Full Metal Jacket

Full Metal Jacket

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Full Metal Jacket

Matthew Modine, Adam Baldwin, Vincent D'Onofrio, R. Lee Ermey, Dorian Harewood

Stanley Kubrick's return to filmmaking after a seven-year hiatus, this film crystallizes the experience of the Vietnam War by concentrating on a group of raw Marine volunteers. Based on Gustav Hasford... read more read more...'s novel The Short Timers, the film's first half details the volunteers' harrowing boot-camp training under the profane, power-saw guidance of drill instructor Sgt. Hartman (R. Lee Ermey, a real-life drill instructor whose performance is one of the most terrifyingly realistic on record). Part two takes place in Nam, as seen through the eyes of the now thoroughly indoctrinated marines. Ironically, Full Metal Jacket was filmed almost entirely in England. ~ Hal Erickson, Rovi

Id: 10905199

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  • fb733768972
    April 25, 2012
    fb733768972
    This particular film is a hard one to review. To me, it feels like two very different films. The first half is a story about the events leading up to the main war, while developing superb characters and a conclusion to the first act that is breathtakingly brutal. I felt like ever... read moreything changed once it left the military camp and I may have become slightly less interested, but that does not mean that the second half was bad in any way, in fact, it is brilliant. I guess my major problem with the film is that it never seems to know exactly what it wants to do. At first I thought I was in for a witty war film from start to finish, but that is only the case for the first half of the film. I may be over analyzing, but these are my honest opinions. There is no doubt in saying that I loved watching every bit of this film, and Stanley Kubrick's directing is phenomenal. The long takes and the stellar performances are really what make this film one to remember. Sure the action is great, but that was my least favourite portion of the film. "Full Metal Jacket" is a great moving all around, but it can be a little clumsy.
  • January 29, 2012
    This was good...I'm not sure why it was good. It's not a story from start to finnish. Things just happen....then more things happen. It's good things but....still.....carry on...
  • fb100000257973100
    November 11, 2011
    fb100000257973100
    With war films, there are plenty of ways, in my opinion, to go wrong. For starters, most film makers make the film predicable if you already know the history of the war that is featured. Then you have the dull acting with the best being people yelling at each other and firing gun... read mores. But, once in a while, there comes a war film that changes everything and gives a new perspective to war films. This is where Stanley Kubrickâ(TM)s epic Full Metal Jacket comes into play.

    Fresh off of directing the horror epic The Shining, Stanley Kubrick directed this little gem after learning of a book called âDispatchersâ? and decided to, instead of making a film about the Holocaust, to make this film. While the production was shaky to the point that production almost stopped, what came out of it is a film that I consider one of the greatest war films ever (next to Kubrickâ(TM)s own Paths Of Glory, Francis Ford Coppolaâ(TM)s Apocalypse Now, and Quentin Tarantinoâ(TM)s Inglourious Basterds).

    The first thing that makes this film stand out in terms of a film has to be the way the story is told. If one thinks about it, this film has no plot, but instead tells two separate stories: the training of a Marine and fighting in the Vietnam war. While people argue saying that it is all part of one story, that is a tad bit hard to take in when it goes from one scene of them at the end of the first story then, with no warning, goes to the next story without any title cards or cues except for the building around the area and Nancy Sinatraâ(TM)s These Boots Are Made For Walking.

    Now, with direction, this is not really a stand out for Kubrick. With all of his previous films, he used new ideas that give his film a sense of creativeness. With 2001, it was the special effects. With Clockwork it was the music. Even with Paths of Glory it was the way he filmed the war scenes. Here, the only thing that really made things stand out would have to be the direction of then unknown character actor R. Lee Ermey as the Drill Sergeant Hartman. Not only does Kubrick direct this Sergeant from Hell, but mixed with the acting of Ermey, they set a new standard for military personal in films to the point that his performance has become iconic and parodied to no end. He, truly is, the best actor in the first half of the film.

