Joe Dallesandro,
Udo Kier,
Vittorio De Sica,
Maxime McKendry,
Arno Juerging
... see more
The second of two horror films shot in a single production term and bearing the name of pop-art icon Andy Warhol (whose participation pretty much ended with the use of his name), this film is slightly... read more
Directed by: Paul Morrissey, Antonio Margheriti
Release Date: November 27, 1974
DVD Release Date: December 22, 1998
Stats: 264 reviews
Your Rating
Flixster Reviews (264)
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October 29, 2011fb1664868775Superior to Flesh For Frankenstein, this is a great second film for Paul Morrisey's horror double feature. There are some truly amazing images in this one. Udo Kier is perfect as Dracula.
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September 10, 2009
With a shortage of 'wirgins' in Romania, Count Dracula travels to Italy in search of good, pure Catholic girls to feast on, installing himself in the dilapidated mansion of an aristocrat with four unmarried daughters, ostensibly as a suitor for one of them. Since two of the daugh... read more
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September 10, 2009
More fun from the gang that brought you Flesh for Frankenstein. This time Dracula (our pal Udo Kier), is a little particular about his meals -- he can only have the blood of female (I guess, I didn't see him attacking any young boys) "wirgins". If he drinks the blood of an exper... read more
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September 10, 2009
Great photography, Udo Kier a pale, anemic villian, Arno Juerging his assistant, marvelously balancing ludicrous dialogue with deadpan earnestness. Tour-de-force performance from Vittorio de Sica as the Marquis Di Fiore with Maxime McKendry as Lady Di Fiore.
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July 10, 2011
Ever since I saw Udo Kier depicted in a gay orgy in Madonna's "book" AKA hardback porno, I've found the man downright disturbing. Then he was Satan's minion in "End of Days" with the Governator. And if that wasn't disturbing enough he portrayed Madam Flambeau, in drag, in The Acv... read more
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May 1, 2011
This movie can't decide if it wants to be high camp or a serious entry in vampire lore. Udo Kier is perfect as the ailing Dracula who needs "wirgin" blood to survive, but most of the film focuses on the soft-core romping of the two older sisters and the hunky gardener.
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November 15, 2009
Nothing really happens except Joe Dallesandro banging two sisters, Udo Kier getting his arms chopped off with an axe and Joe Dallesandro's brooklyn accent amusingly out of place but still good for entertainment
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September 10, 2009
Morrissey's vision, however criticized by today's audience, remains unmatched in the realm of vampiric cinema. I believe this is among the most powerful, astounding & frighteningly enchanting stories of Count Dracula ever told. Udo Kier is beyond fabulous. I am in love with this ... read more
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September 10, 2009
A bizarre film. I have never seen anything that so reminded me of Portland performance art in my entire life, especially in film. But hey, it worked! Strangely as the film continues, it grows on the viewer. When the scenes hit Takeshi Miike weirdness (lesbian incest three-way?! a... read more
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September 10, 2009
Moody, interesting reimagining of the classic story with Kier as a sickly, bizarre Count, Joe Dallesandro as our dashing, deflowering hero and great turns from Sica, McKendry and Jeurging.
Critic Reviews
One of the two schlocky horror comedies Paul Morrissey made in Italy in 1974... Blood for Dracula is the sexier and funnier. Full Review
Stylishly directed, atmospheric, funny, and intense enough to please gorehounds--especially at the climax. Full Review
Outrageous, hilarious and shocking, this is trash art at its very best. Full Review
Desperate for virgin blood, [Udo] Kier's wan, fussy vampire strategically heads to Catholic Italy, but the food sucks ("They put so much oil here on everything!"). Full Review
It's a few bites away from being a delicious spoof on Dracula. Full Review
Pretty funny, especially Roman Polanski's cameo, though not nearly as wild as Flesh for Frankenstein -- but then again, few movies are. Full Review
One of the worst and least faithful Dracula intepretations ever made. Full Review
A horror film and a spoof -- but it's also something more. A strange, lingering sadness hangs over the film in its depiction of the end of an era. Full Review
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