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Orson Welles, Oja Kodar, Joseph Cotten, François Reichenbach, William Alland ... see more see more... , Peter Bogdanovich , Gary Graver , Paul Stewart , Richard Wilson , Andres Vincente Gomez , Julio Palinkas , Sasa Devcic

The final directorial project the legendary Orson Welles completed during his lifetime, F for Fake is less a documentary than an example of cinematic free association on the topic of trickery. Much of... read more read more... the film is in fact drawn from other sources, most notably an unfinished documentary by Francois Reichenbach on the notorious Elmyr de Hory, whose extremely skillful forgeries of famous paintings caused scandals amongst art collectors and experts. In an additional bit of irony, de Hory's interviewer is author Clifford Irving, who became infamous due to a forgery of his own: a falsified autobiography of Howard Hughes. Welles openly re-edits and manipulates this footage, using it as a spine for his own commentary, arguing that there is an extremely close relationship between art and lying, and citing instances from his own career to prove the point. Through a combination of documentary and staged footage, Welles attempts to illustrate the artifice behind all filmmaking, even that of a supposedly non-fiction variety. ~ Judd Blaise, Rovi

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88% liked it

6,613 ratings

Critics

85% liked it

26 critics

Unrated, 1 hr. 25 min.

Directed by: Orson Welles

Release Date: September 1, 1974

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DVD Release Date: April 26, 2005

Stats: 521 reviews

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Flixster Reviews (521)


  • fb1664868775
    October 27, 2011
    fb1664868775
    A totally unique experience, master director/actor (etc.) Orson Welles creates his late masterpiece with his expose on trickery.
  • September 7, 2011
    A documentary/essay about the art of trickery. Opening with a series of magic tricks, performed by Welles himself, the movie explores two characters who became famous for lying, for tricking others, and by doing it pretty damn well. Very engaging, fun, you can see this as the blu... read moree print for many modern documentaries that use a similar style of "free" narrative/performance mode. Movies are a form of fakery after all, Welles is the first one to call himself a charlatan, and with great wit he takes us to this fantastic voyage of illusions, a house of mirrors. What matters is not things being "real" or "fake", but how interesting, appealing and well made they can be.
  • February 27, 2011
    Exit Through the Gift Shop's grandpappy in the fields of cinematic subversion and grappling with "art." I found it sort of dry, as a matter of personal taste, but in terms of objective craftsmanship it's thoughtful and academic and a brilliant note for Orson Welles to close his c... read moreareer on. Hugely valuable.
  • December 16, 2009
    a wry meditation on art and illusion. a very unconventional documentary and the last film orson welles completed before his death.
  • November 16, 2007
    Amazing free form documentary by the master Orson Welles.

    Examining the story of a famous art forger and his biographer (the now infamous Cliford Irving who was featured in the film "The Hoax") Welles asks what is real and what is fake?

    Absolutly facinating, a must see for ... read moreany cinephile!
  • July 1, 2006
    [font=Century Gothic]"F for Fake" is a highly entertaining and rambling cinematic essay compiled by and featuring Orson Welles(this was his last completed film) on the nature of fiction and reality.(Sometimes it does not matter if a story is true, just that it is a great story.) ... read more The movie focuses on a couple of real-life hoaxers - Clifford Irving and Elmyr de Hory on the resort island of Ibiza. De Hory was one of the great art forgers of the 20th century(many experts made an indirect living off of his work) who Irving was writing a biography of. Irving was also a hoaxer in his own right, having forged an autobiography of Howard Hughes.(In discussing Hughes, Welles mentions that his original idea for "Citizen Kane" was a fictional version of Howard Hughes. But he does not bring up the fictional version of Howard Hughes in "Diamonds Are Forever.") Welles introduces his own credentials as a hoaxer by mentioning his role in the accidental hoax of his 1938 broadcast of "War of the Worlds."[/font]
  • fb20312798
    May 10, 2011
    fb20312798
    I wasn't fooled by the trick and the film is pretty damn pretentious but I think that's the point. And while I was rolling my eyes from time to time, there are some truly fascinating observations made by Welles about the nature of forgeries and their relationship to art.
  • September 12, 2010
    This is a wholly entertaining, absorbing exercise in innovative storytelling. Again, Orson Welles illustrates his seemingly endless capabilities as a filmmaker. The editing is superb, and the concept is ingenious. He plays with a sometimes challenging but always fascinating form,... read more bringing out his insightful ideas in a new way.
  • December 13, 2010
    Orson Wells delves into Gonzo Journalism. More of a self-effacing journey through several great fakes of the 50's-70's. Wells thrust himself into their world and as a greater faker (War of the Worlds) The concepts are interesting and enlightening, although a little bit circular w... read moreordy in parts. There is a pretty good gotcha at the end of the film and even if you catch-on its still allot of fun.
  • April 26, 2010
    Welles oversells it a little bit, but still pretty fun.

Critic Reviews


Jonathan Rosenbaum
February 9, 2007
Jonathan Rosenbaum, Chicago Reader

Alternately superficial and profound. Full Review

Vincent Canby
May 9, 2005
Vincent Canby, New York Times

A charming, witty meditation upon fakery, forgery, swindling and art, a movie that may itself be its own Exhibit A. Full Review

Glenn Abel
May 1, 2005
Glenn Abel, Hollywood Reporter

Welcome to the philosophical fun house that is F for Fake, stuffed full of questions about the nature of art and authorship, illusion and reality, lies and truth.

Adam Lippe
August 20, 2011
Adam Lippe, Examiner.com

Welles' assurance that you will be enthralled by his every word and oversized gesture is so arrogant, so refreshingly contemptuous, that you'd give him a round of applause, if you weren't sure he was ... Full Review

Jay Antani
May 29, 2009
Jay Antani, Cinema Writer

gives the viewer the feeling that he's in Welles's expansive company...while he considers and pontificates on a pet topic. That in itself is a privilege, and reason enough to check out F for Fake Full Review

Philip Martin
April 6, 2007
Philip Martin, Arkansas Democrat-Gazette

...a digressive, playful and at times profound essay on the nature of authenticity and the fluid boundaries between art and decoration, between inspiration and imitation. Full Review

January 26, 2006
Time Out

A triumphantly self-amused, self-aware reflection on the verities of art and creativity and the lies that sustain them. Full Review

Nathan Rabin
September 26, 2005
Nathan Rabin, AV Club

A singular combination of documentary, essay, narrative, broad comedy, hoax, and cinematic vaudeville. Full Review

Martin Scribbs
May 22, 2005
Martin Scribbs, Low IQ Canadian

A little gem, full of vintage Welles ruminations on the ephemeral nature of personal celebrity and the elusiveness of ultimate truth. Full Review

Doug Cummings
May 1, 2005
Doug Cummings, Filmjourney

An almost impossibly lively pastiche of images and ideas that never tires. Full Review

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