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Klaus Kinski, King Ampaw, José Lewgoy, Salvatore Basile, Nana Agyefi Kwame II ... see more see more... , Peter Berling , Benito Stefanelli , Pedro Oliveira

Director Werner Herzog, as usual, has spared no one -- especially himself -- in bringing this story of 19th-century African slave trading to the screen. Klaus Kinski plays an enterprising young Brazil... read more read more...ian who after impregnating the three daughters of his plantation-owning employer, is sent to West Africa to round up slaves. Kinski goes to great lengths to befriend the very people he hopes to enslave and he eventually manages to overthrow a mad monarch and set himself up as king. As the years pass, Kinski grows wealthy -- and careless. However, despite enslaving the tribe, he does show some signs of humanitarian benevolence. This fifth and final collaboration between director Herzog and Kinski is considered the weakest of the five features. Though the title translates literally as Green Cobra, Cobra Verde was released in the U.S. as Slave Coast. ~ Hal Erickson, Rovi

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74% liked it

2,898 ratings

Critics

86% liked it

14 critics

Unrated, 1 hr. 50 min.

Directed by: Werner Herzog

Release Date: December 3, 1987

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DVD Release Date: October 24, 2000

Stats: 212 reviews

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Flixster Reviews (212)


  • October 1, 2009
    When Herzog switches on a camera, wonderful things happen! This film has some of the most peculiar and wonderful scenes I've ever seen. Kinski and Herzog are a match made in Heaven on film, it?s a crime they made so few films together! This is an underrated classic!
  • July 26, 2009
    Pure unadulterated delightful madness.
  • fb1142797643
    November 12, 2011
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    "Cobra Verde" may be unjustifiably obscure, but it's also no match for its heralded older brothers "Aguirre: The Wrath of God" and "Fitzcarraldo." Director Werner Herzog and enfant terrible Klaus Kinski are teamed for the fifth and last time, but the chemistry seems off.

    "Cobra ... read moreVerde" has a more complex story than "Aguirre" and "Fitzcarraldo," despite having a similar plot about a driven fanatic undertaking a seemingly impossible mission. Kinski plays the title character, a roaming South American bandit who takes a job at a sugar plantation, only to fall out of favor after he impregnates the boss's daughters. As a result, he is pressed to sail overseas to barter slaves from Dahomey. It is expected that he will not return alive. Settling down in Africa, he becomes embroiled in a conflict between two rival kingdoms, and his original objective fades away in the chaos.

    Kinski's performance is a bit erratic -- sometimes he's a man of sullen intimidation, other times he's the feral lunatic we expect -- and Herzog fails to get inside his head, instead seeming more interested in choreographing large crowd scenes. The rites and costumes of the natives *are* fascinating, but the illusion is punctured when they speak to Kinski in perfect German. Even Popol Vuh's droning soundtrack seems indifferent next to the group's masterful work on earlier Herzog projects.

    The film's quirkier virtues include a goat receiving communion and a tribal girl's choir so shockingly charismatic that one wonders why they didn't follow Ladysmith Black Mambazo to international success. Hey, they even worked topless.
  • April 2, 2007
    [font=Century Gothic]In "Cobra Verde", Francisco Manoel da Silva aka Cobra Verde(Klaus Kinski) is the most feared bandit in all of Brazil. One day, he is hired by Don Octavio Coutinho(Jose Lewgoy) to be the new overseer of his plantation. He excels at his job but also impregnat... read morees three of the boss' teenaged daughters, angering him a great deal. In trying to decide what to do with da Silva, Coutinho and his cronies come up with a plan to send him to Africa to reopen the slave trade, so dangerous a mission that it is a veritable death sentence.[/font]
    [font=Century Gothic][/font]
    [font=Century Gothic]Written and directed by Werner Herzog, "Cobra Verde" is a scathing indictment of the slave trade at a time when little value was given to a human life, laying blame equally on profiteers both in Africa and Brazil . All of which is seen through the eyes of the movie's amoral protagonist who ventures from one land to the other without ever truly fitting in.[/font]
  • August 13, 2010
    The problem with this film is the main character. Kinski does a great job but he feels two-dimensional and seems to go with the flow rather than having any actual goal - ala Forrest Gump. Fortunately, Herzog's skills as a director are in full flow here and there are countless lin... read moregering shots of absolute beauty that seem to strain the camera lens as he tries to encompass the entire scene. Visually, it's a wonder, but it lacks a soul.
  • August 10, 2011
    A very strong and unique offering from Werner Herzog and the late great Klaus Kinski. This is unfortunatly the last time they collaborated but its just as strong as their other films. Kinski's screen presence demands attention. I can watch this guy go grocery shopping for six hou... read morers and be totally be entertained. And Herzog recognised that presence in him and thats why its with Herzog's films that Kinski really makes a memorable character whos every move is like watching a dangerous ballet. Ive seen tons on Kinskis other films for other directiors and there are only a handful who truly recognised his talent. Jess Franco being one..
    The story here is confusing at times but story is usually second only to Herzogs visual storytelling abilities. A second veiwing is definaly a must for me to fully grasp all the events that took place. Cobra Verde is shocking at times and there are some incredibly strong images of captive slaves that haunt you long after the film has ended. This is a definate recommendation for anyone who appreciates these two guys work together.And for those that dont, i must really suck to be you.
  • July 3, 2007
    Another must see Herzog movie! Great music in this one as in some of his other movies. Pupul Vuh is a wonderful group that mixes the ancient sounds with the modern. Lots of CDs out by them. The older ones are the better ones. They did the soundtracks for a number of Herzog films.

Critic Reviews


A.O. Scott
March 23, 2007
A.O. Scott, New York Times

The final third of this film contains sequences of horrifying sublimity and ethereal beauty, moments that have a clarity and power beyond the reach of reason.

J. R. Jones
March 20, 2007
J. R. Jones, Chicago Reader

Verde is too blankly amoral to sustain interest, but the film has isolated moments of haunting poetry. Full Review

Ed Halter
March 20, 2007
Ed Halter, Village Voice

It's easy to understand why this was Herzog's final collaboration with the actor, but Kinski's performance nevertheless serves up a potent confusion of documentary and fiction that has long been an es... Full Review

Jeff Vice
May 4, 2007
Jeff Vice, Deseret News, Salt Lake City

As odd as it is mesmerizing. Full Review

Sean Means
May 4, 2007
Sean Means, Salt Lake Tribune

The results are like Kinski's performance: baffling, breathtaking and strangely beautiful.

Eric Monder
March 26, 2007
Eric Monder, Film Journal International

Those who give this offbeat production a chance will find it unforgettable. Full Review

Mark Holcomb
March 24, 2007
Mark Holcomb, Time Out New York

The type of crazed, folkloric epic that Germany's own De Niro-Scorsese duo usually excelled at. Full Review

Maitland McDonagh
March 23, 2007
Maitland McDonagh, TV Guide's Movie Guide

Linear storytelling was never Herzog's strong suit even under the best of conditions. His strength lies in capturing lucid lunacy on film, and Manoel da Silva's descent into the jaws of madness is a s... Full Review

Cole Smithey
February 20, 2007
Cole Smithey, ColeSmithey.com

Herzog & Kinski = Logic and passion.

June 24, 2006
Time Out

Though less apocalyptical than usual, the imagery is as lavish as ever, but the film is wrecked by an underwritten narrative. Full Review

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