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Name: Isabelle Adjani
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Date of Birth:
June 27, 1955
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Place of Birth:
Paris, France
Mini-bio:
Bearing a distinctive dark-haired, porcelain-skin beauty that lent itself to the tragic heroines she frequently played, Isabelle Adjani became one of France's biggest and most acclaimed stars in the '... read more80s, winning four Césars between 1981 and 1994. Of Algerian and German parentage, Adjani was born in Gennevillier (near Paris) on June 27, 1955. She grew up loving poetry and theater, and began acting in amateur stage productions at the age of 12 after winning a school recitation prize. Two years later, she made her film debut in 1970's Le Petit Bougnat while on summer vacation. Her second film, Faustine et le Bel Été (1972), was also made while she was still in school. At the age of 17, Adjani was permitted to join the prestigious Comédie Française, where she drew excellent audience and critical response performing the classics. She signed a 20-year contract with the troupe, which she broke a short time later to pursue her film career, and the resulting controversy was be the first of many. In 1974, the young actress appeared in La Gifle and won the prestigious Prix Suzanne Bianchetti for Most Promising Actress. She became a bona fide star the following year, after director François Truffaut cast her as the tormented daughter of Victor Hugo in L'Histoire d'Adèle H./The Story of Adèle H., which earned her an Oscar nomination and worldwide acclaim. Many French critics, in particular, enthused over her performance, comparing her with the legendary Jeanne Moreau. Further acclaim greeted Adjani in 1981, when she won the Best Actress award at the Cannes Film Festival for her performances in Possession and Quartet, as well as her first César for the former film. With the release of L'Été Meurtrier in 1983, Adjani garnered both her second César and another helping of controversy. Although the film was a box-office hit and created many new fans for the actress, Adjani declined to behave in the manner expected of a movie star; she refused to allow herself to be photographed by the press at Cannes, and avoided interviews and press conferences. Despite her difficulties with the press, Adjani continued to rack up excellent screen portrayals and industry awards. She received particular praise for her work in the title role of Camille Claudel (1988), directed by her former longtime companion (and father of one of her sons) Bruno Nuytten; it was also the first film that she produced herself. Adjani won an Oscar nomination and her third César for her performance as the tragic heroine, but she caused more controversy during her César acceptance speech by reading aloud from Salman Rushdie's The Satanic Verses. More acclaim and less controversy followed for the actress in 1994, when she won her fourth César for her portrayal of the title character in La Reine Margot. A subsequent -- and uncharacteristic -- Hollywood outing, the 1996 remake of Diabolique, proved a disappointment, and, for the next couple of years, Adjani receded from view. However, she was no less respected in her homeland, where she was appointed president of the 50th Cannes Film Festival in 1997. She also continued to be highly visible on the political scene, staunchly supporting Algerian rebel activities and actively fighting racism against North African immigrants (such as her father) in France. She was particularly outspoken concerning the activities of the French National Front. In 1986, the anti-immigration group organized a smear campaign against her, starting rumors that she was dying of AIDS. This actually resulted in newspaper reports of Adjani's death, which caused her to go on national television to prove that she was, in fact, still alive. ~ Sandra Brennan, Rovi
Isabelle Adjani mini-bio: Isabelle Adjani, one of the most talented and accomplished actresses in the
history of French and world cinema, was born on June 27, 1955 in Paris,
France in the 17th Arrondissement, a working class neighborhood on the Right
Bank of the Seine. She and her younger brother Eric were raised by her
ethnic Algerian father and ethnic German mother in Gennevilliers in the
Hauts-de-Seine department, an industrial city located near to and to the
northwest of Paris. She started acting before her teen years, appearing in
amateur theater by the time she was 12 years old and in her first movie at
the age of 14.
The teenage Adjani, already a great beauty, appeared with the Comedie
Francaise, France's premier theater, and scored a great success in Jean
Giraudoux's play Ondine (1975) (TV) when she was 17 years old (she repeated
the performance on TV in 1974). She attracted notice, on film, as the
daughter in Gifle, La (1974), which was released in 1974, the year she left
the Comedie Francaise. Also that year, she filmed what would prove to be her
cinema breakthrough, playing the title role in French cinema great 'Francois
Truffaut''s Histoire d'Adèle H., L' (1975) ("The Story of Adele H."), a
biographical film about Victor Hugo's daughter. The role brought her her
first Best Actress nominations from the Academy of Motion Picture Arts &
Sciences and from the French Academy (the Oscar and César, respectively).
Her beauty and talent made her an international star, and the multilingual
Adjani has performed in English and German-language films as well as in her
native French tongue. She garnered the Cannes Film Festival's Best Actress
Award for her English-language role in 'James Merchant''s 1981 film Quartet
(1981) in 1991, then won the first of her four record Césars the next year
for Possession (1981), which was directed by her then-lover (and father of
her first child) Andrzej Zulawski. She won her second Cé in 1983 for her
role in Été meurtrier, L' (1983) ("One Deadly Summer" (1983)) and her third
for playing French sculptor Camille Claudel (1988) in the eponymous film.
That role also brought her her second Best Actress Oscar nomination (the
film, which was produced by her own production company, also was nominated
for the Best Foreign Language Film Oscar). She won her record fourth César
for Reine Margot, La (1994) ("Queen Margot" (1994)). This last film
represented the high-water mark of her career.
The legendary Adjani has appeared in only five movies since "La Reine
Margot" (and only 24 movies altogether since "Adele H."), being last seen on
screen in 2003 in two films: the female lead in Bon voyage (2003) and a
cameo in Monsieur Ibrahim et les fleurs du Coran (2003). As Adjani explained
after quitting the Comedie Francaise a generation ago, work is not her
consuming passion. In the past decade, she has devoted most of her time to
her private life, including raising her two children, Barnabé Nuytten and
Gabriel-Kane Adjani (born 1995), her son fathered by former lover Daniel
Day-Lewis.
