old job, 'cause he'll work for fifteen cents a day and no bathroom breaks. Meanwhile, he realizes the only reason he was over there in the first place was so we could install a government that would sell us oil at a good price. And, of course, the oil companies used the skirmish over there to scare up domestic oil prices. A cute little ancillary benefit for them, but it ain't helping my buddy at two-fifty a gallon. And they're takin' their sweet time bringin' the oil back, of course, and maybe even took the liberty of hiring an alcoholic skipper who likes to drink martinis and fuckin' play slalom with the icebergs, and it ain't too long 'til he hits one, spills the oil and kills all the sea life in the North Atlantic. So now my buddy's out of work and he can't afford to drive, so he's got to walk to the fuckin' job interviews, which sucks 'cause the shrapnel in his ass is givin' him chronic hemorrhoids. And meanwhile he's starvin', 'cause every time he tries to get a bite to eat, the only blue plate special they're servin' is North Atlantic scrod with Quaker State. So what did I think? I'm holdin' out for somethin' better. I figure fuck it, while I'm at it why not just shoot my buddy, take his job, give it to his sworn enemy, hike up gas prices, bomb a village, club a baby seal, hit the hash pipe and join the National Guard? I could be elected president.
  • fb100000883534329
    October 29, 2011
    fb100000883534329
    I'll give it this, I never would have thought the two actors Affleck and Damon (In their frat boy prime) could write something I could take serious. But I did enjoy it. Dident love it like some filmmakers and watchers prase but it was entertaining... I still think the sequal fe... read moreatured in "Jay & Silent Bob Strike Back" should be released. I would pay to see that!
  • fb1664868775
    October 27, 2011
    fb1664868775
    Great performances from Damon, Affleck and Williams. Van Sant finally received box office success with this film.
  • stevenecarrier
    August 31, 2011
    stevenecarrier
    Every time I watch "Good Will Hunting" I am taken aback. I always forget how simple, elegant and honest this film is. How exquisitely acted and directed it is. Gus Van Sant knew exactly how to handle Matt Damon and Ben Affleck's screenplay. By letting the story speak for itself a... read morend foregoing the intrusion of directorial flourishes, Van Sant makes a powerful story speak even louder. This is a story than can speak to anyone and Van Sant lets that happen. "Good Will Hunting" is a 90s classic for all the right reasons and it's a lovely example of purely great filmmaking. Each filmic aspect comes together perfectly for a wonderful final product.
  • ajv2688
    August 11, 2011
    ajv2688
    I know a lot of people hold this film in high esteem, but I found it oh so boring. It's predictable and there are a lot of other similar movies that came before it. Plus none of the stars were really good in this movie. I say it's just a so-so drama.
  • xXGiNoBiLiPRXx
    July 30, 2011
    xXGiNoBiLiPRXx
    Some people can never believe in themselves, until someone believes in them.

    Very good debut by Matt Damon and Ben Affleck! The story is very original and dynamic which only talented actors as those in it were able to show us the way. Robin Williams and Minne Driver were very go... read moreod also and were the key for it's success. Overall, I thought this movie was believable and touching, without your typical ending. Sit down to watch this movie with a completely impartial attitude, you will see that it really is beautiful. Enjoy it!

    Though Will Hunting (Matt Damon) has genius-level intelligence (such as a talent for memorizing facts and an intuitive ability to prove sophisticated mathematical theorems), he works as a janitor at MIT and lives alone in a sparsely furnished apartment in an impoverished South Boston neighborhood. An abused foster child, he subconsciously blames himself for his unhappy upbringing and turns this self-loathing into a form of self-sabotage in both his professional and emotional lives. Hence, he is unable to maintain either a steady job or a steady romantic relationship.

    In the first week of class, Will solves a difficult graduate-level math problem that Professor Gerald Lambeau (Stellan Skarsgård), a Fields Medalist and combinatorialist, left on a chalkboard as a challenge to his students, hoping someone might solve the problem by the semester's end. Everyone at MIT wonders who solved it, and Lambeau puts another problem on the board -- one that took him and his colleagues two years to prove. Will is discovered in the act of solving the problem, and Lambeau initially thinks that Will is vandalizing the board and chases him away. When Will turns out to have solved it correctly, Lambeau tries to track Will down. Meanwhile, Will attacks a youth who had bullied him 15 years ago in kindergarten, and he now faces imprisonment after attacking a police officer who was responding to the fracas. Realizing Will might have the potential to be a great mathematician, such as the genius Évariste Galois, Lambeau goes to Will's trial and intervenes on his behalf, offering him a choice: either Will can go to jail, or he can be released into Lambeau's personal supervision, where he must study mathematics and see a psychotherapist. Will chooses the latter even though he seems to believe that he does not need therapy.

