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Sonja Richter, Nikolaj Lie Kaas, Mads Mikkelsen, Paprika Steen, Stine Bjerregaard ... see more see more... , Birthe Neumann , Niels Olsen , Ulf Pilgaard , Ronnie Hiort Sorenson , Anders Nyborg , Ida Zwinger , Philip Zandén , Hans Henrik Clemmensen , Tina Gylling Mortensen , Ida Dwinger , Ronnie Hiort Lorenzen , Pelle Bang Sřrensen , Michel Castenholt , Brigitte Prins , Susanne Juhasz , Jens Basse Dam , Hanne Windfeld

Two people are brought together by a tragic accident in this emotional drama. Joachim (Nikolaj Lie Kaas) and Cecilie (Sonja Richter) are a couple in Copenhagen who've fallen deeply in love and have ma... read more read more...de plans to marry. One day, Joachim is severely injured in an auto accident when he's struck by a woman named Marie (Paprika Steen), leaving him paralyzed from the neck down. As fate would have it, the doctor put in charge of Joachim's care is Niels (Mads Mikkelsen), who happens to be Marie's husband. Joachim, deeply depressed since the accident, tells Cecilie to leave him and find someone else, but while she intends to stay with the man she loves, she finds it increasingly difficult to deal with his mood swings and frequent anger. Meanwhile, Marie, wracked with guilt over the accident, asks her husband to look after Cecilie, and as they spend more and more time together, they find themselves becoming increasingly attracted. Eventually, Cecilie and Niels become lovers, leaving them both to deal with their betrayal of the people they've sworn to stand by. Filmed following the austere guidelines of the Dogma 95 movement, Open Hearts received its North American premier at the 2002 Toronto Film Festival and was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, Rovi

Flixster Users

88% liked it

3,655 ratings

Critics

96% liked it

55 critics

R, 1 hr. 53 min.

Directed by: Susanne Bier, Anders Thomas Jensen

Release Date: August 23, 2002

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DVD Release Date: May 17, 2005

Stats: 212 reviews

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Flixster Reviews (212)


  • February 6, 2011
    Late influence of Dogma 95.

    The Dogma certification in the opening credits had a strange effect on me, as going against the movement itself. Dogma 95 manifesto is very interesting, but it's reflection on contemporary cinema and on film as art and not illusion are not new (Ita... read morelian neo-realism, cinéma vérité) as it's not only avoiding technical manipulations that we will be able to reach the "naked cinema". Most background music are definitely an artifice to manipulate spectator - I won't mention visual effects, let's keep it simple - but in the same way we can find truth beyond technique, we can be duped by so-called reality (how true can a documentary be?).

    "Elsker dig for evigt" can follow almost every rule of the manifesto, but it is still a fiction that will "work" on our emotional as any other film would. When "Le scaphandre et le papillon" and "Mar Adentro" focus more on the patient's vision, "Elsker dig for evigt" focus on how the paralysis affects other's life, on Cecilie's journey through her pain.
    Pay attention on the opening scene, final credits and song that goes together: "lighting is not acceptable, optical work and filters are forbidden". Was that supposed to work as a contradiction to reality or they are just there? "Music must not be used unless it occurs within the scene being filmed". And the song that plays when Cecile is sleeping in the hospital with Nikolaj, for example?

    If "reality" is one of its strong points - in lot of scenes, the lack of "superficial" acting let it more superficial as iit'd be in a play - "reality" had been better explored by names as Andy Warhol (Eat, Sleep, Kiss, etc ), John Cassavetes and Abbas Kiarostami, just to mention some, no matter if they shot in digital video or on film or if they used or not well-known technical devices.


