Josh Hartnett,
Naomie Harris,
Adam Scott,
Robin Tunney,
Emmanuelle Chriqui
... see more
Josh Hartnett, Naomie Harris, Rip Torn, and Adam Scott star in director/co-screenwriter Austin Chick's tale about an ambitious dotcom entrepreneur attempting to stay afloat as the stock market begins ... read more
DVD Release Date: August 26, 2008
Stats: 397 reviews
Your Rating
Flixster Reviews (397)
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June 5, 2011
Interesting solely when viewed as an aesthetic antecedent to The Social Network, with its shadowy interiors and pulsing dark electronic soundtrack, but this is a small story that made for a small movie. There's nothing wrong with small movies, of course, but August's ambitions ru... read more
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May 22, 2009
[font=Century Gothic]"August" is a flat and cliche-ridden movie about brothers Tom(Josh Hartnett) and Josh(Adam Scott) Sterling who have started an internet company called Landshark that is a huge success, making them the toast of the town. Thankfully, it has less to do with Jim... read more
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February 28, 2010
Josh Hartnett's performance in this film, is a good reason to check out the movie. In my opinion, it is one of his best performances, so far. The film reminded me of films like The Prime Gig, Boiler Room, Less Than Zero, Nothing in Common, Up in the Air, American Psycho, and Glen... read more
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June 9, 2010
The film mainly centers on the charismatic and arrogant character Tom Sterling [portrayed by Hartnett] trying to keep the Dotcom company he started with his genius brother afloat as it begins to fold, spending money frivolously to make it seem as though the company is doing well.... read more
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March 4, 2010
The premise of this film is the story of two brothers "fighting to keep their start-up company afloat on Wall Street", a month before 9/11. The real story is about a young man (Hartnett) whose cockiness ends up biting him in the @$$. Like many films, I only watched this film 1) b... read more
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November 10, 2008
From the get go you are totally lost, i was kinda holding on to the fact the Hartnett was playing the jerk, selfiish playboy so I kept watching. To much going on in the movie with all his other problems but none of them are ever resolved, every bit of this movie was left open-end... read more
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April 26, 2010
Although, as a dot-com startup entrepreneur, I'm very partial to the subject of this film, it was a boring, over-dramatized flick centering around Hartnett's cockiness. It went as far as Bowie not being able to save it.
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January 2, 2010
I don't even know where to start with this. The acting is horrible, the script is horrible and the musical score is god awful.
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November 17, 2008
It was a good concept but poor execution just like the company in the movie - LandShark. I just wasn't pulled into the story or characters. Also music at some parts made it hard to understand the dialogue. I was hoping and wishing it could been better.
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November 10, 2008
You know when someone says that was the worst movie ever made and you think to yourself Like anybody can ever know that. Well they can. And its called August.
Critic Reviews
Smartly scripted, convincingly atmospheric morality fable in which Hartnett, usually insubstantial as a good guy, plays a convincingly flawed character galloping toward the precipice. Full Review
Only an amusing cameo by David Bowie enlivens things, but he's onscreen for just about two minutes at the end. Full Review
There's not much to it, but Austin Chick's hyper-focused indie does serve as a nicely assured showcase for lead Josh Hartnett. Full Review
Has a dark desperation thatā(TM)s morbidly compelling. But the movieā(TM)s amoral momentum is fatally slowed by an acronym-heavy script and flimsy characterizations that offer fine actors...little to ...
August seems to be missing something essential -- a prologue? Or maybe it's not what's missing that's the problem, but what's here. Full Review
The direction by somebody called Austin Chick gives the appearance of being phoned in from an Internet bar in another town. Full Review
The actors are not well supported by Howard A. Rodman's self-satisfied script, which would rather tell than show, relying at several points on long, smug speeches that bring the narrative to a grindin...
This middling drama has no glaring faults, but simply lacks the intended urgency. There's scant sense of surprise in a narrative trajectory that feels preordained. Full Review
This one has nothing extraordinary about it to compensate for seven years' staleness. Full Review
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