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Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson, Viola Davis ... see more see more... , James Rebhorn , Celia Weston , Matt Malloy , Mylika Davis

Maverick director Todd Haynes embraces the look and feel of classic Hollywood melodramas of the 1950s in this period drama. Cathy Whitaker (Julianne Moore) and her husband, Frank (Dennis Quaid), are a... read more read more... seemingly perfect couple; living in a handsome suburban neighborhood in Hartford, CT, in 1957, Cathy and Frank have a beautiful home and two happy, healthy children, while Frank pursues a successful career in sales and Cathy cares for the home. But Cathy has begun to sense something isn't quite right in her marriage, as Frank begins working late, spending less time with her, and seems cold and distant. One day, Cathy visits Frank's work and discovers something she never expected -- her husband is kissing a man. At Cathy's urging, Frank undergoes psychotherapy, but as she tries to keep up a brave face, the emotional trauma takes a great toll on her, and she finds there are very few people she can talk with. Cathy strikes up a friendship with Raymond Deagan (Dennis Haysbert), an African-American gardener who works for the Whitakers, and as she discovers how intelligent and compassionate Raymond is, she finds herself drawn to him. However, Hartford is in many ways still a small town, and when Mona (Celia Weston) sees Cathy and Raymond alone together, it sets off a wave of vicious gossip that threatens to make the Whitakers' many secrets public knowledge. Far from Heaven premiered at the 2002 Venice Film Festival, where Julianne Moore's performance won the prize for Best Actress. ~ Mark Deming, Rovi

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77% liked it

21,554 ratings

Critics

89% liked it

190 critics

DVD Release Date: April 1, 2003

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Stats: 1,152 reviews

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Flixster Reviews (1,152)


  • May 8, 2012
    Fifties era social prejudices are exposed when a husband reveals his homosexuality while his wife falls for their African American gardener.
    Juxtaposing prejudices race and sexuality could produce a winning social critique, but by the end of this film, I don't know what the film ... read moreis really saying. After all, the abuses faced by the two "others" in this film don't lead to a one-to-one comparison. In fact, turning the homosexual into the perpetrator of racial prejudice muddles the film's message.
    I hate Julianne Moore; this film is no different, and Dennis Haysbert plays Deegan just like his Allstate commercials. And the music is overwrought, always instructing us how to feel about the film's events. Finally, the cliched fifties housewife doesn't ascend beyond her cliche strictures despite the extraordinary nature of the film's events.
    Overall, Far from Heaven is an interesting idea for a film, but there's too much in the way of poor execution.
  • August 22, 2010
    21/08/2010 (TELEVISION)

    I had nothing better to do and happened to catch this on TV. Good thing I did, I really got soaked into it and began to be concerned while the story continued to unleash the darkness.

    It's around the 1950's, so the whole interracial thing is a "BIG NO N... read moreO" along with homosexuality. A story that tells us how it was and how it usually ended which in reality is not always good sadly.


    The world was so black and white at one stage and full of prejudice and "false righteousness". Though truthful and sad it's a decent enough flick for having a glimpse of the world before now.
  • February 5, 2010
    Far From Heaven is a beautiful and fascinating story of Julian Morre as a 50s 'perfect world' suburban housewife watching her marriage fall apart and falling in love with her gardener. This film captures the mood and style of the 50's era, conservative, charming, niaive and deepl... read morey divided. A film that will remain a classic.
  • October 14, 2009
    "What imprisons desires of the heart?"

    In 1950s Connecticut, a housewife faces a marital crisis and mounting racial tensions in the outside world.

    REVIEW

    Filmmaker Todd Haynes' valentine to 195... read more0s melodramatic maestro auteur Douglas Sirk outdoes himself in grand style in the depiction of a Connecticut family's sudden downward spiral circa 1957 focusing on Cathy Whitaker (Moore in a sterling performance of Oscar caliber), a happy homemaker doting on her family and tv sales exec husband Frank (Quaid at his career best) who are both living lives of lies that threaten to destroy their seemingly blissful carefree existence in their all-too-knowing community. Haysbert as the local greens keeper hired by Cathy is also compellingly excellent in a sublime form of acting as the seemingly lone black man in a town of intolerance prickling beneath its calm demeanor. The exquisitely rich cinematography and production design by Edward Lachman and Mark Friedberg, respectively, convey the bristling darkness at the corners of paradise via suburbia with its rich autumnal palette suggesting a metaphor for the film as a whole: color changes everything. Kudos to elder statesman musical composer Elmer Bernstein's heartbreakingly poignant score underscoring the nightmare at hand. One of 2002's best films.
  • fb619846742
    April 27, 2009
    fb619846742
    A very heartfelt, original look on some very controversial issues that seem completely out of place for the simplistic culture of the 1950's. This film surprised me, it tackles a lot of topics, and it features many twists that I didn't see coming. Not only does this period-piece ... read morestay true to its setting, but it's able to detail its rough subjects with relative ease. Moore is a revelation, her and Quaid look like they were born for these roles. Dennis Haysbert gives an extremely strong, understated performance that nearly steals the show (he has a habit for doing this, see "24"). This is a romance film that will keep you interested til the end, until it rips your heart out in its final scene.
  • January 26, 2008
    Very good movie that is worth watching. Julianne Moore and Dennis Quaid shine in this dramatic story of a seemingly perfect family in 1950's CT. Even a "picture perfect" family is open to all the same issues that everyonr faces and more.
  • September 17, 2007
    It's a shame that Far From Heaven's third act lags as much as it does, because its first hour is downright stunning. It grabs your attention with some lavish, lovingly-constructed set design and camera work - Todd Haynes is a true master of image on film. The beauty is inorganic,... read more but never fake; it almost reminded me of Suspiria, strangely enough, with the bleeding colors and dark sets. Once the movie has sway over you visually, it reels you in for the catch with fantastic dialogue, great scene work and a handful of really strong performances.

