Jean-Pierre Léaud,
Delphine Seyrig,
Claude Jade,
Michel Lonsdale,
Daniel Ceccaldi
... see more 
The episodic romantic comedy Stolen Kisses is the third installment in François Truffaut's Antoine Doinel series, which started with The 400 Blows in 1959. In 1968, Antoine (Jean-Pierre Léaud) is disc... read more
DVD Release Date: August 24, 1999
Stats: 310 reviews
After following Antoine Doinel as a young boy in Les quatre cents coups and his désamours in L'amour à vingt ans, in Baisers Volés we see the life and lovers of an "akward" young man.
Then it comes the great Domicile Conjugal where Antoine and Christine are married and where we... read more
Truffaut homages Henri Langlois, Laurel and Hardy. Hitchcock and Balzac, and brings back his alter ego, Antoine Doinel. Now at the doors of adulthood, he was kicked out from the army, and struggles to find a job, first as a night porter, shoe seller, tv repairing engineer and eve... read more
Hilarious and romantic. Jean-Pierre Leaud IS Antoine Doinel Antoine Doinel Antoine Doinel Antoine Doinel Antoine Doinel...
Francois Truffaut's third Antoine Doinel film has a happenstance feel of just dropping in to see what's new with our boy. He's freshly bounced out of the military, and is casually skipping from mediocre job to mediocre job without success. Meanwhile, he courts a past girlfriend, ... read more
The third in Traffaut's semi-autobiographical series following the life of Antoine Dionel. The first time the character hit the screens was in the 1959 masterpiece The 400 Blows. Stolen Kisses sees Antoine now as a young man and follows him in his journey into adulthood. This doe... read more
One of the greatest lines in cinema history: "You can hang up now. Mr. Henri is dead." That scene alone--not to mention the several other Truffaut touches throughout--are reason enough to see and treasure this film.
Truffaut's second best film of his career. Which just happens to be the second feature in the infamous Doinel series.
A superb film, one of Francois Truffaut's very best and the second best in the Antoine series. (I think The 400 Blows is his best). Good score, excellent writing and a fine performance from Jean-Pierre Leaud.
The character of Antoine peaks in this film and Truffaut's direction has never been more aesthetically pleasing.
I usually hate French New Wave. Yet this film? Class. Major class. The performances, personality of the picture, skillful direction and writing, it all works. I seriously got into it.
Typically light fare from the master of French Lite Full Review
While Truffaut was fiddling with this trifle, the streets of Paris were burning with a student riot in May 1968. Full Review
A poignant portrait of sop-free love.
Despite some of the broadness of the comedy (one of the funniest scenes being Antoine's clearly inept attempt to tail a woman on the street), the film is tempered throughout by a series of lessons Ant... Full Review
Some regard the film as Truffaut's finest work. Full Review
Stolen Kisses certainly has charm, and is more accessible to mainstream audiences than the previous Antoine films. Full Review
This amusing and entertaining French film is a valentine to love and the emotions it arouses. Full Review
The gentle tone of Stolen Kisses seems keyed to Jean-Pierre Léaud's unassuming poignancy in the role of Antoine Doinel. His relaxed improvisatory manner in front of the camera remains as fresh today a... Full Review
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