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Rachel Weisz, Max Minghella, Oscar Isaac, Ashraf Barhom, Michael Lonsdale ... see more see more... , Rupert Evans , Homayoun Ershadi , Sami Samir , Richard Durden , Omar Mostafa , Oshri Cohen , Yousef 'Joe' Sweid

A fourth century slave (Max Minghella) is confronted with his love for his intellectual alchemist master, Hypatia of Alexandria (Rachel Weisz), and the temptations of freedom spurred by the rise of Ch... read more read more...ristianity in this historical epic from acclaimed filmmaker Alejandro Amenábar. ~ Jeremy Wheeler, Rovi

Flixster Users

64% liked it

20,075 ratings

Critics

51% liked it

86 critics

DVD Release Date: October 9, 2010

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Stats: 1,495 reviews

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Flixster Reviews (1,495)


  • October 10, 2011
    Historically based movie...portraying one of the last of the great philosophers holding on to her world before the new Christians plunged it into the Dark Ages, and destroying the great philosophical and scientific works of the time. Their religion was as devoid of love, compassi... read moreon and empathy as any before, or after them. When religion takes hold, out the window goes reason, science and tolerance. .
  • September 30, 2011
    This is an outstanding film, my only question is what is fact and what is fiction, it seems to be a movie to show the negative side of both the Jewish religion and Christianity. The story is consist of a slave and his devotion for his Lady, Hypatia. Costumes were outstanding, and... read more a huge cast to make you feel as though you were back in the 4th century. All in all still worth 5 Stars.
  • August 17, 2011
    Neither Rachel Weisz's gripping performance, the impressive sets, the beautiful cinematography, nor the interesting subject matter can entirely save Agora. It is tainted by a poor script, slow pacing and mediocre acting from supporting roles.
  • August 9, 2011
    Set after Christianity became the official religion of the Roman empire, Christians and pagans battle for cultural supremacy.
    There are some fascinating aspects about Agora including the equal (or at least almost equal) brutality with which Christians and pagans fought for... read more political power each ignoring the lessons of peace their belief systems professed. I also thought Hypatia's position as a teacher was a too-little-attended-to historical fact.
    But there are two stories going on here, and they never come together; the connecting writing between the stories bespeaks lazy storytelling. Also, it would have been far more compelling if, instead of trying to figure out the Earth's orbit, Hypatia would have been engaged in a question of more timeless import. We're left screaming, "It's an ellipse," rather than, with suspense, coming to our own answers for her questions.
    Overall, I think I like Agora less than it deserves; yes, the storytelling is lazy, and yes, it degrades into action sequences before it develops characters, and yes, if there's a main theme, it's something as simplistic as "religion makes people crazy," but it's an ambitious spectacle set in a time that doesn't get a lot of attention in film.
  • June 4, 2011
    Alexandria, Egypt. 391 A.D. The World Changed Forever

    The movies problem is not in lack of content, on the contrary, there is just so much going on, there is no focus or general direction to be seen anywhere. There is no general direction for the story itself; in the middle of t... read morehe movie you're going to be wondering okay what are we concentrating on here...? Here is the way i see it; twists are nice, but total clue-lessness is not. The director is trying to do too much in one movie. He tries to talk about handful of characters at once with way too much detail about each. I would've rather had a movie that talks about one of these characters with much more focus. The acting, however, was pretty good. Rachel Weisz and a handful of actors provided us with an admirable performance that was nice to watch. The environments and depictions of 4th century Egypt were stunning. Not a waste of money, but nothing memorable either.. I've seen better.

