Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfu... read morelly eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie's room, making him think there might be something to Frank's prophesies after all. The rest of Donnie's world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie's quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director's cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly's first cut of the film. ~ Mark Deming, Rovi
. As 'deep' as a pizza.
Reviewed 2 years days ago
Not as deep as it purports to be, but still interesting and watchable.
Reviewed 3 years days ago
Dark and deep, plays with your subconscience. Wickedly smart but a little osft on the philosophical
Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abst... read moreract science fiction with this time-tripping symbolic tale of a man's thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film's allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Even more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky and co. re-edited it to conform to a PG-13 rating. ~ Jason Buchanan, Rovi
Cuba Gooding Jr.,
Max von Sydow,
Jessica Brooks Grant
Based on a metaphysical 1978 novel by science fiction and horror author Richard Matheson, this roman... read moretic fantasy-drama won an Oscar for its expensive and impressive visual vistas depicting an imaginative afterlife. Robin Williams stars as Chris Nielsen, a doctor who has suffered with his artist wife Annie (Annabella Sciorra) through the devastating loss of their children, Marie and Ian, who were killed in a car accident. Although Annie's all-consuming depression nearly destroyed their marriage, the couple rebuilt their relationship and are now living out a comfortable middle age. Stopping one night to help a motorist in a wreck, Chris is struck by a car and killed. At first confused about where he is, Chris meets Albert (Cuba Gooding Jr.), a spiritual guide who helps him to realize he's passed away and that he must move on to the next world. After trying with only limited success to communicate with the devastated Annie, Chris moves on and discovers an afterlife that can become whatever one envisions, where even his pet dog awaits him. What Chris envisions as paradise are the paintings of his wife, and he happily takes up residence there, awaiting the far-off day when Annie will eventually join him. He also meets his children, although they have chosen different appearances than the ones they had in life. Then tragedy strikes when Annie, inconsolable, commits suicide and goes to Hell. Although it is rarely done, Chris insists on traveling there, risking his eternal soul to save the woman he loves. Accompanied part of the way by Albert and a wizened guide called The Tracker (Max von Sydow), Chris finally reaches Annie in Hell, and must convince her of the truth in order to release her from her dark prison. ~ Karl Williams, Rovi
... shows how deep ones love for another can really be
Reviewed 2 years days ago
. this was supposed to be a serious role for him. at the time i thought it was deep and meaningful but now i know it isn't actually.
Reviewed 6 years days ago
ms more serious films, and yet he manages to pull it off with considerable care, boosted by a very deep thoughtful script. Not a light movie or date movie.
Tony Kaye made his feature directorial debut with this dramatic exploration into the roots of race h... read moreatred in America. In a shocking opening scene, teen Danny Vinyard (Edward Furlong) races to tell his older brother, neo-Nazi Derek (Edward Norton), about the young blacks breaking into his car in front of the house, whereupon Derek gets his gun and with no forethought shoots the youths in their tracks. Tried and convicted, Derek is sent away for three years in prison, where he acquires a different outlook as he contrasts white-power prisoners with black Lamont (Guy Torry), his prison laundry co-worker and eventual pal. Meanwhile, Danny, with a shaved head and a rebellious attitude, seems destined to follow in his big brother's footsteps. After Danny writes a favorable review of Hitler's Mein Kampf, black high-school principal Sweeney (Avery Brooks) puts Danny in his private "American History X" course and assigns him to do a paper about his older brother, who was a former student of Sweeney's. This serves to introduce flashbacks, with the film backtracking to illustrate Danny's account of Derek's life prior to the night of the shooting. Monochrome sequences of Derek leading a Venice, California gang are intercut with color footage of the mature Derek ending his past neo-Nazi associations and attempting to detour Danny away from the group led by white supremacist, Cameron (Stacy Keach), who once influenced Derek. Director Tony Kaye, with a background in TV commercials and music videos, filmed in L.A. beach communities. Rated R "for graphic brutal violence including rape, pervasive language, strong sexuality and nudity." ~ Bhob Stewart, Rovi
An absolutely fantastic film,one of my all time favourites.shows how you can be so furious or angry
Reviewed 2 years days ago
Edward Norton truly blows you away in this story of White Supremacy and has a deep message that the world needs
Reviewed 17 months days ago
''So I guess this is where I tell you what I learned - my conclusion, right? Well, my conclusion
Philip Seymour Hoffman,
John C. Reilly
An intriguing and entertaining study in characters going through varying levels of crisis and intros... read morepection. This psychological drama leads you in several different directions, weaving and intersecting various subplots and characters, from a brilliant Tom Cruise, as a self-proclaimed pied-piper, to a child forced to go on a TV game show and the pressures he faces from a ruthless father.
jst an epic essemble of talent!!! PT Anderson takes all these individual stories and jst digs deep!! i guess the scene stealer wood hav 2 b tom cruise he truly was amazin playn himself!!! jst a
Reviewed 6 years days ago
. Its deep, moving and thoughtful.
Reviewed 5 years days ago
i was surprised that it went as deep as it did. it was really long and dragged at some points, but overall it was excellent, albeit
Jane Fonda, Felicity Huffman, and Lindsay Lohan star in director Garry Marshall's tale of a rebellio... read moreus young woman who is sent to spend the summer with her grandmother when her frustrated mother fails to find a means of curbing her unruly behavior. Rachel (Lohan) is an out-of-control teen whose reckless drinking, foul mouth, and hysterical fits have become a constant source of embarrassment for her long-suffering mother, Lily (Huffman). When Rachel crashes her car, Lily determines that the only way to tame her savage daughter is to take her as far away from San Francisco as possible. Though Lily had once sworn never to return to the Idaho farm presided over by her demanding mother, Georgia (Jane Fonda), desperation has a funny way of dulling the pains of the past, and it's not long before Lily is packing Rachel in the car and setting out for potato country. Contrary to the common image of the sweet and doting grandmother, Georgia is a stern matriarch whose beliefs in the power of God and a hard day's work stand in stark contrast to the carefree lifestyle of the tempestuous Rachel. An interesting thing happens as the summer wears on, though; despite her initial efforts to disrupt the quiet Mormon community, Rachel's rage is gradually tempered as she learns the value of structure and responsibility. Later, as Rachel's protective walls begin to crumble and she begins to embrace compassion and kindness, the doors are opened for three generations of family to confront the long-buried secrets of their past and finally move forward in the healing process. ~ Jason Buchanan, Rovi