  • June 26, 2008
    The best of the Dogme films I have seen. The film makes great use of the digital camera work and natural lighting really enthusing the film with a realistic quality rarely seen. It's similar to 4 Months, 3 Weeks and 2 Days in its unflinching portrayal of a difficult subject in th... read moree most restrained manner. The emotions the film evokes and portrays are truly astounding. Mikkelsen gives one of the rgeatest performances I've ever witnessed. His confused doctor has trouble expressing himself with words but it's in the slightest flickering of eye movements that we can really see inside his soul. Open Hearts also has no fear in displaying conflicting tones. Where we see Joachim trying to read after being paralysed, not only is the scene sad and aggravating it is also bravely comic. Lie Kass also gives a very moving portrayal, even when acting like a bastard we never forget what he is dealing with but the film is never so arrogant as to assume how he feels. It's brave, complicated and a true portrayal of love and life and things not always working out the way you planned them.
  • fb1144932598
    December 18, 2008
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    Lives are changed in an instant when a doctor's wife, Marie (Paprika Steen), accidentally runs down Joachim (Nikolaj Lie Kaas) and he winds up quadraplegic. Marie's husband, Niels (Mads Mikkelson), offers comfort to Joachim's fiance, Cecile (Sonja Richter), which becomes somethin... read moreg more than aid and comfort. A lot of raw emotions are on display here as Joachim at first pushes everyone away. By the time he comes to terms with his injury, Cecile has moved on, although unable to admit it to herself. Excellent production that pulled no punches. No one escapes unscathed. Each of these four people, plus Niels' and Marie's teenage daughter, Stine (Stine Bjerregaard), who blames herself for the accident, are put through the ringer and come out the other side forever changed but somehow equipped to go on. All of the various parts are rearranged but functional. A wholly believable tale, competent actors, and interesting camera work on a film from the Dogme school and directed by Susanne Bier. This viewer found it impossible to watch without empathy for each of the characters' torments.
  • March 15, 2006
    [font=Century Gothic]"Open Hearts" starts out with Cecilie(Sonja Richter) and Joachim(Nikolaj Lie Kaas) being madly in love with each other and just engaged to be married. But their bliss is interrupted when Joachim is hit by a car driven by Marie(Paprika Steen) and he is paraly... read morezed from the neck down. After he is informed of his condition, Joachim is bitter and seeks to push Cecilie away. She in turn seeks solace with Marie's husband, Niels(Mads Mikkelsen), who is a doctor at the same hospital.[/font]
    [font=Century Gothic][/font]
    [font=Century Gothic]"Open Hearts" is a powerful movie about some very flawed characters behaving in believable ways. There is not a false note in the entire film as it deftly avoids any traps it could have fallen into. My only problem is that we never see any of Cecilie's friends and she does seem rather isolated for a young woman.[/font]
  • May 7, 2009
    I loved the story. It's beautiful, touching, human and above all it's real. The characters are real human beings who need love and comfort and attention and someone who listens to them, take care of them, or just hold them? All the actors delivered excellent performances.

    The s... read morecript, as usual, is the key here. also the dialog that has kept the movie interesting. The people come off as humans engaged in the difficult situations of life. Cecillia for seducing a married man in order to feel wanted, and Niels for caving to his mid life urges at the cost of his family.
    I was not used to dogma movies, but this one seems to work for me.
  • July 30, 2007
    with mads and nikolaj in the film, it was decent. if any other actors did it, it would collapse due to odd dialogue and plotline. They are very good actors, i suggest watching green butchers to see a better performance from these two.

Critic Reviews


Steve Murray
April 27, 2003
Steve Murray, Atlanta Journal-Constitution

A small-scale domestic drama with large-scale feeling. Full Review

Jay Boyar
April 4, 2003
Jay Boyar, Orlando Sentinel

Open Hearts is far from inaccessible, but it demands a higher level of concentration than most big-budget movies do. The drama exists in a glance or a nod, or in a slight hesitation in speech.

C.W. Nevius
March 28, 2003
C.W. Nevius, San Francisco Chronicle

There is no doubting the heart-rending impact of the story. But because it is made clear from the start that there is no chance of an uplifting ending, viewers may grow restless. Full Review

Kathy Cano Murillo
March 21, 2003
Kathy Cano Murillo, Arizona Republic

Open Hearts is a heart-wrenching soap opera that even The Young and the Restless can't compete with.

Chris Vognar
March 20, 2003
Chris Vognar, Dallas Morning News

It crackles with chemistry that feels both spontaneous and carefully layered, and, like the best Dogma entries, it takes a potentially sudsy premise and lays it bare until all that's left is the human... Full Review

Robert K. Elder
March 20, 2003
Robert K. Elder, Chicago Tribune

An emotionally honest character piece that avoids moralizing or offering soggy excuses. Full Review

Ty Burr
March 7, 2003
Ty Burr, Boston Globe

Open Hearts, like all good melodramas, is ruthless in its insistence that people are dragged, uncomprehending, in the wake of events. Full Review

Desson Thomson
March 7, 2003
Desson Thomson, Washington Post

A movie that really works.

Rita Kempley
March 7, 2003
Rita Kempley, Washington Post

The cast seems to have burrowed into the material.

Steven Rea
March 6, 2003
Steven Rea, Philadelphia Inquirer

Bier knows what she's doing, and the performances are expert and affecting.

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