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Hank Azaria, Ruben Blades, Joan Cusack, John Cusack, Cary Elwes ... see more see more... , Philip Baker Hall , Cherry Jones , Angus Macfadyen , Bill Murray , Vanessa Redgrave , Susan Sarandon , Jamey Sheridan , John Turturro , Emily Watson , Bob Balaban , Jack Black , Kyle Gass , Paul Giamatti , Barnard Hughes , Barbara Sukowa , John Carpenter , Gretchen Mol , Harris Yulin , Gil Robbins , Corina Katt

The sometimes rocky relationship between art and politics in America in the 1930s -- as well as the gulf between the wealthy and the struggling -- sets the stage for Tim Robbins' ambitious comedy-dram... read more read more...a Cradle Will Rock. Pulling together a variety of threads from actual events, Robbins examines the lives and ambitions of a variety of creative mavericks and figures of power. Orson Welles (Angus Macfadyen) and John Houseman (Cary Elwes) are working with Marc Bliztstein (Hank Azaria) to stage the latter's leftist musical "The Cradle Will Rock" for the WPA-funded Federal Theater Project. After Congress cuts funding for the embattled Federal Theater over the perceived leftist slant of their presentations, the project is canceled on the day of its premier. Welles and his cast respond by marching 21 blocks from the theater where the show was to open to another venue where, in deference to Actors Equity regulations, they perform the entire show from the audience. A member of Welles' cast, Aldo Silvano (John Turturro), is a dedicated actor from Italy who is trying to resolve his attitudes about his family, who loyally support Mussolini, to Silvano's disgust. Meanwhile, El Duce's former mistress, Margherita Sarfatti (Susan Sarandon), is consorting with industrial tycoon Gray Mathers (Philip Baker Hall) -- whose wife, Contesse LaGrange (Vanessa Redgrave) is a friend and supporter of Welles' project. Elsewhere, Nelson Rockefeller (John Cusack) has hired expatriot Mexican artist Diego Rivera (Ruben Blades) to create a mural for his projected Rockefeller Center, but the two are soon locking horns over their different views on art, politics and the work at hand. And a ventriloquist fallen on hard times, Tommy Crickshaw (Bill Murray), finds himself trying to teach both comedy and speaking without lip movements to a pair of would-be performers at a WPA-backed vaudeville house. William Randolph Hearst (John Carpenter), Marion Davies (Gretchen Mol), Frida Kahlo (Corina Katt), and Olive Stanton (Emily Watson) are also woven into the tapestry of this historical epic, which premiered at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi

Flixster Users

65% liked it

6,661 ratings

Critics

64% liked it

67 critics

R, 2 hr. 13 min.

Directed by: Tim Robbins

Release Date: December 8, 1999

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DVD Release Date: May 16, 2000

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Stats: 268 reviews

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Flixster Reviews (268)


  • September 28, 2009
    War, censorship, politics and corporate art. This is an extremely entertaining and informative look at how the art world both survived and changed during unrest in New York in the 1930?s. It may not sound like a barrel of laughs, and it can be a bit theatrical at times, but this ... read moreis a great film, Highly recommended!
  • December 10, 2008
    Huge cast made it fun to watch, along with the 30's atmosphere. Yet another example of how John and Joan Cusack cannot be apart in movies (much to my dismay). I had no idea the 30's had so much anti communist attacks. A neat piece of history. I especially liked Diego's painting.
  • August 19, 2007
    painful, self indulgent exercise in tedium
  • fb20312798
    May 18, 2012
    fb20312798
    I would have appreciated a measure of subtlety at some point, as there are moments of "symbolism" that reach laughable proportions with their obviousness. However, since this film still pretty successfully deals with the political and social power of theatre (which is a notion th... read moreat is very dear to me) I still enjoy the film for the simple fact that it so strongly appeals to my own sensibilities and biases.
  • March 13, 2012
    No. This is NOT The Hand That Rocks the Cradle. Tim Robbins' film is based on the actual events surrounding the WPA Federal Theater Project's production of The Cradle Will Rock by Marc Blitzstein, which was directed by Orson Welles and produced by John Houseman. The play was a p... read morero-labor musical in the style Kurt Weil and Bertolt Brecht. During the heart of the Great Depression the production took place amid a growing Red Scare (communism), fascism, unions, and the increasing power of Hitler and Mussolini. The film also recounts the battle over a mural in Rockefeller Center between painter Diego Rivera and Nelson Rockefeller. While the film does takes liberties with many events, it still manages to present an accurate picture of the political and artistic forces at work during this period. Robbins manages to make an excellent commentary on the relationship between art, power and finance both then and now.

