Best Natalie Wood Movies


  • Rebel Without a Cause

    Rebel Without a Cause (PG-13, 1955)

    James Dean, Natalie Wood, Corey Allen, Sal Mineo, Dennis Hopper
    This landmark juvenile-delinquent drama scrupulously follows the classic theatrical disciplines, tel... read moreling all within a 24-hour period. Teenager Jimmy Stark (James Dean) can't help but get into trouble, a problem that has forced his appearance-conscious parents (Jim Backus and Ann Doran) to move from one town to another. The film's tormented central characters are all introduced during a single night-court session, presided over by well-meaning social worker Ray (Edward Platt). Jimmy, arrested on a drunk-and-disorderly charge, screams "You're tearing me apart!" as his blind-sided parents bicker with one another over how best to handle the situation. Judy (Natalie Wood) is basically a good kid but behaves wildly out of frustration over her inability to communicate with her deliberately distant father (William Hopper). (The incestuous subtext of this relationship is discreetly handled, but the audience knows what's going on in the minds of Judy and her dad at all times.) And Plato (Sal Mineo), who is so sensitive that he threatens to break apart like porcelain, has taken to killing puppies as a desperate bid for attention from his wealthy, always absent parents. The next morning, Jimmy tries to start clean at a new high school, only to run afoul of local gang leader Buzz (Corey Allen), who happens to be Judy's boyfriend. Anxious to fit in, Jimmy agrees to settle his differences with a nocturnal "Chickie Run": he and Buzz are to hop into separate stolen cars, then race toward the edge of a cliff; whoever jumps out of the car first is the "chickie." When asked if he's done this sort of thing before, Jimmy lies, "That's all I ever do." This wins him the undying devotion of fellow misfit Plato. At the appointed hour, the Chickie Run takes place, inaugurated by a wave of the arms from Judy. The cars roar toward the cliff; Jimmy is able to jump clear, but Buzz, trapped in the driver's set when his coat gets caught on the door handle, plummets to his death. In the convoluted logic of Buzz' gang, Jimmy is held responsible for the boy's death. For the rest of the evening, he is mercilessly tormented by Buzz' pals, even at his own doorstep. After unsuccessfully trying to sort things out with his weak-willed father, Jimmy runs off into the night. He links up with fellow "lost souls" Judy and Plato, hiding out in an abandoned palatial home and enacting the roles of father, mother, and son. For the first time, these three have found kindred spirits -- but the adults and kids who have made their lives miserable haven't given up yet, leading to tragedy. Out of the bleakness of the finale comes a ray of hope that, at last, Jimmy will be truly understood. Rebel Without a Cause began as a case history, written in 1944 by Dr. Robert Lindner. Originally intended as a vehicle for Marlon Brando, the property was shelved until Brando's The Wild One (1953) opened floodgates for films about crazy mixed-up teens. Director Nicholas Ray, then working on a similar project, was brought in to helm the film version. His star was James Dean, fresh from Warners' East of Eden. Ray's low budget dictated that the new film be lensed in black-and-white, but when East of Eden really took off at the box office, the existing footage was scrapped and reshot in color. This was great, so far as Ray was concerned, inasmuch as he had a predilection for symbolic color schemes. James Dean's hot red jacket, for example, indicated rebellion, while his very blue blue jeans created a near luminescent effect (Ray had previously used the same vivid color combination on Joan Crawford in Johnny Guitar). As part of an overall bid for authenticity, real-life gang member Frank Mazzola was hired as technical advisor for the fight scenes. To extract as natural a performance as possible from Dean, Ray redesigned the Stark family's living room set to resemble Ray's own home, where Dean did most of his rehearsing. Speaking of interior sets, the mansion where the three troubled teens hide out had previously been seen as the home of Norma Desmond in Sunset Boulevard. Of the reams of on-set trivia concerning Rebel, one of the more amusing tidbits involves Dean's quickie in-joke impression of cartoon character Mr. Magoo -- whose voice was, of course, supplied by Jim Backus, who played Jimmy's father. Viewing the rushes of this improvisation, a clueless Warner Bros. executive took Dean to task, saying in effect that if he must imitate an animated character, why not Warners' own Bugs Bunny? Released right after James Dean's untimely death, Rebel Without a Cause netted an enormous profit. The film almost seems like a eulogy when seen today, since so many of its cast members -- James Dean, Natalie Wood, Sal Mineo, Nick Adams -- died young. ~ Hal Erickson, Rovi
    • fb505014829
      fb505014829: Natalie Wood is such a train wreck it's stunning. This movie is timeless and sets the bar for class
      Reviewed 22 months days ago
    • fb523173822
      fb523173822: Nicholas Ray, James Dean, and Natalie Wood, as a collective, were everything that was right about t
      Reviewed 2 years days ago
    • SJMJ91
      SJMJ91: "You're tearing me apart!"


