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Orson Welles, John Gielgud, Jeanne Moreau, Norman Rodway, Keith Baxter ... see more see more... , Margaret Rutherford , Marina Vlady , Alan Webb , Walter Chiari , Michael Aldridge , Tony Beckley , Patrick Bedford , Andrew Faulds , Ingrid Pitt , Keith Pyott , Fernando Rey , Ralph Richardson , Jeremy Rowe , Beatrice Welles , José Nieto , Julio Peña , Charles Farrell

The legendary Shakespearean character Sir John Falstaff, the notoriously drunken, obese, and yet charming companion of the young Henry V, steps up from supporting character in several plays to the cen... read more read more...tral focus of Orson Welles' Chimes at Midnight, considered by many critics the best of the director's acclaimed Shakespeare films. The script borrows scenes from several plays, but draws most heavily on the two parts of Henry IV, focusing on the shifting relationship between Falstaff and Prince Hal. Beginning as the prince's companion in debauchery and idleness, the corpulent jokester finds himself falling out of favor as the prince comes to terms with the importance of his destiny as England's future leader. While Falstaff's ample wit is still much in evidence, the film places greater emphasis on the tragic character beneath all the joviality, with Welles perfectly embodying this mixture of spiritually youthful prankster and sad adult. While his towering performance naturally takes center stage, the other cast members are also superb. The film's visual elements are also strong, with Welles' attention to composition matching his sensitivity to character. There are technical imperfections due to the film's extremely limited budget, including an inconsistent soundtrack, but they are unable to overshadow the film's many achievements. ~ Judd Blaise, Rovi

Flixster Users

90% liked it

1,886 ratings

Critics

92% liked it

13 critics

Unrated, 1 hr. 55 min.

Directed by: Orson Welles

Release Date: December 22, 1965

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Stats: 120 reviews

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Flixster Reviews (120)


  • June 8, 2008
    Considering that just about everything Orson Welles directed after "Citizen Kane" was compromised by studio interference and/or budgetary constraints, it's remarkable that he made as many brilliant movies as he did. "Chimes at Midnight" is one of his very best. Magnificent yet fl... read moreawed, so well does this film mirror both its creator and the character he plays in it, lovable rogue Sir John Falstaff, that its very flaws almost become virtues. Though it is directed, photographed and edited with extraordinary skill, "Chimes at Midnight" contains some of the worst dialogue synching I have ever come across. A restoration of the film has long been rumoured, but such is the quantity of slapdash dubbing, short of creating a brand new soundtrack, no amount of judicious tweaking is ever likely to completely reunite Shakespeare's words with the lips that are uttering them. In spite of this, in spite of the difficult language and the dizzying editing style, which exhilarated but ultimately exhausted me, "Chimes at Midnight" is a wonderful movie.
  • May 28, 2008
    magnificent. the finest shakespeare adaptation i've seen with one of the finest battle scenes ever filmed! absolutely breathtaking. it's criminal that this doesn't have a criterion and armageddon does
  • January 29, 2011
    Complaints about low-quality dubbing seem unfair in the face of such stunning images and inspired direction. Orson Welles' vision is strange, powerful and inspiring. He always finds surprising ways to shoot and cut his films, and just looking at them is thrilling enough for me. T... read morehe performances are uniformly strong as well.
  • March 4, 2011
    Visually stupendous exercise from Orson Welles that should be at the front line of Great Movies next to his other masterpieces. I'm not a huge Shakespeare fan, and I found this laugh out loud hilarious at some times and emotionally resonate at others. 100/100

    More at: http://t... read morehegreatestreview.blogspot.com/2011/02/obscure-cinematic-gem.html
  • June 2, 2010
    Well, I did "see it any way I could", and all I got was a VHS-to-DVD copy from my college library with occasionally less-than-ideal sound. I lost interest in that quickly, and hardly paid enough attention to know what was going on. What I could gather was as advertised.
  • August 24, 2007
    Arguably the finest Shakespeare movie ever. Criminally out of print in the US, but see it any way you can.
  • April 28, 2007
    chimes at midnight is flatout the greatest shakespeare, best photo, believable acting. ok its just out of this world. if anyone new what the hell citizen kane was about, and can understand old english, this will be a favorite. something about this movie that makes people breathe ... read moreclearer and think deeper. dont die without seeing this!

Critic Reviews


Variety Staff
June 18, 2008
Variety Staff, Variety

A personal viewpoint, it mixes the grotesque, bawdy, comic and heroic, and does have a melancholy under its carousing and battles. Full Review

Roger Ebert
April 6, 2007
Roger Ebert, Chicago Sun-Times

Here is a film to treasure. Full Review

Bosley Crowther
May 9, 2005
Bosley Crowther, New York Times

Evidently Mr. Welles's reading of Falstaff ranges between a farcical concept of him and a mawkish, sentimental attitude. Full Review

Dave Kehr
October 8, 2001
Dave Kehr, Chicago Reader

The one Welles film that deserves to be called lovely. Full Review

Tim Brayton
January 23, 2012
Tim Brayton, Antagony & Ecstasy

Top-notch Shakespeare and top-notch filmmaking, a rare combination that, when it works, is like nothing else in the whole world. Full Review

Phil Hall
May 7, 2010
Phil Hall, Film Threat

Despite its many faults, it deserves to be seen. Full Review

Ken Hanke
April 29, 2009
Ken Hanke, Mountain Xpress (Asheville, NC)

Perhaps the only one of Welles' films that can really give Citizen Kane a run for its money as the filmmaker's finest work. Full Review

August 29, 2006
TV Guide's Movie Guide

Orson Welles' brooding, sometimes brilliant art-house film dwells on the tragic side of one of Shakespeare's most famous comic characters. Full Review

February 9, 2006
Time Out

Welles waddles through the foreground with an eye on his own problems of patronage, while behind the camera he conjures a dark masterpiece, shot through with slapstick and sorrow. Full Review

Dennis Schwartz
November 4, 2005
Dennis Schwartz, Ozus' World Movie Reviews

It's a delightfully playful rip at history and the traditional way of filming Shakespeare. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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