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Kali Bannerjee, Karuna Bannerjee, Pinaki San Gupta, Kanu Banerji, Smaran Ghosal ... see more see more... , Ramani Sen Gupta , Subodh Ganguly , Charu Ghosh , Santi Gupta , Ajay Mitra , K.S. Pandey , Kali Charan Ray , Sudipta Ray , Kanu Bannerjee , Pinaki Sengupta , Ramani Sengupta , Ranibala , Sudipta Roy

The Unvanquished is the second of Indian director Satyajit Ray's "Apu Trilogy" (the first was Pather Panchali). Ray's young protagonist Apu is permitted a formal education over the gentle objections o... read more read more...f his mother, who'd wanted him to be priest. Eventually, Apu earns a university scholarship and arrives in the teeming metropolis of Calcutta. Overwhelmed by life in the Big City, the impressionable country boy forgets about his loving mother. By the time Apu returns to his home, he finds it's too late to pick up pieces. Smaran Ghosal plays the adult Apu, with Pinaki Sen Gupta portraying his younger counterpart in the flashback. Aparajito was derived from a novel by Bibhutibhusan. The film also features a musical score by Ravi Shankar. ~ Hal Erickson, Rovi

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92% liked it

2,914 ratings

Critics

93% liked it

15 critics

Unrated, 1 hr. 48 min.

Directed by: Satyajit Ray

Release Date: January 1, 1956

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DVD Release Date: October 28, 2003

Stats: 160 reviews

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Flixster Reviews (160)


  • June 8, 2009
    not to take anything away from it but i liked the first part better. definitely being drawn into the life of this family
  • July 13, 2011
    love the storytelling. a terrific coming-of-age film that's simple yet amazingly compelling. as in Pather Panchali, the actors have a wonderful natural ability and a very strong dynamic with one another that totally sells their performances. also once again, I loved the cinema... read moretography and the Ravi Shankar score. a seamless and thoroughly enjoyable sequel.
  • April 14, 2009
    Much more technically accomplished than Pather Panchali. The scenes at the city were worthy of Antonioni. I love those subtle moments where the characters are still haunted by the events in Pather Panchali. The script has a bad habit of killing off main characters especially f... read morerom seemingly trivial causes, so it's a credit to Ray that he handles it so beautifully, as there is considerably less melodrama here than PP. Still, the I think the suffering in latter parts of the film were overdone.
  • February 24, 2009
    This is sort of a "slice-of-life" film about a Bengali Brahmin family. The formerly well-to-do family has been displaced from their ancestral home due to the ne'er do well father's naievete. The oldest girl, Durga, is sensitive to the injustice of her family's plight, and steal... read mores from the family living in their former home. Apu, around whom this trilogy revolves, is just a happy go lucky kid. Sadly, this story doesn't have a Hollywood ending. Thank God! It is beautiful and feels real. I don't cry often in films, but this is a tear-jerker. It shows how beautiful life is - even when it's painful.
  • January 19, 2008
    Probably the weakest of the trilogy, but a weak classic is still a classic. Ray's storytelling style seems to reflect Apu as he grows up. In "Pather Panchali", the narrative was very slice-of-life, moving at its own pace, much like Apu as a child. In "World of Apu", the plot w... read moreas much more structured as we follow Apu into adulthood. "Aparajito" seems to straddle both these styles, starting out much more leisurely as we follow Apu at ten and becoming more structured as he heads off to college. A good second act in the life of Apu Roy, though it ends a bit abruptly.

Critic Reviews


Dave Kehr
October 24, 2007
Dave Kehr, Chicago Reader

Ray's relaxed, open style had a tremendous influence on the film world of 1956, but time has absorbed some of its originality. Full Review

Variety Staff
October 24, 2007
Variety Staff, Variety

It doesn't have quite the tension or quite the variety of mood but it has a special brooding quality and a more explicit conflict between East and West. Full Review

Jonathan Rosenbaum
October 24, 2007
Jonathan Rosenbaum, Chicago Reader

It's a masterpiece for which terms like 'simplicity' and 'profundity' seem inadequate. Full Review

Bosley Crowther
March 25, 2006
Bosley Crowther, New York Times

It is done with such rare feeling and skill at pictorial imagery, and with such sympathetic understanding of Indian character on the part of Mr. Ray, that it develops a sort of hypnotism for the seren... Full Review

Roger Ebert
March 21, 2001
Roger Ebert, Chicago Sun-Times

Standing above fashion, it creates a world so convincing that it becomes, for a time, another life we might have lived. Full Review

Edward Guthmann
January 1, 2000
Edward Guthmann, San Francisco Chronicle

There's pleasure in witnessing Apu's thrill of knowledge, but sadness when his ambitions create an inevitable break with his mother. Full Review

James Berardinelli
January 1, 2000
James Berardinelli, ReelViews

The word 'masterpiece' is certainly overused, but this is one instance when it is deserved. Full Review

David Parkinson
August 7, 2012
David Parkinson, Empire Magazine

Humanist film-making at its best. Full Review

Emanuel Levy
August 5, 2011
Emanuel Levy, EmanuelLevy.Com

The second panel in Ray's masterpiece, Thr Apu Trilogy, is less dramatic than the first or last, but it's just as insightful and emotionally touching. Full Review

August 28, 2006
TV Guide's Movie Guide

A thoughtful, colorful, and poetic story of life in India. Full Review

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