    Julianne Moore is perfect all the way through. Her performance is metered and informative, but considering that she's acting in a melodrama homage, she never really breaks character. Almost right off the bat, you get a read on Cathy - she is outwardly conventional, but full of surprises. A woman who is almost, but not quite, ready to enact change in the world around her.

    Far From Heaven makes a lot of interesting statements, but for the movie to truly have been great, it needed to finish them as well. A previous Todd Haynes film, Safe, had a very similar ending. Though we get a good idea of where the main character is going to end up, her true fate is left up to speculation. This is a very different movie from Safe, however; it is much more expository, and that approach simply doesn't work as well here. It's not that I'm anti-ambiguity, but it really would have behooved the movie to wrap things up a little more.

    Had Todd Haynes infused a few more ideas into the twilight hours of Far From Heaven, it would have been a much stronger film. As it is, though, it is still worth watching: a vivid and often brilliant homage to both 50s melodrama and the woe-begotten values of the past.
  • July 16, 2007
    A good movie, but talk about SLOW! Stick with it, though - the story is like a train coming down the tracks, wobbling more and more drastically from side to side, and eventually, it will derail. You come to realize that instead of idylls, these characters are more like grotesques.
  • May 27, 2007
    alright movie. cinematography more impressive than actual acting.
  • April 6, 2007
    Julianne Moore's beautifully nuanced performance is the anchor for this highly stylized film filled with period detail and fine work from the whole cast. Her lost of the oscar to kidman is another example of the award's increasing loss of value as a judge of worth.

Critic Reviews


David Rooney
February 11, 2008
David Rooney, Variety

An accomplished marriage of elaborate style and content. Full Review

Peter Rainer
January 16, 2003
Peter Rainer, New York Magazine

Achieves the same sentimentality as the Sirk films, and in much the same way. Full Review

Jonathan Rosenbaum
November 29, 2002
Jonathan Rosenbaum, Chicago Reader

Though less obviously a tour de force than many flashier recent art films, such as Alexander Sokurov's one-take feature Russian Ark, it's no less impressive as a technical achievement. Full Review

Joe Baltake
November 22, 2002
Joe Baltake, Sacramento Bee

The film oozes craft. Full Review

Andrew Sarris
November 22, 2002
Andrew Sarris, New York Observer

Well worth seeing for its visual approximation of the Douglas Sirk-Ross Hunter 'women's pictures' of the 50's. Full Review

Eric Harrison
November 22, 2002
Eric Harrison, Houston Chronicle

Well-written, nicely acted and beautifully shot and scored, the film works on several levels, openly questioning social mores while ensnaring the audience with its emotional pull. Full Review

Susan Stark
November 22, 2002
Susan Stark, Detroit News

Stylish, affectionate and acutely knowing.

Terry Lawson
November 22, 2002
Terry Lawson, Detroit Free Press

Haynes' greatest accomplishment, beyond his impeccable craftsmanship and his connection with his actors, is in the way he respects the facade while tearing it away. Full Review

Roger Moore
November 21, 2002
Roger Moore, Orlando Sentinel

Sirk would be proud.

Mick LaSalle
November 15, 2002
Mick LaSalle, San Francisco Chronicle

If it's ultimately a failure -- and I think it is -- it's still worth seeing, because it's the most ambitious and magnificent failure in recent memory. Full Review

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Far From Heaven Trivia


  • Who was responsible for the VISUAL beauty of the film "Far From Heaven"?  Answer »
  • Which actress has starred in all of the following:- - The Fugitive - Far From Heaven - The Big Lebowski - Freedomland - The Hours  Answer »
  • Which actress was nominated for a DOUBLE Academy Award for her roles in The Hours and Far From Heaven?  Answer »
  • Which actor was in the following movies/show. Yours, mine, and ours, far from heaven, American Dreamz, and In good company  Answer »

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