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Audrey Tautou, Benoît Poelvoorde, Marie Gillain, Emmanuelle Devos, Alessandro Nivola ... see more see more... , Regis Royer , Etienne Bartholomeus , Yan Duffas , Fabien Behar , Roch Leibovici , Jean-Yves Chatelais , Pierre Diot , Vincent Nemeth , Bruno Abraham-Kremer , Ines Bessalem , Emilie Gavois-Kahn , Marie-Benedicte Roy , Fanny Deblock , Claude Brecourt , Karina Marimon , Bruno Paviot , Franck Monsigny , Marie Parouty , Jean-Chrétien Sibertin-Blanc , Marie-Josee Hubert , Kim Schwarck

Amélie and The Da Vinci Code star Audrey Tautou stars as legendary fashion designer Coco Chanel in this biopic penned by director Anne Fontaine and screenwriter Camille Fontaine in collaboration with ... read more read more...Christopher Hampton. Based on the Chanel biography L'Irrégulière (The Nonconformist) by author Edmonde Charles-Roux, Coco Avant Chanel features dresses from the Chanel collection. House of Chanel art director Karl Lagerfeld also steps onboard to supervise the creation of accessories and costumes. ~ Jason Buchanan, Rovi

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57% liked it

38,809 ratings

Critics

63% liked it

126 critics

DVD Release Date: February 16, 2010

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Flixster Reviews (2,007)


  • October 14, 2011
    Another biopic of the fashion template Coco Chanel, this French language film romanticizes the life of a woman who favored simplicity in her style, leading to a feminization of rebellion in the fashion world, and in women's every day life.Still, though Chanel was a prominent figu... read morere, she is misrepresented time and time again as a romantic, a career woman, and a realist, when in reality she prostituted herself, and worked as a Nazi sympathizer and traitor towards the French. This inaccuracy, though blaring, didn't annoy me as much as the way this film is plotted, focusing on Chanel's early life, before fame came to her. Chanel is never seen past the thirties, transfixed into an immortal portrait of a rags to riches story. Chanel's life broadened so much more in the coming years, and it would have been nice to watch Tatou, such a resilient figure in French cinema, overcome the issues of Chanel's youth and rise to the occasion as a sort of matriarch to the female French population. We see a fragment of this at the end, but never the true extent of her success, the transformation she goes through to be a powerhouse, no longer the fragile little orphan of her prior youth. Tatou, such a great beauty and gamine presence, is so amazingly strong and independent minded in her take on the giant, but I wish there wasn't so much emphasis on Boy Capel throughout, and more on her actual life. This all felt like an ill fated love affair, when Chanel actually had many lovers in her lifetime, including Igor Stravinsky. It was beautifully shot and acted, I just believe the execution had something to be desired.
  • January 7, 2011
    Beautifully shot and a good introduction into the early years of Coco Chanel. I have to admit I knew nothing at all about her.
    Audrey Tautou suits the role so well, I could now not imagine her any other way. A good true story about a strong and inspirational woman who rose way a... read morebove her circumstances.
  • December 30, 2010
    I was very intrigued at the idea of watching this, first of all, I love Audrey Tautou. Second I love that period. Thirdly, I do love the sharp simplicity of Chanel's designs.
    I love the production design. The costumes were gorgeous and the cinematography was impeccable. But I thi... read morenk some of the pacing within the story lacked. I didn't even mind the gigantic jumps in time towards the end. But it didn't quite have a compelling nature as we saw her straddled between the two important men in her life (no rude pun intended there).
    However, other than that it was stylish and gorgeous. I do wish that we could have seen more of the visual style influence. Chanel's style was very clean cut, as opposed to the natural Rococco-ish fashion before it and I would have like to see what inspired that when it was certainly not the rage.
  • October 15, 2010
    The lovely, charming Audrey Tautou has graduated into a full-blown, versatile actress. This is a film that challenges her to move beyond the mannerisms and characterizations that won her international acclaim, and she responds. She creates a hard-nosed feminist, whose smile, tho... read moreugh still delightful, fails to predicate itself on its ability to be enjoyed by others; it's a smile for its own sake. This performance makes me think she'd be a perfect Dagny Taggart.
    The script and the story are less compelling than Tautou, and we never really see Chanel creating, forming, or even the slight burgeoning of the company that would bear her name. This seems like a let-down, and there was certainly room for this story within the film.
    Overall, the film's star carries it and makes up for whatever flaws the script and director may present.
  • July 16, 2010
    There is always a danger when bringing a biopic to the big screen. Do you concentrate on the stuff people know or do you play safe? Some would say they do both but generally they follow the same pattern. Fontaine wisely concentrates on the earlier life of Coco, but doesn't dwell ... read moreunnecessarily on the tough childhood within the orphanage, or the years spent as a cabaret act along side her sister. She concentrates on her fascinating relationship with Etienne Balsan, a fascinating character brilliantly played by Benoît Poelvoorde. For the most part the pace is well kept but towards the end Fontaine seems to trip into the typical Hollywood biopic cliches, years are skipped and it all becomes a little unconvincing if not a little dull. I know 'Boy' Capell did die in a car crash but it doesn't help the story become any less cliched, bad luck I guess but the jump from someone who makes hats to global fashion designer is a little ridiculous and feels a little rushed. I wouldn't say Fontaine totally succumbs to trend, where originality is most important she delivers, and visually, this film is as Chic as, well Coco Chanel I suppose! Not bad, certainly not as bad as the critics said on it's realise anyway!
  • May 9, 2010
    Though the story may feel too conventional and somehow incomplete, Coco Avant Chanel is a decent film that presents strong performances and a gracious score.
  • March 14, 2010
    Coco Chanel is definitely one of the most important female figures to come out of France in recent years but, honestly, her life before founding fashion house Chanel isn't very interesting.

