Artus de Penguern
One woman decides to change the world by changing the lives of the people she knows in this charming... read more and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie (Audrey Tautou) is a young woman who had a decidedly unusual childhood; misdiagnosed with an unusual heart condition, Amelie didn't attend school with other children, but spent most of her time in her room, where she developed a keen imagination and an active fantasy life. Her mother Amandine (Lorella Cravotta) died in a freak accident when Amelie was eight, and her father Raphael (Rufus) had limited contact with her, since his presence seemed to throw her heart into high gear. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature. When Princess Diana dies in a car wreck in the summer of 1997, Amelie is reminded that life can be fleeting and she decides it's time for her to intervene in the lives of those around her, hoping to bring a bit of happiness to her neighbors and the regulars at the cafe. Amelie starts by bringing together two lonely people -- Georgette (Isabelle Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique Pinon), an especially ill-tempered customer. When Amelie finds a box of old toys in her apartment, she returns them to their former owner, Mr. Bretodeau (Maurice Benichou), sending him on a reverie of childhood. Amelie befriends Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. And Amelie decides someone has to step into the life of Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time carnival spook-show ghost who collects pictures left behind at photo booths around Paris. Le Fabuleux Destin D'Amelie Poulain received unusually enthusiastic advance reviews prior to its French premiere in the spring of 2001, and was well received at a special free screening at that year's Cannes Film Festival. ~ Mark Deming, Rovi
You know a film is good when it's in French and you still love it!!!!!!!!
Reviewed 11 months days ago
Fantastical French poise. Beautiful cinema. Heart warming.
Reviewed 2 years days ago
Good of its kind, but on order to enjoy this film and not be completely confused, you must understa
An inept cop suddenly gets a new partner in the person of a cabbie with attitude in this high-rollin... read moreg comedy. Washburn (Jimmy Fallon) is a police officer who becomes the laughingstock of the department after a series of traffic accidents cause him to lose his driver's license. One day, Washburn gets an urgent call to head out to the location of a bank robbery; unable to drive himself there, he hails a cab. As it happens, the taxi is being driven by Belle (Queen Latifah), a single mom who, after making a name for herself as the fastest pizza delivery person in New York, has moved up to driving a hack. What begins as a wild ride to the scene of the crime gets even wilder as Washburn and Belle become unexpected allies while following the trail of a team of beautiful but reckless female bank robbers led by Vanessa (Gisele Bundchen). Adapted from a popular French action comedy with the same name, Taxi was Jimmy Fallon's first big-screen vehicle after leaving the cast of the popular sketch comedy series Saturday Night Live. ~ Mark Deming, Rovi
Good one but I think the French version is better. The hot chicks on the BMW are mind blowers.
Reviewed 23 months days ago
An inept cop suddenly gets a new partner in the person of a cabbie with attitude in this high-rolli
Reviewed 3 years days ago
Funny...yes, but the original French movie is way better
A man born and raised on France's Southern coast is exiled to the Northern territories in this comed... read morey from actor, director and screenwriter Dany Boon. Philippe Abrams (Kad Merad) helps run the post office in a picturesque small town in the South of France, Salon de Provence. Philippe's wife Julie (Zoe Felix) has been down in the dumps, and he thinks one way to lift her spirits would be to relocate to the more glamorous surroundings of the Cote d'Azur. However, Philippe's attempts to finagle a transfer (by pretending that he is handicapped) fail, and when the ruse is discovered, he ends up being punished with a forced relocation to Bergues, a village in Northern France that lies stuck between Belgium and the English Channel. In this area, the indigenes speak a language known as Picard - an amalgam of French, Flemish and Latin - and Philippe essentially perceives the region as the "Siberia of France." With misery in his heart, he dons extreme winter clothing and trudges off to his new post, saying goodbye to Julie and their son, who opt to stay behind. To make matters worse, not long after arriving in Bergues, Philippe nearly runs over a man while driving home drunk -- who turns out to be one of his new colleagues at the post office, But Philippe eventually finds to his surprise that he enjoys life in Bergues, and begins to love the community and its people, even growing infatuated with Annabelle (Anne Marivin), a beautiful letter carrier. ~ Mark Deming, Rovi
never liked french movies... and while there are some good laughs in this movie, the overall plot is undeveloppe
Reviewed 4 years days ago
A french movie about the northern France accent. Advisable to the french speakers (of course). Funny a
Reviewed 5 years days ago
The funniest french movie I've seen in a long time.
Director Pascal Lauguier follows his 2004 thriller House of Voices with this relentlessly brutal tal... read moree of a girl who suffered unimaginable abuse as a young child, and the unspeakable horrors that unfold when she arrives at an isolated cabin in the woods fifteen years later. The story begins as the young, badly battered Lucie (Mylène Jampanoï) -- obviously the victim of inhuman abuse -- is hospitalized after somehow managing to escape her sadistic captors. Nearly catatonic after her life-altering ordeal, Lucie only manages to become functional again as a result of her friendship with Anna (Morjana Alaoui), a fellow abuse victim who selflessly reaches out to the badly damaged girl. Fifteen years later, Lucie guns down an entire family in cold blood. Is Lucie seeking belated vengeance against the people who tortured her as a young girl, or has her fragile psyche finally snapped, resulting in the bloody demise of an innocent family? Later, when Lucie calls on her old friend Anna, the truth about Lucie's traumatic early life experience slowly comes into focus. ~ Jason Buchanan, Rovi
The french have started to peek my interest a lot more these days. Every french movie I have seen has be
Reviewed 11 months days ago
This French horror makes the saw series look like Alice in wonderland. Its not nice, it's not enjoy
Reviewed 13 months days ago
Amazingly effective and horrific, I feel like I need to shower. One of the most disturbing films I
In the labyrinthine streets of 21st century Paris, where every move is monitored and ever action rec... read moreorded, a mysterious kidnapping sets into motion a catastrophic series of events that could ultimately prove the downfall of civilization. The year is 2054, and the Avalon Corporation has securely woven its way into every aspect of modern living by making youth and beauty the most valued commodity around. Troubles arises in the City of Lights when a high-profile scientist named Ilona (voice of Romola Garai) is kidnapped, and policeman Barthélémy Karas (voice of Daniel Craig) is assigned the task of solving the case. As his investigation leads Karas down a menacing path where death lurks around every bend, he soon discovers that events that took place in 2006 have cast a dark shadow over the future of humankind. A film that mixes Blade Runner aesthetics with stark, Sin City-style visuals, Renaissance was filmed using motion-capture animation and features extravagant production design by Alfred Frazzani (Immortel Ad Vitam). ~ Jason Buchanan, Rovi