      Director: Nicholas Ray
      Starring: James
      Reviewed 3 years days ago
  • West Side Story

    West Side Story (PG, 1961)

    Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, George Chakiris
    Romeo and Juliet is updated to the tenements of New York City in this Oscar-winning musical landmark... read more. Adapted by Ernest Lehman from the Broadway production, the movie opens with an overhead shot of Manhattan, an effect that director Robert Wise would repeat over the Alps in The Sound of Music four years later. We are introduced to two rival street gangs: the Jets, second-generation American teens, and the Sharks, Puerto Rican immigrants. When the war between the Jets and Sharks reaches a fever pitch, Jets leader Riff (Russ Tamblyn) decides to challenge the Sharks to one last "winner take all" rumble. He decides to meet Sharks leader Bernardo (George Chakiris) for a war council at a gymnasium dance; to bolster his argument, Riff wants his old pal Tony (Richard Beymer), the cofounder of the Jets, to come along. But Tony has set his sights on vistas beyond the neighborhood and has fallen in love with Bernardo's sister, Maria (Natalie Wood), a love that, as in Romeo and Juliet, will eventually end in tragedy. In contrast to the usual slash-and-burn policy of Hollywood musical adaptations, all the songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were retained for the film version, although some alterations were made to appease the Hollywood censors, and the original order of two songs was reversed for stronger dramatic impact. The movie more than retains the original choreography of Jerome Robbins, which is recreated in some of the most startling and balletic dance sequences ever recorded on film. West Side Story won an almost-record ten Oscars, including Best Picture, supporting awards to Chakiris and Rita Moreno as Bernardo's girlfriend, Anita, and Best Director to Robbins and Wise. Richard Beymer's singing was dubbed by Jimmy Bryant, Natalie Wood's by Marni Nixon (who also dubbed Audrey Hepburn in My Fair Lady), and Rita Moreno's by Betty Wand. The film's New York tenement locations were later razed to make room for Lincoln Center. ~ Hal Erickson, Rovi
    • fb511895794
      fb511895794: . Natalie Wood plays a puerto rican and I found that pretty funny all in itself. I'd say if your into
      Reviewed 16 months days ago
    • fb1210764046
      fb1210764046: musical of all time! The entire cast is superb! Just the dance numbers alone leave you breathless! Natalie Wood is gorgeous and in my opinion is phenomenal as Maria, it's a "must see"
      Reviewed 18 months days ago
    • Rikki89
      Rikki89: Love the songs and like to try and spot signs of the hatred between Natalie Wood and Richard Beymer
      Reviewed 4 years days ago
  • Rebel Without a Cause

    Rebel Without a Cause (PG-13, 1955)