    Five psychologists fail to connect with Will. Out of sheer desperation, Lambeau finally calls on psychologist Sean Maguire (Robin Williams), an estranged old friend and MIT classmate of his who grew up in the same neighborhood as Will. Sean differs from his five predecessors in that he pushes back at Will and is eventually able to get through to Will and his hostile, sarcastic defense mechanisms. At one point, Will analyzes a watercolor painting that Sean had done himself and concludes that it reflects Sean's suppressed feelings and guilt over the premature death of his wife. Sean becomes offended and hostile and grabs Will by the throat, threatening to sink his chances for reform. Will ends the appointment and walks out; Lambeau walks in believing that Will had ruined his chances with another therapist, however, Sean sees Will as a challenge and tells Lambeau to bring him back each week.

    In a later session Will is particularly struck when Sean tells him how he gave up his ticket to see the Red Sox in the 1975 World Series (thus missing Carlton Fisk's famous home run in Game 6) in order to meet and spend time with a stranger in a bar, who would later become his wife. Will is encouraged to try to establish a relationship with Skylar (Minnie Driver), a young woman he met at a bar near Harvard University.

    This doctor-patient relationship, however, is far from one-sided. Will challenges Sean in the same way that Sean is encouraging Will to take a good, hard, objective look at himself and his life. Sean's own pathology is that he is unable and unwilling to even consider a second romantic relationship in the aftermath of his first beloved wife's premature death from cancer several years before. This may well be the primary reason why Sean agrees to take Will on as a client.

    Meanwhile, Lambeau pushes Will so hard to excel that Will eventually refuses to go to the job interviews that Lambeau arranged for him for positions that might prove challenging, even to his immense talents. Lambeau and Sean also squabble about Will's future. Will's accidental witnessing of this furious argument somehow acts as a catalyst for his decision to enter a deeper level of trust and sharing with Sean. He has apparently realized from this event that the situation is a little more complex than Will vs. The World. He now sees that these mentors are every bit as human, fallible, and conflicted as he is.

    Skylar asks Will to move to California with her, where she will begin medical school at the Stanford University School of Medicine. Will panics at the thought. Skylar then expresses support about his past, which is received as patronization and triggers a tantrum in which Will storms out of the dorm while still in a state of undress. He shrugs off the work he's doing for Lambeau as "a joke," even though Lambeau is incapable of solving some of these theorems and admittedly envies Will. Lambeau begs Will not to throw it all away, but Will walks out on him anyway.

    Sean points out that Will is so adept at anticipating future failure in his romantic relationships, that he either allows them to fizzle out or deliberately bails, in order to avoid the risk of future emotional pain. When Will then provides a whimsical reply to Sean's very serious query of what he wants to do with his life, Sean simply shows him the door. When Will further tells his best friend Chuckie (Ben Affleck) that he wants to be a laborer for the rest of his life, Chuckie becomes brutally honest with Will: he feels it's an "insult" for Will to waste his potential as a laborer, and that his recurring wish is to knock on Will's door in the morning when he picks him up for work and find that he just isn't there, that he has left without saying goodbye.

    Will goes to another therapy session, where he and Sean share that they were both victims of child abuse. At first, Will is defensive and resentful at Sean's repeated reassurances that "It's not your fault," but he eventually breaks down in tearful acknowledgment. Finally, after much self-reflection, Will decides to cease being a victim of his own inner demons and to take charge of his life. When his buddies present him with a rebuilt Chevrolet Nova for his 21st birthday, he decides to go to California and reunite with Skylar, setting aside his lucrative corporate and government job offers. Will leaves a brief note for Sean explaining what he's doing, using one of Sean's own quips, "I had to go see about a girl." Sean also leaves to travel the world, though not before reconciling with Lambeau. The movie ends as Chuckie poignantly discovers, in fulfillment of his own long-standing wish, that Will has left for a better life. Will is then shown starting his life-affirming drive to California for a new beginning with Skylar and a leap into an unpredictable future.
  • erika250
    July 28, 2011
    erika250
    Good will hunting is about a 20 year old man that cannot get past his past and cannot face the future. . He is a math whiz that works at mit. He had many run ins with the law and the only way he could not go to jail if he does math at mit and go see a therapist once a week. . At ... read morefirst he does very thing in his power to make the therapist does not want to work with him. Will he face his past and move on to the future or will stay on the path he is on now.
    Pros
    Good acting and plot
    Funny at times
    90's classic
    really moving
    it really shows what it is like for some people growing up.
    Cons
    Lacking at times
    Acting lacking at times
  • murphmann93
    June 24, 2011
    murphmann93
    Fanstastic writing from Ben Affleck and Matt Damon. I really enjoyed this film.
  • DreamExtractor
    February 28, 2011
    DreamExtractor
    A inspiration by Matt Damon, Williams steals the show

