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 John Hurt mini-bio: Britain's superbly eccentric import John Hurt's magnetic, often bedeviled portraits have touched the souls of filmgoers internationally for over four decades, and there seems to be no end to the depth of this man's talent. Stretching the boundaries every which way but loose, he continues to be a definitive textbook in in the art of acting metamorphosis. Transitioning between stage, TV and film, he increased his respect with such plays as "Inadmissible Evidence" (1965), "Little Malcolm and His Struggle Against the Eunuchs" (1966), a role he later took to film as Little Malcolm (1974), "Macbeth" (as Malcolm) (1967) and "Man and Superman" (1969), as well as prime parts in such films as A Man for All Seasons (1966), a role he was given after director Fred Zinnemann saw his stellar work in "Little Malcolm." He continued on the stage as an unlikely Romeo in 1973, and went on to garner great applause in Pinter's "The Caretaker" and "The Dumb Waiter", and in "Travesties" (1974).
It was TV, however, that displayed the full magnitude and fearless range of his acting instrument. In the mid-70s he gained widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark TV play The Naked Civil Servant (1975). Ahead of its time, Hurt's bold and unabashed take on the flamboyant and controversial gent who dared to be different was rewarded with the Emmy and British TV Awards. In film, he earned Oscar nominations for his memorable characters in The Elephant Man (1980) and Midnight Express (1978).
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