• Name: Keb' Mo'
  • Date of Birth: Not available
  • Place of Birth: Not available
Mini-bio: Keb' Mo' draws heavily on the old-fashioned country blues style of Robert Johnson, but keeps his sound contemporary with touches of soul and folksy storytelling. He writes much of his own material and... read more has applied his acoustic, electric, and slide guitar skills to jazz and rock-oriented bands, as well. Born Kevin Moore in Los Angeles to parents of Southern descent, he was exposed to gospel music at a young age. At 21, Moore joined an R&B band later hired for a tour by Papa John Creach and played on three of Creach's albums. Opening for jazz and rock artists such as the Mahavishnu Orchestra, Jefferson Starship, and Loggins & Messina helped broaden Moore's horizons and musical abilities. He cut an R&B-based solo album, Rainmaker, in 1980 for Casablanca, which promptly folded. In 1983, he joined Monk Higgins' band as a guitarist and met a number of blues musicians who collectively increased his understanding of the music. He subsequently joined a vocal group called the Rose Brothers and gigged around L.A. Moore portrayed a Delta bluesman in a local play called Rabbit Foot in 1990 and later playing Robert Johnson in a docudrama called Can't You Hear the Wind Howl? He released his self-titled debut album as Keb' Mo' in 1994, featuring two Robert Johnson covers, 11 songs written or co-written by Moore, and his guitar and banjo work. Keb' Mo' performed a well-received set at the 1995 Newport Folk Festival. His second album, Just Like You, was equally well-received. Slow Down followed in 1998 and Door was issued two years later. ~ Rovi
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Eye color: Brown
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Nickname(s): Keb' Mo'
Notable feature(s): Honeydripper, Playing for Change, Martin Scorsese Present The Blues: Keb' Mo'
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Other: Born Kevin Moore, even recorded under his own name in 1980, but didn't release another album until the mid-1990s as Keb' Mo'. Since then he has caught the attention of true and serious musicians as well as film-makers, including Martin Scorsese.



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