    With COCO AVANT CHANEL, we are treated to a series of bland (but exquisitely shot) vign... read moreettes, ocassionally splashed with Coco's creativity and a few flashes that show just what a genius Chanel was. It's sad when the movie ends, because with that last, glorious scene, you feel like it was just starting to take flight.
  • March 12, 2010
    Perhaps the most memorable thing about Coco Before Chanel is that it is incredibly forgettable. You are left with the experience of having watched something, but that is about it. Audrey Tautou really gives a good performance, but it is not enough to hold up an entire movie. Ther... read moree also seemed to be a lack of style for a movie about a fashion designer. I think the film would have been much better had it been about Coco's entire life. Her younger years just are not that interesting. It kind of leaves you wondering why someone felt to the need to make a movie about them. The film is not bad or unpleasent by any means, but it is not great. It just seems very typical and more than bit boring.
  • March 1, 2010
    Director-writer Anne Fontaine attempts to portray how young Gabrielle Chanel transformed herself from lowly would-be orphan to the epitome of style and class, via the salons and boudoirs of the Belle Epoque - that was really interested story to know all about her before she becam... read moree famous fashion designer.
    Fontaine's screenplay is more thoughtful than those looking for a classier Sex and the City might have expected, toying with loss, identity, ambition and compromise.
    Audrey Tautou's Chanel is a complex figure, emotionally broken at an early age, yet impish, daring, challenging and very much her own woman, even as her relationships leave her short-changed.
    As in Ameile, the actress is bewitching, seductive yet fragile, full of resolve but achingly vulnerable. Fontaine acknowledges that while Coco's will to succeed might have stemmed from being abandoned by her dad, it is two key men - figure father and patron, Etienne Balsan (Benoit Poelvoorde), and the true love who shattered her already damaged heart, Boy Capel (Alessandro Nivola) - that give her the support and leverage to fulfil her ambition, first as a milliner, and later as the fashion designer par excellence we all know. Poelvoorde and Nivola work hard with underwritten roles, possibly necessarily so, their almost emblematic function keeping Chanel front and centre.
  • December 29, 2009
    Could have been Audrey's La Vie En Rose oscar winner, instead is tedious and tepid. I wanted to see Coco as Channel with her wartime Nazi scandal and all her glamour. Still a fairly interesting look at Coco's rise.

Critic Reviews


Roger Moore
November 18, 2009
Roger Moore, Orlando Sentinel

A movie that is tres chic even if it sometimes resembles those corsets Coco banished, a little stiff and confining. Full Review

Tom Long
October 23, 2009
Tom Long, Detroit News

The film is unfailingly funny. Full Review

Christy Lemire
October 23, 2009
Christy Lemire, Associated Press

Coco Before Chanel only starts to get interesting when she asserts her creative and financial freedom -- and that's right when the movie's about to end. Full Review

Bill Goodykoontz
October 23, 2009
Bill Goodykoontz, Arizona Republic

We are used to seeing Tautou play the sweetheart. Here, she's anything but. Constantly smoking, dour, unsmiling, critical, she plays a character difficult to warm to but fascinating to watch. Full Review

Ann Hornaday
October 16, 2009
Ann Hornaday, Washington Post

This refreshing alternative to the usual potted biopic provides an absorbing look at a singular, steely determination as it was forged and annealed, long before it made itself known to the world. Full Review

Lisa Kennedy
October 16, 2009
Lisa Kennedy, Denver Post

Tautou's sophisticated portrayal won't allow viewers to dismiss Coco as kept. Coco's talents are too pronounced, her approach to intimacy, to life, too aware for that. Full Review

Peter Rainer
October 16, 2009
Peter Rainer, Christian Science Monitor

I wish Fontaine would follow up with a sequel: Coco After Chanel. Tautou's performance cries out for a second act. Full Review

J. R. Jones
October 16, 2009
J. R. Jones, Chicago Reader

The movie is most fascinating when it shows how Chanel communicated her enlightened sense of womanhood through her innovative designs, which in turn helped women feel differently about themselves. Full Review

Colin Covert
October 15, 2009
Colin Covert, Minneapolis Star Tribune

The film, although sumptuously produced, is a staid and conventional account of her early years. Full Review

Tom Maurstad
October 9, 2009
Tom Maurstad, Dallas Morning News

The movie does a good job of presenting the social strictures that Chanel refused to be bound by, none more immediate and ubiquitous than the clothes women were expected to wear.

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    • Boy Capel: Proud people breed sad sorrows for themselves.

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