    Alexandria, 391: Hypatia teaches astronomy, mathematics, and philosophy. Her student Orestes is in love with her as is Davus, her personal slave. As the city's Christians, led by Ammonius and Cyril, gain political power, the great institutions of learning and governance may not survive. Jump ahead 20 years: Orestes, the city's prefect, has an uneasy peace with Christians, led by Cyril. The Christians enforce public morality; first they see the Jews as their obstacle, then women. Hypatia has no interest in faith; she's concerned about the movement of celestial bodies and the brotherhood of all. What place is there for her?
  • April 9, 2011
    While the movie itself may not be the most amazing drama i've ever seen, the history it covers is really entertaining. I was captivated from start to finish about what was going on in this amazing time period. Beautifully filmed, with incredible sets. Not sure it was my netflix o... read morer what, but there was some blurry scenes and the sound was awful (had to turn it up for dialog and down for music every five seconds).
  • March 13, 2011
    It really is a shame that Agora has mostly gotten passed over. It doesn't seem that Spain's top grossing film should go straight to dvd in the US, but perhaps that says something about the cultures in question. Honestly, this film will irritate an awful lot of people. Christianit... read morey and religion as a whole is painted in a very negative light, but I have no doubts as to the historical accuracy. After all, we all know that the earth is flat and the center of the earth! I watched this a couple weeks ago and there was lot of stuff that seemed notable and profound at the time that has now slipped my mind. The relationship between Hypatia and Davus is really interesting and well done - it doesn't necessary take the angles you would expect. Oh! And the ending is amazing and poignant! As is the sequence when the Romans/Christians overtake the city. Overall, in the end you're struck by the overall beauty and potence of the picture and also this horrible disgust towards intollerence in a very real way; not in a stereotypical 'liberal, goodwill' sort of way, it's a deeper realization that 'this really sucks.'
  • March 7, 2011
    The movie is more educative than entertaining.
  • January 13, 2011
    A movie not against spirituality, but against intolerance, and religious dogma as a way of life. Well acted and directed, goes without saying that this kind of material won't get many accolades. A shame because Agora's message is as relevant as ever, we can't let superstition rul... read moree our lifes, and the world we live in. It's a constant struggle that will keep going as long as the human race walks this planet.
  • December 12, 2010
    As my second fight-for-religion movie of the day, I deem this one much better than the first.

Critic Reviews


Cliff Doerksen
January 3, 2011
Cliff Doerksen, Chicago Reader

This Spanish-produced period drama is pretty dreadful: the drama is torpid, the astronomy lessons pedantic, and the spear-and-sandal production values flat-out cheesy. Full Review

Jonathan F. Richards
September 21, 2010
Jonathan F. Richards, Film.com

Although the movie's history is spotty, its dialogue is sometimes clunky, and time frames are telescoped, its overall impact packs a powerful punch. Full Review

Tom Long
August 13, 2010
Tom Long, Detroit News

Manages to mix philosophy, history, hysteria and a love triangle and still be something of a bore. Full Review

Colin Covert
July 29, 2010
Colin Covert, Minneapolis Star Tribune

Some may consider "Agora" sound history, others may label it heresy, but I call it thumping good drama. Full Review

Ann Hornaday
July 23, 2010
Ann Hornaday, Washington Post

Agora, Alejandro Amenabar's absorbing historical drama, proves that, in an era of movies made for iPhones with artistic ambitions to match, there are still filmmakers willing to swing for the fences.

Peter Hartlaub
July 22, 2010
Peter Hartlaub, San Francisco Chronicle

An interesting but often frustrating effort by the director of The Sea Inside, who proves that ambition and talent aren't enough to ensure a compelling drama. Full Review

Steven Rea
July 22, 2010
Steven Rea, Philadelphia Inquirer

Agora is entertaining, and even at times illuminating. Full Review

Ty Burr
July 22, 2010
Ty Burr, Boston Globe

It's still more than watchable thanks to the ministrations of a talented director, Spain's Alejandro Amenábar, but the togas seem to have brought out the stiff, declamatory earnestness in everyone. Full Review

Roger Ebert
July 22, 2010
Roger Ebert, Chicago Sun-Times

I went to see Agora expecting an epic with swords, sandals and sex. I found swords and sandals, some unexpected opinions about sex, and a great deal more. Full Review

Dana Stevens
July 7, 2010
Dana Stevens, Slate

The human story of Agora is not only smaller in scale than the sweep of geohistory but considerably less interesting. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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Facts


    • Hypatia: If I could just unravel this just a little bit more, and just get a little closer to the answer, then... Then I would go to my grave a happy woman.
    • Hypatia: Synesius, you don't question what you believe, or cannot. I must.
  • The set was built on the same spot (Fort Ricasoli, Malta) where the Coliseum was built for the film Gladiator (2000).
  • Alexandria, Egypt 391 A.D. The world changed forever.

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