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Fanny Ardant, Jeremy Irons, Joan Plowright, Jay Rodan, Gabriel Garko ... see more see more... , Manuel de Blas , Stephen Billington , Alessandro Bertolucci , Jean Dalric , Olivier Galfione , Roberto Sanchez , Camboric , Achille Brugnini , Justino Díaz , Popa Sorin , Anna Lelio , Eugene Kohn

A mournful look at the last days of opera diva Maria Callas, director Franco Zeffirelli's biographical drama attempts to explore the irresistible allure of a comeback for a fallen star who hungers for... read more read more... the success of her past. Weathered from the excess of the previous decade and with her best performances long behind her, Callas (Fanny Ardant) withdraws to her Paris apartment to live her final days in seclusion. Despite being ravaged by a throat disease and being stuck in an extended period of mourning following the death of her true love, Callas' manager Larry Kelly (Jeremy Irons) nevertheless suggests that the former reigning queen of opera attempt a spectacular comeback. Though she is physically unable to perform the pieces the way that she once did, the suggestion to lip-sync to recordings of her previous performances offers a tentative chance for latter day fame. Despite her belief that lip-syncing her performance would be dishonest to her fans, the prospect of performing Carmen, an opera that she once recorded but never performed on stage, offers Callas one last shot at reliving her former glory. ~ Jason Buchanan, Rovi

Flixster Users

55% liked it

1,517 ratings

Critics

42% liked it

59 critics

PG-13, 1 hr. 48 min.

Directed by: Franco Zeffirelli

Release Date: November 5, 2004

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DVD Release Date: June 21, 2005

Stats: 88 reviews

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Flixster Reviews (88)


  • September 23, 2007
    Fanny Ardant is great in the title role, Jeremy Irons and Joan Plowright offer exemplary support.
  • October 20, 2008
    I love this movie! Although I am not an opera fan, Fanny Ardant makes me love Maria Callas' work, her spirit, her legacy! The film is so beautiful, it makes you feel as though you're there!
  • July 26, 2007
    Beautifully acted, intelligently written and criminally neglected by critics and distributors Callas Forever is a haunting and poignant study of the sacrifices an artist makes for her art.
    For some people the movie will prove somewhat unsatisfying, the more so if one focuses ex... read moreclusively on Callas at the cost of ignoring other nuances and ideas, and the sheer pleasure of listening to the music and singing. But I recommand it to people who enjoy operas.

Critic Reviews


Olin Chism
February 3, 2005
Olin Chism, Dallas Morning News

For Callas fans, this is a winner. For others, it should at least be interesting. Full Review

Eric Harrison
January 28, 2005
Eric Harrison, Houston Chronicle

The film's portrait of the singer is indelible. The story as a whole, however, doesn't hold together, primarily because the imaginary characters and situations that surround her are so inadequately sk... Full Review

Tom Long
December 24, 2004
Tom Long, Detroit News

A film that forgets to bring its central character to life.

Terry Lawson
December 23, 2004
Terry Lawson, Detroit Free Press

For all the devotion Zeffirelli professes to Callas' legacy, the script reduces her to a cartoon. Full Review

Colin Covert
December 9, 2004
Colin Covert, Minneapolis Star Tribune

Although the film will hold little appeal for non-opera buffs, its warmth trumps its clichés, odd casting and overacting. Full Review

Philip Kennicott
November 29, 2004
Philip Kennicott, Washington Post

Goes far deeper into one man's opera-diva fetish than most people will want to follow. Full Review

Desson Thomson
November 29, 2004
Desson Thomson, Washington Post

It's a small-scale premise for a movie and, given its wooden, dubbed dialogue (a supreme irony), it's an experience purely for Callas fans. Full Review

Ty Burr
November 28, 2004
Ty Burr, Boston Globe

On about five different levels, Callas Forever constitutes grave robbery. Full Review

Roger Ebert
November 26, 2004
Roger Ebert, Chicago Sun-Times

Most of the budget seems to have gone to the moments of Carmen that we see; they look sumptuous and robust, and the surrounding film looks, well, like a low-budget art movie. Full Review

John von Rhein
November 26, 2004
John von Rhein, Chicago Tribune

By aspiring no higher than campy adulation, it ill serves the memory of the most storied opera diva of the last century. Full Review

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