If you didn't already know: Stanley Kubrick had the rights to film this Brian Aldiss short story, but when he died, Steven Spielberg took the project over. The aesthetic bears a resemblance to Kubrick's 2001, and also, in the middle third, to Ridley Scott's Blade Runner, or Tron.... read more
Haley Joel Osment,
Jude Law,
Frances O'Connor,
Brendan Gleeson,
William Hurt
... see more
Based on the 1969 short story Super-Toys Last All Summer Long, by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of direct... read more
Directed by: Steven Spielberg
Release Date: June 29, 2001
DVD Release Date: March 5, 2002
Stats: 19,833 reviews
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Flixster Reviews (19,833)
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March 25, 2012
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December 7, 2011
Can a robot be taught to love and be genuinely loved in return? Exploring this very fascinating subject, as well as a number of other philosophical themes, this well-crafted sci-fi yarn has much to offer when it comes to engaging moral debate. Spielberg, who took over the helm fo... read more
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September 30, 2011
I figured writing a review to A.I. would be a good follow-up to my 2001 review which was my 300th review. A.I. Artificial Intelligence was originally going to be made by the late Stanley Kubrick but picked up by Stephen Spielberg shortly after his death. After seeing 2001, I can ... read more
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June 16, 2011
Ai was incredible storytelling, but end with me feeling empty and feeling bad. Haley Joel Osment is a very talented actor in this and The Sixth Sense, but I don't understand why hes not in movies anymore? The plot is a work of genius, another great futuristic vision by Spielber... read more
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June 12, 2011
Poignant, sentimental and truly fascinating. A movie to behold for the contemplative, it provokes the viewer about life and primal, unconditional love and morality. In the end, we realize then that life is beautiful when you can love, and it's all that really matters.
Incredible... read more -
May 21, 2011
One of the few times in cinema that I've been both entertained and moved equally. I wept like a baby during the last 20 minutes or so the film and it's that it's unusual for me to do that, but the film just really hit home. This is an incredibly well-told story, with a proper u... read more
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April 10, 2011
A brilliant story of a boy who wants to be real. Before I watched this I didn't know what I was letting myself in for, but the narrative is haunting but inspirational. Haley Joel Osment's performance was one of a kind with his big bright eyes looking at the world like he'd never ... read more
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April 9, 2011
I believe that "A.I.: Artificial Intelligence" is Steven Spielberg at his riskiest. He has never been so emotionally daring or so probing with his themes. The film is extremely resonant in all the right ways. It's emotionally haunting as well as viscerally thrilling. The future S... read more
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December 12, 2010
I suprised myself by liking this film quite a lot, even though it nearly made me cry a couple of times (yes I am soppy). The ending was a bit overblown perhaps, but overall I enjoyed it very much. Gigolo Joe was probably my favourite character, I'm not usually a big fan of Jude L... read more
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November 7, 2010
Modern retelling of "Pinocchio", originally helmed by Stanley Kubrick. The story, adapted from Brian Aldiss's "Super-toys Last all Summer Long", showed tremendous potential for a really dark cinematic experience, but Steven Spielberg's characteristic style rendered it a little ch... read more
Critic Reviews
Temperamentally, Spielberg and Kubrick are such polar opposites that A.I. has the moment-to-moment effect of being completely at odds with itself. Full Review
The most philosophical film in Kubrick's canon, the most intelligent in Spielberg's, and quite possibly the film with the most contemporary relevance that either one has made since Kubrick released Dr... Full Review
The most controversial conversation-piece to hit the dumbed-down American movie scene since heaven knows when.
Technically dazzling yet emotionally accessible to the inner child in everyone from 9 to 90.
Its heart is in the right place. But the intelligence behind the rest of the movie is, well, a little too artificial. Full Review
Fascinating, if uneven and ultimately rather silly. Full Review
The real joy of the movie for me, and why I recommend it despite everything, was watching Spielberg salute Kubrick, his friend and mentor, while at the same time defy him. Full Review
If only Spielberg's faith in movie magic weren't linked -- biochemically, it now seems -- to a lack of faith in the potential of humankind. Full Review
The structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg. Full Review
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