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Ulrich Thomsen, Henning Moritzen, Thomas Bo Larsen, Paprika Steen, Birthe Neumann ... see more see more... , Trine Dyrholm , Helle Dolleris , Therese Glahn , Klaus Bondam , Bjarne Henriksen , Gbatokai Dakinah

This Danish comedy drama won the Jury Prize at the 1998 Cannes Film Festival. It opens in rural Denmark as family members assemble for the 60th birthday celebration of patriarch Helge (Henning Moritze... read more read more...n). At the family estate are Helge's children: France-based restaurateur Christian (Ulrich Thomsen), whose twin sister killed herself; surviving sister Helene (Paprika Steen); and younger brother Michael (Thomas Bo Larsen), married with three children. At the birthday dinner, the bitter Christian stands to deliver a toast -- but instead makes a startling speech accusing Helge of sexual abuse involving both twins. Following principles outlined in 1995 by Danish fimmakers in their Dogme 95 proclamation, this film adheres to their manifesto guidelines of handheld cameras, direct sound, location filming, and the elimination of technical tricks. ~ Bhob Stewart, Rovi

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94% liked it

19,039 ratings

Critics

92% liked it

38 critics

R, 1 hr. 46 min.

Directed by: Thomas Vinterberg

Release Date: June 19, 1998

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DVD Release Date: April 12, 2005

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Flixster Reviews (1,179)


  • December 20, 2011
    Simple, stripped-down film by Danish auteur Thomas Vinterberg, made under the Dogme 95 manifesto which, among other things, promotes shooting with a handheld camera while restricting the use of artificial lighting. The realistic, almost home-video style and look of the film makes... read more it feel natural, organic, unrehearsed. Having seen a stage adaptation a few years ago, the film's main revelation did not come as a shock to me, but it wasn't any less devastating, thanks in great part to Ulrich Thomsen's work, a restrained performance that stands out even more when compared to some of his costars' overacting.
  • January 31, 2011
    A great story which was confusing at times. I'm not sure about some of what happened as it was in a different language and it's hard to read the scene whilst reading the subtitles and sarcasm doesn't always come across in writing. Well worth watching though.
  • October 1, 2009
    A fantastic film, marking the beginning of the Dogme 95 movement. Shame it broke so many of the rules! I'm a big fan of Dogme but for my money only one film can actually truly call itself pure Dogme and that is The Idiots. Vinterberg will always be in Von Triers shadows though I ... read morefeel. All that aside, this is a dark and disturbing joy of a film.
  • September 12, 2009
    The first Dogme 95 film and by far the best one that I've seen so far
  • March 11, 2007
    This is my first Dogme 95 film that I've seen. To eb honest I hadn't heard an awful lot about the movement before the conversation in my film class. I did enjoy it a lot.

    Firstly, The movement does not follow the same lineal form that we see so often in Hollywood films. They h... read moreave a vow of chasity, which means the do not film it like any ordinary film. Most of the work is hand held camera, which is often hard to follow at times. The sound is not exact to what you would expect from a Hollywood film, nor is the script at all. It does look like an ameaur film production, but this is what makes it so special, in my opinion. We see eveything that happens in real time and the hand-held movement adds to this. The script is pretty good and the acting incredbly realistic for a relativly low-budget film. I enjoyed the mixure of Danish, English and German that was seen in the film, emphasising the Art House film that it is.

    Overall this is not an easy film to watch, which only adds with the topic discussed in the film. everything is hand-held and often looks like a TV productions. All that aside and this is a remarkable piece of work and everyone should try and watch this if you're a hige fan of films as I am.
  • July 4, 2009
    This going to be a tough one. Oh my. Every now and then I look and the mirror whether the person that went to back the day before is gone and someone else got out of the bed and put on my face.

    This happens especially when I am looking forward to see a movie by one of my most ... read morecherished directors (Thomas Vinterberg) and am utterly uninterested in the come-out. Festen did fail to amaze or interest me. I did not really like the story too much, the acting or the much praised Dogma style direction (Go Handheld). I am sorry for all my friends who seem to adore this flick, could not see anything special about it. Agreed, after having see many rubbush flix in the last few weeks (Terminator: Salvation and the like of new Hollywood Shitfuck) I am happy to see a real movie again (movie as in artform), but that was it.

    I am not saying it is bad or anyrhing bul only slightly below average.

    Just my 5 cent
  • January 23, 2009
    The first Dogme 95 film and very impressive it is too! Great story and fantastic acting all round.
  • December 11, 2008
    While the plot sounded interesting, I was put off by the Dogme 95 rules, mainly the fact it was filmed by hand. Nevertheless, I watched it and was blown away. Although the only thing that happens is, people talk a lot, the performances are great, especially Ulrich Thomsen's. All ... read morehis speeches were just brilliant, and were my favourite part of the whole movie.
  • March 22, 2008
    This is Dogma 95 as good as it gets.
  • May 16, 2007
    Great danish film. One of the first digital features.

Critic Reviews


Rob Nelson
August 21, 2009
Rob Nelson, City Pages, Minneapolis/St. Paul

The Celebration is founded on a cheeky display of cinephilic self-promotion. Full Review

Rich Cline
April 21, 2008
Rich Cline, Shadows on the Wall

gripping and devastatingly powerful

Gregory Weinkauf
October 1, 2004
Gregory Weinkauf, New Times

Best of the 'Dogme' fims, which isn't saying much, but there you go.

Thomas Delapa
August 6, 2004
Thomas Delapa, Boulder Weekly

Extraordinary...It is a celebration, not of a sham birthday party, but of the transformative power of truth. Full Review

Jake Euker
March 9, 2004
Jake Euker, F5 (Wichita, KS)

A major triumph for the Dogme group, and a success from any point of view.

Nick Davis
August 15, 2003
Nick Davis, Nick's Flick Picks

Pungent family drama, but thuddingly self-serious and wildly overpraised.

Michael Dequina
January 1, 2000
Michael Dequina, TheMovieReport.com

It's a fine line to walk, that between comedy and misery, but Vinterberg handles the balancing act magnificently. Full Review

Dustin Putman
January 1, 2000
Dustin Putman, DustinPutman.com

Watching the picture, it felt more like a cerebral experience, than a normal film. Full Review

David N. Butterworth
January 1, 2000
David N. Butterworth, rec.arts.movies.reviews

The Celebration is among one of the finest films ever made. Full Review

Kevin Lally
January 1, 2000
Kevin Lally, Film Journal International

Draws the viewer in with its immediacy, emotional rawness, and elements of surprise, shock and suspense. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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