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Setsuko Hara, Chishu Ryu, Chikage Awashima, Kuniko Miyake, Ichiro Sugai ... see more see more... , Chieko Higashiyama , Seiji Miyaguchi , Zen Murase , Kan Nihonyanagi , Shûji Sano , Haruko Sugimura , Toyoko Takahashi , Kuniko Ikawa

Writer/director Yasujiro Ozu combines two of his favorite themes--the culture clashes in modern Japan and the emergence of the independent Japanese woman--in Early Summer (Bakushu). Setsuko Hara plays... read more read more... a young woman of the post-war era who is promised in an arranged marriage. But too much has happened in the world and in the girl's own life to allow her to agree to this union without protest. The characters in Early Summer are neither remote historical personages nor distant foreigners. They are types as easily recognizable in Japan as in any country, and this commonality enhances the universal appeal of this austere film. Yasujiro Ozu collaborated on the script of Early Summer with Kogo Noda. ~ Hal Erickson, Rovi

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91% liked it

2,709 ratings

Critics

100% liked it

9 critics

Unrated, 2 hr. 30 min.

Directed by: Yasujiro Ozu

Release Date: January 1, 1951

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DVD Release Date: July 20, 2004

Stats: 116 reviews

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Flixster Reviews (116)


  • February 8, 2008
    All bow before the three-headed God of Ryu, Hara and Ozu!
  • February 14, 2011
    In Late spring you see a Japan that is nearing it's end, in Early Summer you start to see a new Japan, a new way of thinking, a new way of living. This is shown through the cultural clashes and the western influences on the role of the woman. What Early Summer achieves the most t... read morehough, is the ultimate feeling of contentment by the elder family members, they see that traditionally speaking, traditions change and it's beautifully but subtly done.
  • February 25, 2005
    [font=Century Gothic][color=darkorchid]"Early Summer" is a Japanese film from 1951. It is about Noriko, who is a young woman with a stable extended family, lots of friends and a good job. She seems to be very happy but everybody within a thirty mile radius worries because she i... read mores 28 and has not married yet.(This is also a side issue in "Fear and Trembling" which shows that this topic has not gone away forty years later.) It is postwar Japan where European dress mixes with more traditional clothing. It seems like women are starting to work more out of the home. What director Yosujiro Ozu does, as he also did in his classic "Tokyo Story", is to make a wonderful movie out of the truly mundane tasks of everyday life. The central plotline is handled in a much gentler way than it was also handled in "Late Marriage". [/color][/font]
  • February 25, 2008
    Ozu is a master and telling simple stories about family, one of my favourite subject matters. A great story of tradition and modern life that truly reflects Japan with it's traditional cultures vs being on the cutting edge.
  • April 26, 2012
    True masterpieces are those which don't let audiences check their watches but let them wish to share times with the characters forever, and this is definitely one of them.
  • July 23, 2010
    June 2010 - I find it hard to imagine any better family drama, any movie that can show the clash of different generations in a family and in the context of modernization so honestly and effectively. The character of Noriko is so fantastically played by Setsuko Hara (as in all th... read moree Ozu movies of this period) and describes the mentality of women of her generation. Her older brother and his wife on the other hand show a different mind set of the same generation. Then we have the grand parents who are also in their silences and unique way of mourning for their killed son exemplary for people of their own generation. Finally we have the naughty and rebellious kids who are phenomenal and bring so much to the movie by adding humor and showing what the society should expect in the next generation.
  • August 12, 2007
    Another great film by the master of family drama. The dissolution of the family is once again a major theme. Like in Late Spring, the great Setsuko Hara plays a single woman in her late twenties who is pressured by her family into marriage. Unlike Late Spring, Hara's character... read more is a modern, more rebellious type of woman, or so it initially seems. Is she driven to her actions by her selfish and independent lifestyle, or are her actions driven by something else? The outcome however is the same. The motif of trains and tracks symbolizes the increasing distance between the different generations, both physical and emotional. Ozu's films are never heavily driven by plot, but by a sense of the realism of casual everyday life in order to capture those small pleasures and disappointment that life comprises of. Despite their surface simplicity, they are rich and sincere. This film can be considered the second part of the Noriko trilogy, bookended by Late Spring and Tokyo Story. It's the most lighthearted and comic one but no less poignant.

    No. of camera movements: 7 (gasp! Too many for an Ozu film!)

Critic Reviews


Dave Kehr
January 10, 2004
Dave Kehr, Chicago Reader

If you've seen one Ozu film, you probably have the drift of his austere, quiet style, and you don't need my recommendation. If you haven't, take a chance. Full Review

Anton Bitel
August 23, 2010
Anton Bitel, Little White Lies

in keeping with the shift in seasons, there is a comic lightness to the proceedings - even if, as the film draws towards its conclusion, we become increasingly aware of autumn's chilly approach. Full Review

Dennis Schwartz
April 2, 2006
Dennis Schwartz, Ozus' World Movie Reviews

The usual Yasujiro Ozu masterpiece about the clash in family life over traditional and modern values in postwar Japan. Full Review

Jeffrey M. Anderson
September 6, 2004
Jeffrey M. Anderson, Combustible Celluloid

Ozu's films fill me with such a profound sense of serenity and emotional richness that it makes me wonder why people rent or buy anyone else's movies. Full Review

Leo Goldsmith
August 3, 2004
Leo Goldsmith, Not Coming to a Theater Near You

Early Summer is the apotheosis of Ozu's investigations of domestic, geographical and emotional space. Full Review

Jake Euker
July 26, 2004
Jake Euker, Filmcritic.com

the perfect vehicle for chronicling the small pleasures and disappointments that comprise the bigger enterprise of life Full Review

Mark Robison
July 22, 2004
Mark Robison, Reno Gazette-Journal

Ozu newcomers will have trouble following the 19 characters, but fans will love it.

Emanuel Levy
July 23, 2005
Emanuel Levy, EmanuelLevy.Com

No review available.

Carol Cling
August 22, 2003
Carol Cling, Las Vegas Review-Journal

No review available.

January 26, 2006
Time Out

Click to read the article Full Review

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