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Warren Oates, Isela Vega, Gig Young, Robert Webber, Helmut Dantine ... see more see more... , Kris Kristofferson , Rene Dupeyron , Tamara Garina , Enrique Lucero , Jorge Russek , Emilio Fernandez , Chano Urueta , Don Levy , Farnesio DeBernal , Chalo Gonzalez , Donnie Fritts

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

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83% liked it

7,797 ratings

Critics

83% liked it

18 critics

R, 1 hr. 52 min.

Directed by: Sam Peckinpah

Release Date: August 14, 1974

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DVD Release Date: March 22, 2005

Stats: 559 reviews

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Flixster Reviews (559)


  • February 17, 2011
    Not all moments in this film are winners - specifically the first half of the film. It's all spent getting to know Bennie and his friend/girlfriend/whatever she is to him. All of this leads up to the cemetery scene. Everything after that is great. It's just that first half th... read moreat needed some work. I like Warren Oates, but I felt like he wasn't on top of his game here. I wouldn't call this a bad film, just unbalanced in that it doesn't get interesting until halfway through.
  • January 1, 2011
    Another movie I want to see again sometime, I don't remember it well.
  • May 27, 2010
    The first hour of Bring Me the Head of Alfredo Garcia was one of the most gruelingly dull movieviewing experiences of my life. Yes, Sam Peckinpah perfectly nailed the daunting grittiness of Warren Oates' (who stole the show, by the way) miserable existence but all I saw was some ... read moretrudgingly slow storytelling that not even multiple shots of Isela Vega's ample bosom were able to redeem. The second hour was a different story. Once Oates cracked, shots were fired and the pain train left the station in a way that only Peckinpah could portray, Bring Me the Head of Alfredo Garcia became an almost entirely different movie and all its misgivings (even if only in my mind) are forgiven. The performances were generally solid and seeing a square like Gig Young drenched in sliminess was a nice touch. The more I think about Bring Me the Head of Alfredo Garcia the more I like it. "Why? Because if feels so goddamned good...!"
  • November 28, 2009
    Peckinpah's nihilistic trip is still fresh to this date, and still capable of split opinions as much as in it's time. It's in the vein of Corbucci's "The Great Silence", a bleak and dark story where there is no glory for anyone involved. It's a one way trip to doom and tragedy, a... read morend you just can't help but watch it. It's my kind of story, and Peckinpah's direction, along with the whole cast, make it work. It's the kind of story that few directors dare to tell, it makes sense that so many people hated this. This is the exact opposite of the "feel-good" model of cinema that most embrace.
  • November 9, 2008
    bloody fantastic 70's grindhouse style thriller. it doesn't get any grittier. warren oates goes from loser to total badass! great atmosphere. this is the kinda stuff tarantino and rodriguez try to manufacture with varying results. see the real deal
  • January 14, 2008
    Pure Peruvian Pekinpah...this shit will make you loco!
  • April 6, 2007
    Peckinpah's masterpiece; One of the greatest films I've ever seen.
  • April 5, 2007
    Slated by critics at the time, if Pat Garrett And Billy The Kid was Peckinpah's tale of the death of the west, this is it's "resurrection". QT and particularly Robert Rodriguez has obviously taken a lot of cues from it, and it deserves it's cult status. My favourite Peckinpah film.
  • fb1142797643
    September 25, 2011
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    Warren Oates is always fun to watch, and this film has one of the greatest titles ever. But I just don't relate to director Sam Peckinpah's ugly fascination with violence and machismo. And his trademark, slow-motion gimmick is grossly overused.

    "Alfredo Garcia" surprised me, tho... read moreugh -- I hadn't read much about it, and assumed it was an old-time Western. Instead, it is not only set in the present but isn't even a Western. I suspect Peckinpah anticipated this confusion, because there's a jarring early moment where modern automobiles thunder into the frame after an ambiguous opening scene fails to reveal the setting.
  • August 23, 2006
    [font=Century Gothic]In "Bring Me the Head of Alfredo Garcia", Benny(Warren Oates) spends his nights toiling in a dive bar in a Mexican resort town when opportunity suddenly appears in the form of two hitmen(Robert Webber & Gig Young) who are looking for Alfredo Garcia.(It seems ... read moreAlfredo is quite the ladies man and got the daughter of a wealthy landowner in Spain pregnant. He was none-too-pleased and hired the hitmen.) Through his fiancee, Elita(Isela Vega), who also slept with Alfredo, Benny finds out that he has already died in an accident. Benny then goes back to the hitmen and negotiates a fee of $10,000 in exchange for proof of Alfredo's death, specifically his head.[/font]

    [font=Century Gothic]Directed by Sam Peckinpah, "Bring Me the Head of Alfredo Garcia" is a surprisingly restrained movie that defies expectations by being a character study of a man who does not recognize what is truly valuable in life.(Most of the men in the movie do not either but I think perhaps the late, great Alfredo Garcia did.) Throughout the movie, violence lurks in the background until it suddently comes to the fore but it is never the solution the characters think it will be. And Warren Oates gives a staggering performance.[/font]

Critic Reviews


Nora Sayre
May 9, 2005
Nora Sayre, New York Times

The movie's main problem is that the protagonist -- the dead head -- is a bore. Full Review

Roger Ebert
November 11, 2001
Roger Ebert, Chicago Sun-Times

The movie is some kind of bizarre masterpiece. It's probably not a movie that most people would like, but violence, with Peckinpah, sometimes becomes a psychic ballet. Full Review

Kelly Vance
May 5, 2010
Kelly Vance, East Bay Express

For Peckinpah, nothing is so ennobling as to face death in Mexico for the right reason. Full Review

Cole Smithey
June 2, 2009
Cole Smithey, Daily Radar

Fermented in a tragic romanticism placed firmly in a no-man's land between liberation and capitalism, Sam Peckinpah's 1974 thriller is a film that sticks in your mind's eye like a lingering sun spot. Full Review

Pablo Villaca
July 15, 2008
Pablo Villaca, Cinema em Cena

Em seu filme mais pessoal, Peckinpah cria um anti-herói trágico que, através de cotidiano repleto de crueza e miséria, alcança uma improvável redenção através de suas ações e intenções tortuosas.

August 30, 2006
TV Guide's Movie Guide

It stands as one of Peckinpah's more daring films. Full Review

Cole Smithey
September 26, 2005
Cole Smithey, ColeSmithey.com

Fermented in a tragic romanticism placed firmly in a no-man's land between liberation and capitalism, Sam Peckinpah's 1974 thriller is a film that sticks in your mind's eye like a lingering sun spot. Full Review

Jeffrey M. Anderson
June 6, 2005
Jeffrey M. Anderson, Combustible Celluloid

Oates' antihero is among the loneliest men in the cinema, and one of its greatest performances. Full Review

Thomas Delapa
October 27, 2004
Thomas Delapa, Boulder Weekly

Here's your head's up: Trashy and savagely comic, Alfredo Garcia is a voyage into the twisted head of one of Hollywood's most uncompromising directors. Full Review

Nick Schager
June 22, 2003
Nick Schager, Slant Magazine

For something so bleak, so purposely revolting and unsentimental, there are reservoirs of profound poetry in Alfredo Garcia, the only film that Peckinpah ever considered completely his own. Full Review

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