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Emil Jannings, Kurt Hiller, Emelie Kurtz, Hans Unterkirchen, Max Hiller ... see more see more... , Georg John , Olaf Storm , Hermann Vallentin , Emmy Wyde , Maly Delschaft

F.W. Murnau's German silent classic The Last Laugh (Der Letze Mann) stars Emil Jannings as the doorman of a posh Berlin hotel. Fiercely proud of his job, Jannings comports himself like a general in hi... read more read more...s resplendent costume, and is treated like royalty by his friends and neighbors. The hotel's insensitive new manager, noting that Jannings seems winded after carrying several heavy pieces of luggage for a patron, decides that the old man is no longer up to his job. The manager demotes Jannings to men's washroom attendant, and the effect is disastrous on the man's prestige and self-esteem. Logically, the film should end on a note of tragedy, but Murnau (either because he was ordered to by the producers or because he just felt like it) adds a near-surrealistic coda, wherein Jannings, having suddenly inherited a fortune, returns to the hotel in triumph. The Last Laugh was a bold experiment for its time: a film told entirely visually, with no subtitles save for the semi-satirical explanation of the climax. In a sense, Karl Freund's camera is as much a "character" as anyone else, commenting upon Jannings' rise and fall via then-revolutionary camera angles, jarring movements and grotesque lens distortions. Many historians credit The Last Laugh as the vanguard of the "German invasion" of Hollywood during the mid- to late-1920s. ~ Hal Erickson, Rovi

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89% liked it

3,664 ratings

Critics

100% liked it

25 critics

PG, 1 hr. 17 min.

Directed by: F.W. Murnau

Release Date: January 5, 1925

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DVD Release Date: November 11, 2003

Stats: 245 reviews

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Flixster Reviews (245)


  • August 3, 2011
    a groundbreaking film in nearly every possible way and one of the finest achievements of the silent era. it's broadly played but flows beautifully and contains only one title card! magnificent!
  • November 12, 2010
    Great lighting and high contrast German silent film. It's a nice slice of life in 1924 Berlin. The famous director F.W. Murnau evokes many emotions. It's a work of art to look at. It feels really long and is sad. I felt sorry for the old walrus-moustached hotel doorman who lost h... read moreis proud position.
  • September 3, 2010
    A brilliant movie with great actors, director, and story. A classic.
  • December 16, 2008
    [font=Century Gothic]With exquisite production design to accentuate the vast differences between the worlds of the luxury hotel and working classes, "The Last Laugh," directed by F. W. Murnau, is a heartbreaking movie about a hotel porter(Emil Jannings) who has been working for t... read morehe same hotel for decades and takes great pride in doing his job. For him, his work is simply everything. On a day like any other, he takes a heavy trunk off an automobile unassisted in a driving rain storm. It is only understandable that after such an arduous task that he requires a little breather afterwards. But the hotel manager(Hans Unterkircher) does not see it the same way, replacing the porter with a younger man the next day and demoting the former porter out of sight downstairs to attend to the restroom. Like so many, he is simply pushed to the side at the end of his career.[/font]
  • September 25, 2011
    Silent German character study with a masterfully tragic performance from Emil Jannings and innovative tracking camerawork by F W Murnau. Emotionally gripping and the story still resonates. The ending is very absurdly deus ex machina though. Probably one of the defining early work... read mores of European cinema and, along with Nosferatu, Tabu, Sunrise, and Faust, validates F W Murnau as the sole creative genius behind German Expressionism. 98/100
  • October 1, 2008
    The ending is such a punch in the face. One that lingers on your cheek for a while.
  • September 2, 2009
    Outside the exaggerated mugging by the actors this is a fine film. The evocative visuals only further confirms Murnau as one of the most innovative directors of his era, having to doing away with title cards and employing some nice tracking shots. He has a lot of fun experimentin... read moreg with distorting lenses. The epilogue is so unnecessary and unbelievable that it even says in the film that what happens is unlikely.
  • April 22, 2009
    i thought this would be much better. the critics love this and think it's one of the best silent movies ever. throughout the film, i had it below the other silent classics. i mean, the guy is a hotel doorman, and wearing the uniform is important to him. i get that. it's touching ... read moreand it matters when he gets demoted. but then all of his neighbors think he's a piece of shit all of a sudden? i mean, this is an old man with an intimate relationship with his neighbors, wouldn't they sympathize? and is it really a difference between hotel doorman and washroom attendant? the psychology of the film is just off to me. finally, call me a douche, but i thought the ending was stupid.
  • June 10, 2008
    one of the best depiction of depression out there and the characters don't say a word hell we don't even know there names. The way Murnau uses camera movements to express emotion is brilliant this is also probably the only film ever where a tacked-on happy ending works perfectly.
  • June 8, 2008
    Die Letzte Mann was a 1924 gem made by F. W. Murnau at time when it was greatly viewed as a success to the older generation who the world seem to be casting aside for younger, hipper, more modern thinking. The film shows the life, failure, loss and finally in a fantasy sequence, ... read moresuccess of a doorman who is played by very able and flexible Emil Jannings. The Last Laugh (English title) show us that old people are worth much more then we sometimes treat them as.

Critic Reviews


Dave Kehr
April 27, 2009
Dave Kehr, Chicago Reader

The 1924 film in which F.W. Murnau freed his camera from its stationary tripod and took it on a flight of imagination and expression that changed the way movies were made. Full Review

Mordaunt Hall
March 25, 2006
Mordaunt Hall, New York Times

There are no titles in this film -- merely a few inserts to guide the viewer. And yet one is never in doubt as to the action of this admirable picture, which is a remarkable piece of direction, with e... Full Review

Roger Ebert
January 1, 2000
Roger Ebert, Chicago Sun-Times

The film would be famous just for its lack of titles, and for its lead performance by Emil Jannings, which is so effective that both Jannings and Murnau were offered Hollywood contracts and moved to A... Full Review

Emanuel Levy
June 4, 2011
Emanuel Levy, EmanuelLevy.Com

One of Murnau's classic silent films features a great performance from Emil Jannings, who three years later became the first Best Actor Oscar winner. Full Review

Alan Morrison
April 27, 2009
Alan Morrison, Empire Magazine

Karl Freund's ground-breaking and historically important cinematography can still take the breath away. Full Review

Josh Larsen
March 29, 2009
Josh Larsen, LarsenOnFilm

...can still pierce a hardened heart - especially these days, when demotions and layoffs have become a daily occurrence and the streets are full of forlorn former doormen. Full Review

Steve Crum
March 14, 2009
Steve Crum, Video-Reviewmaster.com

A Murnau silent classic featuring strong Emil Jannings performance.

Dennis Schwartz
October 11, 2008
Dennis Schwartz, Ozus' World Movie Reviews

It ends with an unconvincing cop-out happy ending. Full Review

Andrew Schenker
September 23, 2008
Andrew Schenker, Slant Magazine

The Last Laugh can really best be understood as a horror story. Full Review

S. James Wegg
April 1, 2008
S. James Wegg, JWR

Walk a mile in my shoes Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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