• Name: Bibi Andersson
  • Date of Birth: November 11, 1935
  • Place of Birth: Kungsholmen, Stockholm, Stockholms län, Sweden
Mini-bio: Swedish actress Bibi Andersson received her training at the legendary Kungliga Dramatiska Teatern, then graduated to the Royal Theatre of Stockholm. While performing in a stage production in Malmo, th... read moree 17-year-old Bibi, she was discovered for films by Ingmar Bergman, who tested her in a TV soap commercial before casting her in a small but showy role in Smiles of a Summer Night (1955). Exhibiting a more capricious image than most Bergman heroines, Ms. Andersson played breezily insouciant characters in the otherwise sober-sided The Seventh Seal (1957) and Wild Strawberries (1958). Her first important all-dramatic assignment was the neurotic unwed mother-to-be in Bergman's Brink of Life, for which she was honored with a Cannes Film Festival prize. Arguably her finest work under Bergman's guidance was as garrulous nurse Alma in Persona (1966), who gradually exchanges personalities with her near-comatose patient Liv Ullmann. She was also featured in one episode of Bergman's made-for-television Scenes from a Marriage (1973). On the Swedish stage, Bibi has starred in such imports as Arthur Miller's After the Fall and Edward Albee's Who's Afraid of Virginia Woolf. Bibi Andersson's American film credits--on the whole, far less worthwhile than her European and Scandinavian efforts--have included Duel at Diablo (1966), The Kremlin Letter (1970), Airport 79: The Concorde (1979), and I Never Promised You a Rose Garden (1977). ~ Hal Erickson, Rovi
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Replace this image with an actor photoBibi Andersson mini-bio: Her artistic dreams came early in life and were further supported by her older sister Gerd Andersson who became a ballet dancer at the Royal Opera and made her acting debut in 1951. Bibi, on the other side, had to make do with bit parts and commercials. She debuted in Dum-Bom (1953), playing against Nils Poppe. Eventually, she was able to start at the Royal Dramatic Theatre's acting school in 1954. A brief relationship with Ingmar Bergman made her quit school and follow him to the Malmö city theatre, where he was a director, performing in plays by August Strindberg and Hjalmar Bergman. Bergman also gave her a small part in his comedy Sommarnattens leende (1955), and larger roles in his Smultronstället (1957) and Sjunde inseglet, Det (1957). From the the 1960s she got offers from abroad, with best result in I Never Promised You a Rose Garden (1977). During the civil war in Yugoslavia she has worked with several initiatives to give the people of Sarajevo theatre and other forms of culture.

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