    For the second half, nothing really stood out to me in terms of acting. I mean, it has the same wonderful acting that all of Kubrickâ(TM)s films have, but here none of the performance had the same feel. Hell, the entire second half feels different from the first half, but then again that is not so much of a bad thing. Kubrick was known for making his audiences feel isolated when watching his films and with the duo stories, it does that. At one point, you feel like you are watching an inspirational story of a complete moron of cadet. Then it changes to a fight for survive in Vietnam. If Kubrick was intending to make his audience feel isolated, then he accomplished something great here.

    The only other really good part that stands out to me has nothing to do with the film itself. It has to do with how iconic this film is. I mean, I already talked about the acting of Ermey, but then you also have the soundtrack that made every song beyond popular that was featured in this film from Hello, Vietnam to The Rolling Stoneâ(TM)s Paint It Black. But the best song that was used would have to be The Trashmanâ(TM)s Surfinâ(TM) Bird that would later gain popularity by being on the hit show â~Family Guyâ(TM) while that same show would parody this entire film later on in the series.

    Almost all of Kubrickâ(TM)s films have become iconic, but none so much as this film. Then again, next to The Shining, this is Kubrickâ(TM)s most mainstream film he made. But, is it his best? No, it is not. But, as a film and a war film it is impressive without a doubt.
  • fb1664868775
    October 27, 2011
    fb1664868775
    Kubrick's war masterpiece in two acts. Filled with great performances and startling sequences.
  • fb1341085175
    October 4, 2011
    fb1341085175
    A guerra do Vietnã é vista pela ótica de Kubrick em uma das obras mais marcantes já produzidas sobre o assunto. Nascido para Matar é obviamente dividido em dois atos - o primeiro, superior, mostra um grupo de recrutas da marinha sob o rigoroso treinamento fascista do Sgt. Hartman... read more (em fantástica interpretação de R. Lee Ermey). Algo incomum em sua obra, Kubrick cria um personagem que estabelece uma relação direta com o espectador através do malfadado soldado Pyle (Vincent D'Onofrio). Seu sofrimento e sentimento de exclusão preparam o terreno para a segunda parte da narrativa, na qual vemos as máquinas de matar na qual os recrutas foram transformados.

    Enquanto a segunda metade da película acabe muitas vezes caindo no lugar comum de tantos outros filmes de guerra (propulsionado também pela falta de um protagonista marcante), o desenrolar dos momentos finais é especialmente impactante. A vertente de Kubrick ainda se mostra neutra, mostrando os efeitos devastadores do conflito (mais em termos psicológicos do que físicos), mas evitando criar uma obra condescendente ou moralista.
  • September 29, 2011
    Full Metal Jacket is one of the greatest war epics ever and its a mind boggling movie by Stanley Kubrick and is one of the few incredible films that defined him as possibly the greatest directors in history. The story is not just another war film, its a film that shows you the t... read morerue horrors of war and how it changes a man, how it can drive a man insane, and how they deal with the pains and horrors of war, and Stanley Kubrick captures one of the best visions of war I have ever seen, and it truly shows the viewer the risks they take if they ever consider going to war. The cast is genius and great, Mathew Modine is good but I think the real genius comes from R. Lee Ermy and Vincent D'Onofrio are the real genius and are the real performances I will remember when I remember this film. The war scenes are incredible, and what makes them even better is they do not use all these special effect to create a great war film, they just use the tools and knowledge that make it realistic and great. many people claim that the first half of the film is great and the second half stinks, but I disagree, while I found the first half at the boot camp to be much better, the second half shows the real horrors of combat and is true genius, but I just found that other than the film Jarhead not many war films show this great of scenes that also show the pain of training for war. My favorite Kubrick film is A Clockwork Orange, but that is not to say this was not one of his best, and this film is honestly one of the war films that will be remembered until the end of time, and I really think every person who has ever experienced war will find this film even more emotional and great than I did.
  • September 23, 2011
    Gunnery Sergeant Hartman: Were you born a fat, slimy, scumbag puke piece o' shit, Private Pyle, or did you have to work on it? 