    James Dean, Natalie Wood, Corey Allen, Sal Mineo, Dennis Hopper
    This landmark juvenile-delinquent drama scrupulously follows the classic theatrical disciplines, tel... read moreling all within a 24-hour period. Teenager Jimmy Stark (James Dean) can't help but get into trouble, a problem that has forced his appearance-conscious parents (Jim Backus and Ann Doran) to move from one town to another. The film's tormented central characters are all introduced during a single night-court session, presided over by well-meaning social worker Ray (Edward Platt). Jimmy, arrested on a drunk-and-disorderly charge, screams "You're tearing me apart!" as his blind-sided parents bicker with one another over how best to handle the situation. Judy (Natalie Wood) is basically a good kid but behaves wildly out of frustration over her inability to communicate with her deliberately distant father (William Hopper). (The incestuous subtext of this relationship is discreetly handled, but the audience knows what's going on in the minds of Judy and her dad at all times.) And Plato (Sal Mineo), who is so sensitive that he threatens to break apart like porcelain, has taken to killing puppies as a desperate bid for attention from his wealthy, always absent parents. The next morning, Jimmy tries to start clean at a new high school, only to run afoul of local gang leader Buzz (Corey Allen), who happens to be Judy's boyfriend. Anxious to fit in, Jimmy agrees to settle his differences with a nocturnal "Chickie Run": he and Buzz are to hop into separate stolen cars, then race toward the edge of a cliff; whoever jumps out of the car first is the "chickie." When asked if he's done this sort of thing before, Jimmy lies, "That's all I ever do." This wins him the undying devotion of fellow misfit Plato. At the appointed hour, the Chickie Run takes place, inaugurated by a wave of the arms from Judy. The cars roar toward the cliff; Jimmy is able to jump clear, but Buzz, trapped in the driver's set when his coat gets caught on the door handle, plummets to his death. In the convoluted logic of Buzz' gang, Jimmy is held responsible for the boy's death. For the rest of the evening, he is mercilessly tormented by Buzz' pals, even at his own doorstep. After unsuccessfully trying to sort things out with his weak-willed father, Jimmy runs off into the night. He links up with fellow "lost souls" Judy and Plato, hiding out in an abandoned palatial home and enacting the roles of father, mother, and son. For the first time, these three have found kindred spirits -- but the adults and kids who have made their lives miserable haven't given up yet, leading to tragedy. Out of the bleakness of the finale comes a ray of hope that, at last, Jimmy will be truly understood. Rebel Without a Cause began as a case history, written in 1944 by Dr. Robert Lindner. Originally intended as a vehicle for Marlon Brando, the property was shelved until Brando's The Wild One (1953) opened floodgates for films about crazy mixed-up teens. Director Nicholas Ray, then working on a similar project, was brought in to helm the film version. His star was James Dean, fresh from Warners' East of Eden. Ray's low budget dictated that the new film be lensed in black-and-white, but when East of Eden really took off at the box office, the existing footage was scrapped and reshot in color. This was great, so far as Ray was concerned, inasmuch as he had a predilection for symbolic color schemes. James Dean's hot red jacket, for example, indicated rebellion, while his very blue blue jeans created a near luminescent effect (Ray had previously used the same vivid color combination on Joan Crawford in Johnny Guitar). As part of an overall bid for authenticity, real-life gang member Frank Mazzola was hired as technical advisor for the fight scenes. To extract as natural a performance as possible from Dean, Ray redesigned the Stark family's living room set to resemble Ray's own home, where Dean did most of his rehearsing. Speaking of interior sets, the mansion where the three troubled teens hide out had previously been seen as the home of Norma Desmond in Sunset Boulevard. Of the reams of on-set trivia concerning Rebel, one of the more amusing tidbits involves Dean's quickie in-joke impression of cartoon character Mr. Magoo -- whose voice was, of course, supplied by Jim Backus, who played Jimmy's father. Viewing the rushes of this improvisation, a clueless Warner Bros. executive took Dean to task, saying in effect that if he must imitate an animated character, why not Warners' own Bugs Bunny? Released right after James Dean's untimely death, Rebel Without a Cause netted an enormous profit. The film almost seems like a eulogy when seen today, since so many of its cast members -- James Dean, Natalie Wood, Sal Mineo, Nick Adams -- died young. ~ Hal Erickson, Rovi
    • fb505014829
      fb505014829: Natalie Wood is such a train wreck it's stunning. This movie is timeless and sets the bar for class
      Reviewed 22 months days ago
    • fb523173822
      fb523173822: Nicholas Ray, James Dean, and Natalie Wood, as a collective, were everything that was right about t
      Reviewed 2 years days ago
    • SJMJ91
      SJMJ91: "You're tearing me apart!"


