Das Boot is one of the most gripping and authentic war movies ever made. Based on an autobiographica... read morel novel by German World War II photographer Lothar-Guenther Buchheim, the film follows the lives of a fearless U-Boat captain (Jurgen Prochnow) and his inexperienced crew as they patrol the Atlantic and Mediterranean in search of Allied vessels, taking turns as hunter and prey. There's very little plot, so the movie's power comes from both its riveting, epic battle scenes and its details of the boring hours spent waiting for orders or signs of the enemy. With the exception of one staunch Hitler Youth lieutenant, none of the crew is particularly loyal to the Nazis, and some are openly hostile toward their Fuhrer; this allows viewer sympathy with the men as they perform their laborious, monotonous duties in cramped, filthy quarters, or await death as depth charges explode all around the sub. Prochnow is excellent as the nerves-of-steel commander, and many of the supporting actors -- all German -- are solid as well, although the characterizations border on war movie clichés (the young crewman who has left behind his pregnant girlfriend, the Chief Engineer whose wife is seriously ill). The real star, however, is cinematographer Jost Vacano, who makes the sub's grimy, claustrophobic interior come to vivid life, as his camera follows the crew through hatches, up ladders, into bunks, and under pipes, creating a palpable sense of claustrophobia while injecting it with movement. Originally edited by writer/director Wolfgang Petersen as both a two-and-a-half hour theatrical release and a six-hour German miniseries, Das Boot was re-released in a restored version in 1997 with nearly one hour of added footage which made it even more suspenseful than before. ~ Don Kaye, Rovi
A real-life historical incident becomes the basis for this military thriller from director Kathryn B... read moreigelow that's reminiscent of such submarine dramas as Das Boot (1981), The Hunt for Red October (1990), Crimson Tide (1995), and U-571 (2000). Harrison Ford stars as Captain Alexi Vostrikov, a Russian naval officer who's being given command of the Soviet Union's first nuclear submarine, K-19, at the height of the Cold War in 1961. The vessel's previous commander, Captain Mikhail Polenin (Liam Neeson) has been demoted to executive officer following a botched test and his outspoken assertions that the flagship is not yet ready for deployment, but he curbs his resentment and resolves to serve his new superior well. Polenin's concerns are well founded: parts are not yet installed, equipment is missing, and the ship's doctor is killed in an auto mishap. Political pressure forces Vostrikov to sail his crew into the North Atlantic anyway, for a missile fire test that serves as a warning to the U.S. that its enemy is now its technological equal. The test is a success, but a disastrous leak in the K-19's reactor cooling system soon threatens to create enough heat to detonate the craft's nuclear payload -- which would certainly be mistaken for the first salvo in a worldwide atomic exchange and spark the beginning of World War III. With no other option, Vostrikov orders his men to repair the damage in ten-minute shifts, irradiating them hopelessly. The conflict between the seemingly bureaucratic Communist Vostrikov and the more humane Polenin escalates, until a surprising twist reveals where both officers' loyalties truly lie. ~ Karl Williams, Rovi
cident that was officially suppressed for 28 years, K-19: The Widowmaker is a fine addition to the "sub-genre" of submarine thrillers.
Reviewed 20 months days ago
. Feels too long too. Liam Neeson is originally the captain of the sub but the higher authorities don't like his way and so Harrison Ford was brought onboard as captai
Reviewed 5 years days ago
A good war based film even though its all on one sub