View All Good Will Hunting Reviews

Critic Reviews

Emanuel Levy
February 5, 2008
Emanuel Levy, Variety

Towering performance by Matt Damon as a troubled working class who needs to address his creative genius elevates this drama way above its therapeutic approach, resulting in a zeitgeist film that may t... Full Review

Andrew Sarris
April 27, 2007
Andrew Sarris, New York Observer

The film works as a character-driven narrative because Mr. Van Sant and his co-screenwriters are not afraid to unlock the psychological mysteries of their five major characters with clear and concise ... Full Review

Kenneth Turan
February 14, 2001
Kenneth Turan, Los Angeles Times

While the charismatic performances of Damon and Affleck make "Good Will Hunting" a difficult entertainment to resist, doing just that is not as hard as the film would like to think. Full Review

Matthew Kohut
January 1, 2000
Matthew Kohut, Film.com

Good Will Hunting narrowly avoids many sentimental pitfalls thanks to what doesn't happen...

Janet Maslin
January 1, 2000
Janet Maslin, New York Times

As Francis Ford Coppola does with The Rainmaker, Van Sant demonstrates how entertainingly a real pro can direct a strong if not especially groundbreaking story. Full Review

John Hartl
January 1, 2000
John Hartl, Film.com

This has not been a great year for language in movies, but people are going to be memorizing and reciting some of these lines for years to come.

Jeff Millar
January 1, 2000
Jeff Millar, Houston Chronicle

Good Will Hunting represents the firmest step into the mainstream yet for director Gus van Sant.

Joe Baltake
January 1, 2000
Joe Baltake, Sacramento Bee

Van Sant makes Good Will Hunting a lot livelier than it might have been. Full Review

Peter Stack
January 1, 2000
Peter Stack, San Francisco Chronicle

Intimate, heartfelt and wickedly funny, it's a movie whose impact lingers. Full Review

Andrew O'Hehir
January 1, 2000
Andrew O'Hehir, Salon.com

Almost any viewer will enjoy Good Will Hunting moment by moment, but many will wake the next morning wondering why, with all that talent on hand, it amounts to so little in the end. Full Review

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Facts

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    • Sean McGuire: Michelangelo? You know a lot about him. Life's work, political aspirations. Him and the pope. Sexual orientation. The whole works, right? I bet you can't tell me what it smells like in the Sistine Chapel. You never actually stood there and looked up at that beautiful ceiling.Seeing that. If I ask you about women, you'll probably give me a syllabus of your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman... and feel truly happy. You're a tough kid. I ask you about war, you'd probably throw Shakespeare at me, right? 'Once more into the breach, dear friends.' But you've never been near one. You've never held your best friend's head in your lap... and watch him gasp his last breath lookin' to you for help. If I asked you about love, you'd probably quote me a sonnet, but you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes. Feelin' like God put an angel on Earth just for you, who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her be there forever. Through anything.Through cancer. And you wouldn't know about sleepin' sittin' up in a hospital room... for two months, holding her hand, because the doctors could see in your eyes... that the terms 'visiting hours' don't apply to you. You don't know about real loss, 'cause that only occurs when you love something more than you love yourself. I doubt you've ever dared to love anybody that much.
    • Sean McGuire: So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right? [Will nods]
    • Sean McGuire: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
    • Will Hunting: The only feeling of real loss is when you love someone more than you love yourself.
    • Chuckie: One day, I'm gonna wake up and I'm gonna be 50. And I'll still be doing this shit.
    • Sean McGuire: Watch it right there, Chief!
    • Will Hunting: Marky, Ricky, Danny, Terry, Mikey, Davey, Timmy, Tommy, Joey, Robby, Johnny, Brian.
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Good Will Hunting Trivia

  • Ben Affleck's brother starred with him in Good Will Hunting, Chasing Amy, and 200 Cigarettes. What is his name?  Answer »
  • In "good will hunting", what school subject is Will excellent at? (Not history or economics)!  Answer »
  • For what movie did Ben Affleck & Matt Damon receive an Oscar for best screenplay?  Answer »
  • In what movie did Robin Williams star as a therapist to Matt Damon?  Answer »
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