      Director: Nicholas Ray
      Starring: James
      Reviewed 3 years days ago
  • West Side Story

    West Side Story (PG, 1961)

    Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, George Chakiris
    Romeo and Juliet is updated to the tenements of New York City in this Oscar-winning musical landmark... read more. Adapted by Ernest Lehman from the Broadway production, the movie opens with an overhead shot of Manhattan, an effect that director Robert Wise would repeat over the Alps in The Sound of Music four years later. We are introduced to two rival street gangs: the Jets, second-generation American teens, and the Sharks, Puerto Rican immigrants. When the war between the Jets and Sharks reaches a fever pitch, Jets leader Riff (Russ Tamblyn) decides to challenge the Sharks to one last "winner take all" rumble. He decides to meet Sharks leader Bernardo (George Chakiris) for a war council at a gymnasium dance; to bolster his argument, Riff wants his old pal Tony (Richard Beymer), the cofounder of the Jets, to come along. But Tony has set his sights on vistas beyond the neighborhood and has fallen in love with Bernardo's sister, Maria (Natalie Wood), a love that, as in Romeo and Juliet, will eventually end in tragedy. In contrast to the usual slash-and-burn policy of Hollywood musical adaptations, all the songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were retained for the film version, although some alterations were made to appease the Hollywood censors, and the original order of two songs was reversed for stronger dramatic impact. The movie more than retains the original choreography of Jerome Robbins, which is recreated in some of the most startling and balletic dance sequences ever recorded on film. West Side Story won an almost-record ten Oscars, including Best Picture, supporting awards to Chakiris and Rita Moreno as Bernardo's girlfriend, Anita, and Best Director to Robbins and Wise. Richard Beymer's singing was dubbed by Jimmy Bryant, Natalie Wood's by Marni Nixon (who also dubbed Audrey Hepburn in My Fair Lady), and Rita Moreno's by Betty Wand. The film's New York tenement locations were later razed to make room for Lincoln Center. ~ Hal Erickson, Rovi
    • fb511895794
      fb511895794: . Natalie Wood plays a puerto rican and I found that pretty funny all in itself. I'd say if your into
      Reviewed 16 months days ago
    • fb1210764046
      fb1210764046: musical of all time! The entire cast is superb! Just the dance numbers alone leave you breathless! Natalie Wood is gorgeous and in my opinion is phenomenal as Maria, it's a "must see"
      Reviewed 18 months days ago
    • Rikki89
      Rikki89: Love the songs and like to try and spot signs of the hatred between Natalie Wood and Richard Beymer
      Reviewed 4 years days ago
  • Miracle on 34th Street

    Miracle on 34th Street (Unrated, 1947)

    Maureen O'Hara, John Payne, Edmund Gwenn, Natalie Wood, Harry Antrim
    Edmund Gwenn plays Kris Kringle, a bearded old gent who is the living image of Santa Claus. Serving ... read moreas a last-minute replacement for the drunken Santa who was to have led Macy's Thanksgiving Parade, Kringle is offered a job as a Macy's toy-department Santa. Supervisor Maureen O'Hara soon begins having second thoughts about hiring Kris: it's bad enough that he is laboring under the delusion that he's the genuine Saint Nick; but when he begins advising customers to shop elsewhere for toys that they can't find at Macy's, he's gone too far! Amazingly, Mr. Macy (Harry Antrim) considers Kris' shopping tips to be an excellent customer-service "gimmick," and insists that the old fellow keep his job. A resident of a Long Island retirement home, Kris agrees to take a room with lawyer John Payne during the Christmas season. It happens that Payne is sweet on O'Hara, and Kris subliminally hopes he can bring the two together. Kris is also desirous of winning over the divorced O'Hara's little daughter Natalie Wood, who in her few years on earth has lost a lot of the Christmas spirit. Complications ensue when Porter Hall, Macy's nasty in-house psychologist, arranges to have Kris locked up in Bellevue as a lunatic. Payne represents Kris at his sanity hearing, rocking the New York judicial system to its foundations by endeavoring to prove in court that Kris is, indeed, the real Santa Claus! We won't tell you how he does it: suffice to say that there's a joyous ending for Payne and O'Hara, as well as a wonderful faith-affirming denouement for little Natalie Wood. 72-year-old Edmund Gwenn won an Oscar for his portrayal of the "jolly old elf" Kringle; the rest of the cast is populated by such never-fail pros as Gene Lockhart (as the beleaguered sanity-hearing judge), William Frawley (as a crafty political boss), and an unbilled Thelma Ritter and Jack Albertson. Based on the novel by Valentine Davies, Miracle on 34th Street was remade twice: once for TV in 1973, and a second time for a 1994 theatrical release, with Richard Attenborough as Kris Kringle. ~ Hal Erickson, Rovi
    • fb68600877
      fb68600877: . Natalie Wood was terrific even as a child actress. I can't believe I haven't seen this until now, bu
      Reviewed 3 months days ago
    • fb526489821
      fb526489821: .