    Best Quotes:
    (Orson Welles to John Houseman) "Oh fine, Jack! You win, you've got the biggest creative dick, okay? "

    Congressman: "You are quoting from this Marlowe. Is he a Communist?"
    Hallie Flanagan: "I am very sorry. I was quoting from Christopher Marlowe."
    Congressman: "Tell us who Marlowe is, so we can get the proper reference, because that is all we want to do."
    Hallie Flanagan: "Put in the record that he was the greatest dramatist in the period immediately preceding Shakespeare."

    Bertolt Brecht: "But where are the artists? Artists are the worst whores of all!"

    Diego Rivera: "You're a piece of work. A Jewish fascist!"
    Margherita Sarfatti: "And you're a rich communist!"
  • March 28, 2009
    this film is tim robbins' directorial debut. it tells the story of the musical that would not be denied its first performance because of the downfall of the wpa. robbins' style owes a lot to altman in its weaving of many strands of narrative in to a whole. he runs the risk at tim... read morees of losing control of his big tapestry of a movie.
  • February 14, 2009
    It's certainly fun to watch familiar actors jump from around every corner. If this had been a play, I think I would have loved it. But although the story is interesting, and spotlights a forgotten era in American history, I don't think it works as a movie. The narrative just does... read moren't pull together tight enough.
  • April 2, 2008
    EVERYONE is in this movie! It's long, but it's worth it. I used to think that theatre in the US should be more like some of the European countries and receive state support, but now that I've seen that the American government failed in the past I pray it never happens again. T... read morehe irony of the US government on a witch hunt for communism in their own federal supported theaters is mind blowing. The hypocrisy. The double standards on both teams.

    The variety of characters in this script was absolutely delectable. Some of these actors even surprised me and they were just golden.
  • November 1, 2007
    It might not have earned that extra half-star, but the more other people hate this movie, the more it makes me like it, flawed as it is.
  • October 29, 2007
    This is a fabulous film for theatre and history enthusiasts. It also has a stellar cast & wonderful, quirky writing.

Critic Reviews


Jonathan Foreman
January 1, 2000
Jonathan Foreman, New York Post

A confused, unrefined agitprop movie.

Kenneth Turan
January 1, 2000
Kenneth Turan, Los Angeles Times

As a mixture of drama, humor and history, a mélange of seriousness and slapstick, real people and imagined characters, it definitely stands out. Full Review

J. Hoberman
January 1, 2000
J. Hoberman, Village Voice

Willfully superficial. Full Review

(CNN.com) Paul Clinton
January 1, 2000
(CNN.com) Paul Clinton, CNN.com

Remarkably complex, funny and thought-provoking. Full Review

Kevin Maynard
January 1, 2000
Kevin Maynard, Mr. Showbiz

Marvelous, provocative entertainment.

Mike Clark
January 1, 2000
Mike Clark, USA Today

Rock actually rocks out as one of the year's most purely entertaining movies.

John Anderson
January 1, 2000
John Anderson, Newsday

Robbins is so convinced of his movie's political correctness that he couldn't see its lack of dramatic cohesion or luster.

Lisa Schwarzbaum
January 1, 2000
Lisa Schwarzbaum, Entertainment Weekly

Knows how to get audiences clapping along. Full Review

Charles Taylor
January 1, 2000
Charles Taylor, Salon.com

Robbins has made the classic mistake of thinking that art that's persecuted for its political ideals must be good art. Full Review

Nell Minow
December 22, 2010
Nell Minow, Common Sense Media

Art and politics and ideals; mature. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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