    "Born to Kill"

    Full Metal Jacket was Kubrick's second war film, after Paths of Glory, and it's hard to say which one is more effective at getting it's... read more point across because both do it with extreme effectiveness. This movie shows how civilians are taken as individuals and shaped into killing machines. The most annoying thing I hear about this movie is; "The first part is awesome, but that second part blows." I'm going to go out on a limb here and say that a good percentage of everyone who thinks that is a fucking idiot. Those people's opinions mean absolutely nothing because they obviously weren't watching hard enough. There is just as much to take away from the second part as the first.

    The first half of Full Metal Jacket takes place at Paris Island. We watch as recruits are put through boot camp with a hard as nails, foul mouthed, God loving and pretty funny drill instructor. He barks about how he doesn't car if you are black or Jewish because everyone here is equally worthless, then singles a black man out and tells him they don't serve fried chicken and watermelon. Everyone isn't equally worthless in his eyes though because he soon sees a chubby, childlike recruit who he names Gomer Pyle, who is out of shape and dumb. He then starts to slowly tear him down and humiliate him. This half ends with one of the most haunting scenes you'll ever see and Vincent D'Onorfio deserves some serious props for his performance as Gomer Pyle as does Lee Ermey as Hartman. 

    The second half takes us out of the states and puts us into Vietnam with Joker. The first scene in the Vietnam section of the movie is known by almost everyone, even if they have never heard of this movie. Everyone knows the "Me so horny. Me love you long time. Me sucky sucky;" even if they don't where it comes from. After this we are taken through some propaganda journalism and even a propaganda film within a film. This is where a lot of people start misunderstanding the movie. Kubrick is literally showing the viewer a film within a film. It's pure genius and perfectly executed from the fake death, that many people don't realize is fake, to the interviews where the soldiers talk about how they belong in Vietnam and how the Vietnamese don't appreciate what they are doing for them. Then the movie turns real again and ends with another haunting scene.

    There's been other great Vietnamese war films. There's Oliver Stone's Platoon and Coppola's Apocalypse Now, both of which are spectacular, but if asked what I think the best is, I'll say Full Metal Jacket. There's no doubt in my opinion that Kubrick is the greatest director ever. Every movie he made is as flawless as movies come. So to day Full Metal Jacket is one of his best is kind of stupid because he didn't make a bad movie. It's kind of hard to say Full Metal Jacket is better than 2001 and The Shining is better than A Clockwork Orange. Every movie he made, he put so much into every little detail. Nothing in his movies isn't thought completely out. Viewers may not get everything out of his movies the first time they watch them and that's what makes them so great. Multiple viewings only make the movie better. You can't just watch his films, you are basically forced to study them and it is a lot of fun to do just that.

    Private Joker: A day without blood is like a day without sunshine. 
  • August 11, 2011
    A shocking and fascinating film. Fresh.
  • April 17, 2011
    This movie is amazing. A lot of people say the first half of the movie was good and after they leave the boot camp the movie takes a turn for the worst. I dont agree with that at all. The whole movie is amazing and the second half is just as good as the first half. This movie is ... read morebrilliant and it shows the dehumanizing aspects of war and how cruel and horrible war is. One of my favorite horror movies and in my 3rd favorite Stanley Kubrick movie right after 2001: A Space Odyssey, and A Clockwork Orange.

    Grade: A
  • April 5, 2011
    A flawless portrayal of the dehumanizations of war, Kubrick is on top of his game with Full Metal Jacket. This film is a chilling example of the horrors of war. Instead of imagery of glory, Kubrick paints a vivid picture of harrowing adventures of a man and his rifle. Great use o... read moref tracking shots as well as realistic violence have helped place this film as one of the greatest war movies of all time. A masterpiece.

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