      Mrs. Walker is working, single mother, who works for Macy's Department Store in New York City. Natalie Wood plays her daughter, Susan. As the result of a failed Marriage, Doris raises her daughte
      Reviewed 5 months days ago
    • SirPant
      SirPant: . Edmund Gwenn is the perfect Santa and the young Natalie Wood was perfectly cast. It's not stupid of schmaltzy either unlike many contemporary Christ
      Reviewed 5 months days ago
  • Miracle on 34th Street

    Miracle on 34th Street (Unrated, 1947)

    Maureen O'Hara, John Payne, Edmund Gwenn, Natalie Wood, Harry Antrim
    Edmund Gwenn plays Kris Kringle, a bearded old gent who is the living image of Santa Claus. Serving ... read moreas a last-minute replacement for the drunken Santa who was to have led Macy's Thanksgiving Parade, Kringle is offered a job as a Macy's toy-department Santa. Supervisor Maureen O'Hara soon begins having second thoughts about hiring Kris: it's bad enough that he is laboring under the delusion that he's the genuine Saint Nick; but when he begins advising customers to shop elsewhere for toys that they can't find at Macy's, he's gone too far! Amazingly, Mr. Macy (Harry Antrim) considers Kris' shopping tips to be an excellent customer-service "gimmick," and insists that the old fellow keep his job. A resident of a Long Island retirement home, Kris agrees to take a room with lawyer John Payne during the Christmas season. It happens that Payne is sweet on O'Hara, and Kris subliminally hopes he can bring the two together. Kris is also desirous of winning over the divorced O'Hara's little daughter Natalie Wood, who in her few years on earth has lost a lot of the Christmas spirit. Complications ensue when Porter Hall, Macy's nasty in-house psychologist, arranges to have Kris locked up in Bellevue as a lunatic. Payne represents Kris at his sanity hearing, rocking the New York judicial system to its foundations by endeavoring to prove in court that Kris is, indeed, the real Santa Claus! We won't tell you how he does it: suffice to say that there's a joyous ending for Payne and O'Hara, as well as a wonderful faith-affirming denouement for little Natalie Wood. 72-year-old Edmund Gwenn won an Oscar for his portrayal of the "jolly old elf" Kringle; the rest of the cast is populated by such never-fail pros as Gene Lockhart (as the beleaguered sanity-hearing judge), William Frawley (as a crafty political boss), and an unbilled Thelma Ritter and Jack Albertson. Based on the novel by Valentine Davies, Miracle on 34th Street was remade twice: once for TV in 1973, and a second time for a 1994 theatrical release, with Richard Attenborough as Kris Kringle. ~ Hal Erickson, Rovi
    • fb68600877
      fb68600877: . Natalie Wood was terrific even as a child actress. I can't believe I haven't seen this until now, bu
      Reviewed 3 months days ago
    • fb526489821
      fb526489821: .

      Mrs. Walker is working, single mother, who works for Macy's Department Store in New York City. Natalie Wood plays her daughter, Susan. As the result of a failed Marriage, Doris raises her daughte
      Reviewed 5 months days ago
    • SirPant
      SirPant: . Edmund Gwenn is the perfect Santa and the young Natalie Wood was perfectly cast. It's not stupid of schmaltzy either unlike many contemporary Christ
      Reviewed 5 months days ago